Home » Jazz Musicians » Evan Gregor

Evan Gregor

Evan Gregor is an in-demand acoustic and electric bassist who continues to work with many of the worlds great artists in a wide variety of genres.

Jazz legends including Phil Woods – appearing on his big band CD “New Celebration” and working together in a variety of small group settings, Dave Liebman – a member of “Lineage” with a recording featuring his playing and arranging, Gary Burton, Phil Markowitz, Bill Goodwin, Urbie Green, Bob Dorough (appearing on ‘Duets’,) Ed Cherry and others have hired Evan as a sideman.

He has recently been touring with Grammy Award winning vocalist Patti Austin, playing in a variety of styles and ensembles.

Top young artists like Christian Scott, Darcy James Argue, Zach Brock, Michael Dease, Bobby Avey, Grace Kelly, Matt Vashlishan and Matt Hollman, as well as established creative musicians including Brad Shepik, Christian Howes, Pete McCann, The New York BMI Jazz Orchestra, Meg Okura, Jon Ballantyne, The Mahavishnu Project, Lynne Arriale, Jerome Sabbagh, David Berkman, Joel Harrison and many others have hired Evan for the bass chair, which has taken him all over the world.

He has a deep love of the bass and its role in any ensemble. As his resume suggests, he is able to deliver in a broad range on both electric and acoustic.

Evan holds a BM in Jazz Composition/Electric Bass from Berklee College of Music and an MM in acoustic bass performance from William Paterson, both Summa Cum Laude.

As an educator, Evan has served as faculty at The Collective, an accredited school for college aged rhythm section players in New York City, and with educational programs through the New York Pops. He also teaches and coordinates ensembles for CampJazz in Delaware Water Gap, PA, and recently released “From Student to Jazz Artist” – a unique 3+ hour interview/discussion with David Liebman on developing as a young artist, available through Advance Music.

Tags

1
Album Review

Erica Seguine: The New Day Bends Light

Read "The New Day Bends Light" reviewed by Angelo Leonardi


Impegnandosi nel ruolo di produttore, Darcy James Argue dà particolare considerazione al debutto discografico di quest'ensemble, fondato nel 2011 a New York dalle compositrici Erica Seguine e Shon Baker. La prima è anche arrangiatrice e guida dell'orchestra, la seconda entra nel cast come sassofonista. Dopo varie esibizioni in locali chiave della Big Apple, le due leader hanno selezionato sette composizioni originali dal loro repertorio, incidendole con un ampio organico comprendente talentuosi solisti della metropoli. Alcuni di essi ...

Album Review

Ben Markley: Ari's Funhouse

Read "Ari's Funhouse" reviewed by Angelo Leonardi


Accade spesso nel jazz che dagli incontri estemporanei nascano le cose migliori. Il bandleader e arrangiatore Ben Markley e il batterista Ari Hoenig si sono conosciuti nel 2019 in un jazz festival del Texas. Da quell'incontro è nato questo progetto discografico, che ha visto Markley orchestrare le composizioni di Hoenig per la big band che guida a Denver. Il batterista è ospite dell'ensemble e dà il suo contributo con un vivace e articolato sostegno ritmico. L'album è stato registrato nel ...

37
Album Review

Jennifer Wharton's Bonegasm: Grit & Grace

Read "Grit & Grace" reviewed by Jack Bowers


Asked to name the traits women most need to succeed in today's business world, Forbes magazine in a 2019 article underlined two of them as “grit and grace." One woman who took the advice to heart is bass trombonist Jennifer Wharton. She came late to jazz but has since made it her domain of choice, founding the trombone-centric septet Bonegasm and recording three albums under its name, the most recent of which, Grit & Grace, endorses Forbes' position by using ...

10
Album Review

Jennifer Wharton's Bonegasm: Grit & Grace

Read "Grit & Grace" reviewed by Dan Bilawsky


Blessed be the 'bone of invention and intention that is Jennifer Wharton. A mere six years ago, the noted bass trombonist had the idea to form a slide-centric septet and commission new music to bring her oft-neglected and ballasting instrument to the fore. Driven to act on that concept, Wharton thought things through, put a plan in motion and willed Bonegasm into existence. That aptly-titled band recorded its eponymous debut in 2018, released that revelation of a record in 2019, ...

31
Album Review

Erica Seguine/Shon Baker Orchestra: The New Day Bends Light

Read "The New Day Bends Light" reviewed by Jack Bowers


The New Day Bends Light, the debut recording by the twelve-year-old Erica Seguine/Shon Baker Orchestra, is interesting on a number of levels, not the least of which is emotional. The leaders and their twenty-one piece ensemble are clearly committed to the music and do their best to breathe life into each of the album's seven numbers, three of which were written by Seguine, three by Baker and the other ("Ose Shalom") by Nurit Hirsh. Aside from that, there is the ...

3
Liner Notes

Jennifer Wharton: Not a Novelty

Read "Jennifer Wharton: Not a Novelty" reviewed by Dan Bilawsky


The eponymous debut from Jennifer Wharton's Bonegasm broke the mold. There are no two ways about it. And while some may look at a statement like that and cry hyperbole, history begs to differ. With rare exception, the bass trombone—a horn forever typecast as an anchor—has been marginalized. So the idea of an ensemble featuring that denizen of the depths—a band playing music specifically commissioned to hinge on it, highlight it, and showcase the playing of one of its foremost ...

Album Review

Yu Nishiyama Big Band: A Lotus In The Mud

Read "A Lotus In The Mud" reviewed by Angelo Leonardi


Una giovane e talentuosa bandleader aggiorna la tradizione delle grandi orchestratrici del Sol Levante, da Toshiko Akiyoshi a Miho Hazama. La musica presente nel debutto di Yu Nishiyama va oltre un puntuale modern mainstream per big band ma colpisce per la fantasiosa scrittura, caratterizzata da percorsi ricchi di svolte, tra aristocratici contrasti timbrici, poderosi ensemble e trascinanti interventi solisti. Una visione orchestrale matura, ricca di tensione e dalla bella carica spettacolare. Trasferitasi da Yokohama negli Stati Uniti ...

Read more articles
145

Event

Abigail Riccards Live at Trumpets with Bill Goodwin, David Berkman, and Evan Gregor

Abigail Riccards Live at Trumpets with Bill Goodwin, David Berkman, and Evan Gregor

Source: All About Jazz

Abigail Riccards with Bill Goodwin, David Berkman, and Evan Gregor Sunday, Sept. 16, 2007 4-7pm Trumpets 6 Depot Square Montclair, NJ About Abigail Riccards: Since coming to New York in 2003, Abigail Riccards is already making a name for herself. Last summer, she toured the middle-east, playing a week tour in Yemen for the United States State Department. In 2004 Abigail was selected to be a semifinalist in the Thelonious Monk International ...

Photos

Concerts

Music

Recordings: As Leader | As Sideperson

NY/LA

Self Produced
2023

buy

Grit & Grace

Sunnyside Records
2023

buy

The New Day Bends...

Self Produced
2023

buy

Ari's Funhouse

OA2 Records
2022

buy

A Lotus in the Mud

Outside in Music
2022

buy

Human Qualities

Summit Records
2021

buy

Be Normal

From: Grit & Grace
By Evan Gregor

Birdless

From: Ari's Funhouse
By Evan Gregor

Revived Mind

From: Daring Mind
By Evan Gregor

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.