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822

Article: Building a Jazz Library

Creed Taylor Productions, Part 1

Read "Creed Taylor Productions, Part 1" reviewed by Chris M. Slawecki


Part 1 | Part 2 The place in jazz history held by Creed Taylor is impeccable, stylish, and essential. He produced some of the best music for some of the best labels dedicated to jazz, then formed his own label and with meticulous preparation and his musician's ear kept on making great jazz ...

770

Article: Building a Jazz Library

Creed Taylor Productions, Part 2

Read "Creed Taylor Productions, Part 2" reviewed by Chris M. Slawecki


Part 1 | Part 2 The place in jazz history held by Creed Taylor is impeccable, stylish, and essential. He produced some of the best music for some of the best labels dedicated to jazz, then formed his own label and with meticulous preparation and his musician's ear kept on making great jazz ...

30

Article: Interview

Meeco: Keeping It Real

Read "Meeco: Keeping It Real" reviewed by Chris May


The Berlin-based producer and composer Meeco has a niche but devoted following, built up over a series of romantically inclined and elegant albums released between 2009 and 2014. The discs, which have pronounced Latin flavours, are Amargo Mel (Connector, 2009), Perfume E Caricias (Connector, 2010), Beauty Of The Night (Connector, 2012) and Souvenirs Of Love (Double ...

Album

Tide

Label: Elemental Music
Released: 2021
Track listing: Side 1: Girl From Ipanema; Carinhoso; Tema Jazz; Sue Ann; Remember. Side 2: Tide; Takatanga; Caribe; Rockanalia.

1

News: Music Industry

Creed Taylor: Shades of Green

Creed Taylor: Shades of Green

Today is Creed Taylor's birthday. He's 92. The fabled producer had a significant influence over the direction of jazz from the mid-1950s on. His first job was at Bethlehem Records in New York in the summer of 1954, attracting talent and overseeing the recording of jazz singers and instrumentalists on the East Coast. Creed's vision was ...

6

Article: Album Review

Christopher Burnett: The Standards, Vol. 1

Read "The Standards, Vol. 1" reviewed by Kyle Simpler


Modern jazz can certainly take a variety of different forms, but standards still remain the foundation for many players. With The Standards Vol. 1, Christopher Burnett brings modern and traditional elements together in an excellent meeting. His approach is to bring a traditional approach to each song, whether it's a well-loved favorite or an original composition. ...

23

Article: Building a Jazz Library

Eddie Sauter: A Wider Focus

Read "Eddie Sauter: A Wider Focus" reviewed by Chris May


For many people, composer and arranger Eddie Sauter's reputation begins and ends with Stan Getz's Focus (Verve, 1962). The album is, indeed, a masterpiece. But it is only one of the pinnacles of Sauter's career, which started during the swing era. Nor is Focus Sauter's only collaboration with Getz. The partnership continued with the less widely ...

8

Article: Album Review

The Invisible Session: Echoes Of Africa

Read "Echoes Of Africa" reviewed by Chris May


It is surely no coincidence that the Ishtar family of labels— tagline “Modern Sounds from Italy"—is based in Milan, that most stylish and go-ahead of Italian cities. New imprint Space Echo's launch release is The Invisible Session's sophomore album, Echoes Of Africa, and it slots right into Ishtar's sophisticated aesthetic, which exists at the intersection of ...

40

Article: So You Don't Like Jazz

Derek Trucks: Chops, Romance & Dance

Read "Derek Trucks: Chops, Romance & Dance" reviewed by Alan Bryson


It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb, “I hate jazz." If you choose to engage, the key is to tread lightly and tailor an approach that considers the tastes and sensibilities of the other person. The “So You Don't Like Jazz" ...

38

Article: Building a Jazz Library

Rahsaan Roland Kirk: An Alternative Top Ten Albums Guaranteed To Bend Your Head

Read "Rahsaan Roland Kirk: An Alternative Top Ten Albums Guaranteed To Bend Your Head" reviewed by Chris May


Jazz musicians are rarely called shamanistic but the description fits Rahsaan Roland Kirk precisely. Clad in black leather trousers and heavy duty shades (he was blind from the age of two), a truckload of strange looking horns strung round his neck—two or three of which he often played simultaneously--twisting, shaking and otherwise contorting his body, stamping ...


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