The trombone came into its own as a lead and solo instrument in jazz on the shoulders of J.J. Johnson
, in the early days of bebop. His Four Trombones: The Debut Recordings
(Prestige, 1953) celebrated the big brass instrument with three fellow 'bone menKai Winding
, Bennie Green
and Willie Davis
, all joining Johnson in a four man front line. Now Jennifer Wharton
presents a four trombone summit of her own with Not A Novelty
, the second outing of her group Bonegasm.
Trombonists John Fedchock
, Nate Mayland
and Alan Ferber
join her. Wharton wields the relatively unusualin jazzbass trombone. More often heard in classical orchestras (Wharton has been there), it has been employed in jazz by Don Sebesky
who became much better known as a producer/arranger than an instrumentalistand San Diego's Jimmy Cheatham
in his four-horn-front-line Sweet Baby Blues Band.
Four trombones could turn into a bombast party, but it didn't on any of J.J. Johnson's multiple 'bone discs, and it doesn't on Not A Novelty
. Opening with the tune "Bongasmo," from the pen of the group's pianist Michael Eckroth
, the sound has a hearty feel with a smooth flow, percolating with dance-inducing Latin percussion. "Face Value" has a gentle orchestral feel, featuring gorgeous trombone harmoniesWharton holding down the low end with leviathan-ish groans. And hereand throughout the albumthe music is given a gravitational lift via Eckroth's light sparkling piano touch.
"Ice Fall," written by saxophonist Chris Speed
and arranged by Alan Ferber, explores a majestic landscape, at dusk perhaps, Eckroth's piano coaxing the stars into view through the dimming sky, while the Wharton/Fedchock-penned "Blue Salt" gives off a robust, "onward my friends" vibe, and "Union Blues" sounds like a slow flow of hot tar (alto saxophones and trumpets couldn't do that), with Eckroth's piano igniting here-and-there flames in the inexorable movement.
Wharton and Bonegasm close with a pulsing, ominous take on Soundgarden's "The Day I Tried To Live," with Kurt Elling
sitting in on vocals, giving the tune a grungy mood, the voice tinted with a combination of anguish and anger, sounding very trombone-ish.
Bongasm; Face Value; Ice Fall; Blue Salt; Union Blues; Twinkle; Manta Rays; La Otra Mano; Little Cupcake; The
Day I Tried To Live.
Samuel Torres: percussion (1, 8); Kurt Elling: vocals (10).