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Tomas Fujiwara: Triple Double
by Dan Bilawsky
The ninety seconds of scattershot guitar nicks that introduce “Diving For Quarters" can be seen as something of a trial by noodling. If you make it through that rough and prickly patch mentally intact, you're in for a treat. Asymmetrical grooving in fifteen, puckered brass glances, winding horn melodies, and stormy ensemble assaults all follow as ...
Bruce Harris: Beginnings
by Dan Bilawsky
Many a debut album receives a largely positive critique before being cut down to size with a qualifier. It's simply a jazz journalist's nature to paint newcomers as nascent talent in need of seasoning, players showing signs of potential, or artists taking a good first step with a first record. But sometimes a debut album is ...
Eddie Daniels & Roger Kellaway: Just Friends
by Dan Bilawsky
Clarinetist Eddie Daniels and pianist Roger Kellaway are more than just friends; they're musical soulmates, connected in pulse and impulse, focused on the same syncretic sum of sounds and styles, and bound by a telepathic rapport. Both men are virtuosos of the highest order, but that's beside the point. The real measure of their artistic collaborations ...
Adam Larson: Second City
by Dan Bilawsky
When you hear “Second City" and think about improvisation, comedy comes to mind before jazz. But this music is no laughing matter. Saxophonist Adam Larson is one serious talent, as this, his fourth album to date, makes clear. While Larson has called New York home for the past decade, Second City was recorded ...
Christian McBride Big Band: Bringin' It
by Dan Bilawsky
Where and how does Christian McBride find the time to do what he does? His plate is full about nine times over, what with his work as bassist, composer, bandleader, educator, jazz advocate, public speaker, radio personality, DJ, and Artistic Director for the Newport Jazz Festival. It's no wonder that it took him six years to ...
Dave Potter: You Already Know
by Dan Bilawsky
You might not know who drummer Dave Potter is, but you should. Whether stoking the flames in Jason Marsalis' Vibes Quartet, adding rhythmic flair to the recordings of bassist Will Goble, or leading the charge on his own, Potter has something incredibly positive to say. With You Already Know, Potter shrewdly mixes it ...
Jared Sims: Change Of Address
by Dan Bilawsky
Jared Sims isn't a purist, that's for sure. On Change Of Address, an album that marks his return to life in West Virginia after two decades spent in New England, he wields his baritone saxophone on a set of slick tunes that speaks to jazz's soul and funk extensions. Sims places his weighty horn squarely in ...
Philipp Gerschlauer/David Fiuczynski: Mikrojazz!: Neue Expressionistische Musik
by Dan Bilawsky
If you've followed guitarist David Fiuczynski's work in recent years, then you should already know that he's continually intensifying his search for what exists in the spaces between the spaces. While Fuze has always registered as something of a non-conformist, he's now completely shed a layer of skin and left conventional Western musical tuning behind, evolving ...
Josh Nelson: The Sky Remains
by Dan Bilawsky
Josh Nelson has seen quite a bit in recent times, diving deep into the human psyche with singer Sara Gazarek, moving through inner spaces with vibraphonist Tyler Blanton, exploring retrofuturistic realms inspired by the writings of H.G. Wells and Jules Verne, and touching down on Mars for a thorough musical exploration of the Red Planet. So ...
Roger Beaujolais: Sunset
by Dan Bilawsky
Vibraphonist Roger Beaujolais' name may not be familiar to listeners on the American side of the pond, but he's been a pretty steady presence on the British scene for decades, making a splash with The Chevalier Brothers, hitting the studios with artists as far apart as rocker-turned-folkie Robert Plant and Cuban icon Omara Portuondo, and leading ...
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