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Jazz at Lincoln Center Orchestra with Wynton Marsalis and Chick Corea at the Kimmel Center
by Victor L. Schermer
Jazz at Lincoln Center Orchestra with Wynton Marsalis and Chick Corea The Music of Thelonious Monk Kimmel Center for the Performing Arts Academy of Music Philadelphia, PA April 8, 2018 In the words of Robin Kelley, Thelonious Monk's definitive biographer, Monk was “An ...
Jazzing Up Childhood Memories
by Jerome Wilson
Jazz musicians today sometimes draw on all sorts of popular culture for inspiration, including the television shows they grew up with. Here are two fine examples. The Flying Horse Big Band The Bat Swings! Flying Horse Records 2018 The University of Central Florida's Flying Horse Big Band presents a ...
Julian Pressley: From The Duke To Ornette In His Own Way
by Victor L. Schermer
Julian Pressley isn't exactly a household name, but it's a name every jazz aficionado should know. When he plays his alto saxophone, ears perk up because he's playing what they came to hear: music that embodies the legacy. Passionate, quick-witted, and full of new ideas, Pressley stands out in the crowd, a genuine original. Yet you ...
Michael Waldrop: Origin Suite
by Jack Bowers
Drummer / vibraphonist Michael Waldrop's intriguing Origin Suite (deftly arranged by Jack Cooper) sweeps away musical boundaries to make its points, one of which is that big-band jazz needn't be ensnared in a time warp but is capable of changing with the times to engender songs that are as aesthetically pleasing as they are thematically stylish. ...
Wes Montgomery: One Night in Indy
by C. Michael Bailey
In the Resonance Wes Montgomery catalog, One Night in Indy: Featuring the Eddie Higgins Trio (2016) falls in between In The Beginning (Resonance, 2015) and Smokin' in Seattle: Live At the Penthouse 1966 (Resonance, 2017). It is documentation of Montgomery, appearing with the Eddie Higgins Trio at the Indianapolis Jazz Club, January 18, 1959. These performances, ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond
by Karl Ackermann
Beyond the Hubs While New Orleans, Chicago, Kansas City and New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far to practice their trade. ...
Tyler Mire Big Band: #Office for the Day
by Nicholas F. Mondello
Social Media has spewed forth a cornucopia of emoticons, symbols, and catchphrases that have Twittered their way into Webster's. The title of trumpeter/composer/arranger Tyler Mire's (pronounced “Meer") latest effort -"#Office for the Day" -is one example of a phrase that's particularly loved by musicians. However, there's nothing common or over-washed out about this latest fine effort ...
Seal: Standards
by Karl Ackermann
It shouldn't be a surprise that Seal would take on the American songbook, with a baritone that was made for classics like “Autumn Leaves" and “Love for Sale." Born Henry Olusegun Adeola Samuel in Paddington, England, the singer, guitarist and composer rose to fame with his global hits, and Grammy-winning songs, “Crazy" and “Kiss From a ...
Count Basie: New Testament Band
The history of the Count Basie orchestra is generally divided into two broad periods—the Old Testament band, which lasted from 1935 to 1950, and the New Testament band, which lasted from 1952 until Basie's death in 1984. The former orchestra thrived in the 78 era and was marked by frantic riffs, the blues and a cavalcade ...
Ryan Keberle
by Paolo Peviani
Il tratto principale della mia musica Secondo me, le melodie orecchiabili. La qualità che desidero nei musicisti che suonano con me La capacità di rispondere alle esigenze intellettuali del jazz, e al tempo stesso di creare in modo spontaneo musica sincera e bella. Come musicista, il momento in cui ...
