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Dave Sewelson, Satoko Fujii and Tatsuya Yoshida & More
by Maurice Hogue
There's a definite theme of muscular sounding saxophone in this edition of One Man's Jazz: Dave Sewelson, Steve Baczkowski, Chris Pitsiokos, Massimo Magee, Tomasz Szukalski, Marty Ehrlich, Cene Resnik, David Leon, Jonas Kullhammar and Remy Alvarez can all skronk with the best of them, and they're somewhere blowing their reeds apart throughout the music in this ...
New Music from William Parker and Whit Dickey
by Bob Osborne
Great music from the Aum Fidelity label with new albums from William Parker and Whit Dickey together with a selection of other recent releases and some classic Bird." Playlist William Parker in Order to Survive Eternal Is the Voice of Love II" from Live/Shapeshifter (Aum Fidelity) 00:00 Whit Dickey Tao Quartets Peace Planet" from ...
Stephan Crump's Rosetta Trio: Outliers
by Troy Dostert
Truly one of the most versatile of today's in-demand bassists, Stephan Crump has proven himself equally adept in a variety of musical contexts. Not only is he Vijay Iyer's longtime associate in both his trio and sextet formations, but he also finds time to pursue free improvisation with Ingrid Laubrock and Cory Smythe; that trio's Planktonic ...
Festival International de Musique Actuelle de Victoriaville 2019, Part 2-2
by Mike Chamberlain
Part 1 | Part 2 Festival International de Musique Actuelle de Victoriaville Victoriaville, Quebec, Canada May 16-19, 2019 The first two days of this year's FIMAV lived up to lofty expectations, and, if anything, Saturday's and Sunday's programs looked even more promising, with artists such as Roscoe Mitchell Vijay Iyer, ...
Quantum Trio, Baba Andrew Lamb & More
by Maurice Hogue
My music GPS keeps pointing to bassist Carlos Bica for riveting music. His new release I Am the Escaped One finds him heading in a different direction than the usual guitar trio. This time he's working with German saxophonist Daniel Erdmann and turntablist DJ Illvibe. The result is captivating. Bica is now living in Germany but ...
Wójciński-Szmańda Quartet, Dustin Laurenzi and More
by Maurice Hogue
The underlying theme in this episode appears to be ensembles of varying sizes and styles. From Sweden, trumpeter Goran Kajfeš' quartet Tropique blends elements of groove, trance, improv, African with a Don Cherry on top in the new Into The Wild, while another quartet, the Wójciński/Szmańda Quartet from Poland, knocks down the walls of same-same with ...
Circulate Susanna
By Cory Smythe
Label: Pyroclastic Records
Released: 2018
Track listing: Susanna soil flutter; Circulate to mole; Ladies load the telegraph; Weave the ring; Circulate Susanna; (Bullgine / lectric fluid magnified); Heads gather the stars; Ladies horserun; Twirl the bell, bullgine; Heads circulate to mole; (Double star thru magnified); Reverse soil flutter; To gather the wind.
Cory Smythe: Circulate Susanna
by Karl Ackermann
Cory Smythe tells stories. About stories. Specifically, a father's tales in the rural heartland of America; ingredients that a listener might assume had shaped Smythe's imagination in ways that go far beyond music. But like the Stephen Foster discs spinning on the gramophone as a tornado approaches, Smythe's nostalgic and inspirational world is liner-note fantasy. Nevertheless, ...
Tyshawn Sorey: Verisimilitude
by Giuseppe Segala
Il tocco ricco di sottili contrasti dinamici che Tyshawn Sorey mette in risalto alla batteria si avvicina per ampiezza espressiva a quello delle dita su un pianoforte: dalla pennellata acquosa al colpo ovattato, dall'urto leggero alla cupa, vigorosa stoccata. Sempre restando nell'ambito di una gamma elastica, mobile, rilassata. Una qualità che, unita alla plastica intelligenza musicale, ...
Troy Dostert's Best Releases of 2017
by Troy Dostert
Looking over the vast quantity of fine music released in 2017, it is reassuring to know that even in these troubled times, the spirit of creativity and endurance that jazz has always embodied continues to hold strong, especially as the music continually finds new forms of expression that move beyond stylistic boundaries. It was a particularly ...





