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Kat Gang: Kat Gang
by Dan Bilawsky
Vocalist Kat Gang must have been thinking of the old show business adage, “always leave them wanting more," when she conceived of and recorded this four-song EP; this sub-sixteen-minute musical appetizer whets the appetite, as Gang inhabits each song with a world-wise voice and delivery, and certainly leaves room for a larger portion to fill the ...
Dan Phillips BKK Trio: Bangkok Edge
by Dan Bilawsky
Thailand isn't exactly known the world over as a jazz mecca, but that doesn't mean it doesn't have its fair share of talent in this department; one need look no further than the back cover of guitarist Dan Phillips' Bangok Edge to discover the names of some of the movers and shakers on the Thai jazz ...
Charles Flores: Impressions Of Graffiti
by Dan Bilawsky
No album should ever serve as a debut and a posthumously-released pièce de résistance, but such is the case with bassist Charles Flores' Impressions Of Graffiti. At the age of 40, the Grammy Award-winning bassist, who spent time working with pianist Michel Camilo, trumpeter Brian Lynch, reed master Paquito D'Rivera, drummer Dafnis Prieto, and numerous other ...
Omar Sosa & Paolo Fresu Duo: New York, NY, January 24, 2013
by Dan Bilawsky
Omar Sosa & Paolo Fresu DuoBlue NoteNew York, NYJanuary 24, 2013 Some musicians settle into a club and simply play a set of music, but that's never the case with Omar Sosa. The pianist treats every performance as a musical séance and an opportunity to bare his soul. It's hard ...
Madeline Eastman + Randy Porter: A Quiet Thing
by Dan Bilawsky
When Bay Area vocalist Madeline Eastman released Bare: A Collection Of Ballads (Mad-Kat, 2001), it was a bit of a departure from her previous recorded work. By that point, she was a decade into a critically acclaimed recording career and she had established herself as an adventurous, risk-taking, creative artist with albums like Point Of Departure ...
North America Jazz Alliance: The Montreal Sessions
by Dan Bilawsky
A producer's wish to recapture the sound of an accordion legend's band set the ball in motion for this recording. Producer Peter Maxymych wanted to “recreate a sound that was heard in clubs and other venues in the 1960s and '70s." Maxymych goes on to note that “accordion was the lead instrument in those groups and ...
Yelena Eckemoff: Glass Song
by Dan Bilawsky
Pianist Yelena Eckemoff got a late start as a full-fledged jazz recording artist but she's making up for lost time. Eckemoff entered the artistic world as a young classical pianist in the Soviet Union, but she chose to put her work on hold for a spell while raising her children. Eventually, she returned to the piano ...
Cliff Hines: Wanderlust
by Dan Bilawsky
The melting pot mentality of New Orleans is responsible, in some part, for the existence and evolution of jazz in the first place, so it should come as no shock that it still serves a central hub for creativity and experimentation through combinatorial musical means. Guitarist/vocalist/composer Cliff Hines is a product of this environment, but he's ...
Daniel Lantz Trio: Plays Bond
by Dan Bilawsky
James Bond has a taste for the finer things in life; Aston Martin automobiles, Tom Ford suits, Omega Seamaster timepieces and mysteriously beautiful company from the fairer sex are just a few things that Bond bonds with these days, but jazz, sadly, doesn't make the list. While Monty Norman's famed “James Bond Theme" certainly paints a ...
Kevin Eubanks: The Messenger
by Dan Bilawsky
It's a shame that so few people only know guitarist Kevin Eubanks as the always-smiling, lick-delivering bandleader and guitar sidekick on The Tonight Show with Jay Leno. He was sharing the stage with drummer Art Blakey and recording with drummer Billy Hart long before he ever did the daily grind in television studios, but time has ...
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