Home » Jazz Articles » Album Review » Cory Smythe: Circulate Susanna

8

Cory Smythe: Circulate Susanna

By

View read count
Cory Smythe: Circulate Susanna
Cory Smythe tells stories. About stories. Specifically, a father's tales in the rural heartland of America; ingredients that a listener might assume had shaped Smythe's imagination in ways that go far beyond music. But like the Stephen Foster discs spinning on the gramophone as a tornado approaches, Smythe's nostalgic and inspirational world is liner-note fantasy. Nevertheless, on Circulate Susanna those flights of fancy have manifested themselves in a near-indescribable collection of compositions and improvisations. There are hints of western swing, bits of psychedelia, microtonal scales, and what Smythe describes as "an alien Alan Lomax field recording."

Smythe is a superb pianist and eclectic composer. His jazz resume includes recordings with Anthony Braxton, Vijay Iyer and Tyshawn Sorey, and he has performed to outstanding reviews with classical violinist Hilary Hahn at the Kennedy Center. Smythe won a Grammy in 2015 for Best Chamber Music / Small Ensemble Performance. In 2016 he performed with Craig Taborn and Peter Evans as part of the Lincoln Center Mostly Mozart series. Smythe has recorded two excellent solo albums, Pluripotent (2011) and A U T O TROPHS (2017)—both on Not Art Records. Guitarist Daniel Lippel frequently performs in solo and chamber music settings and has been the resident guitarist for the International Contemporary Ensemble for twelve years. He has performed as a guest of the St. Paul Chamber Orchestra, Either/Or Ensemble, New York City Opera, and many other groups. Lippel has worked with a number of prominent composers including John Zorn. Ethiopian born experimental singer and composer Sofia Jernberg is a Swedish resident with a similarly broad background. Jernberg is the co-leader of the chamber jazz group Paavo; the group received the "jazz group of the year" award from Swedish Radio. She has appeared on two recordings from the Mats Gustafsson led Fire! Orchestra and recently collaborated on a project that included Ken Vandermark.

"Susanna soil flutter" certainly aligns with Smythe's Lomax analogy but those interplanetary chirps reside in an overall setting that is dark and ominous. "Circulate to mole" centers on Jernberg's incredible vocal instrument, here a kind of staccato keening; on "Ladies load the telegraph," spoken word, and electronically altered on "Weave the ring" and the title track. Often the line is blurred between acoustic manipulation and stand-alone electronics as on "(Bullgine / lectric fluid magnified)" and "(Double star thru magnified)." Throughout the collection, Smythe's piano and Lippel's de-tuned guitar seem to reference every skill in their considerable repertoire, in particular, on "Ladies horserun" and "Reverse soil flutter," where the music descends into a ferocious maelstrom.

Circulate Susanna closes eerily and poignantly with "To gather the wind," a variation of "Strange Fruit." Alongside Jernberg's mesmerizing, unaltered vocal, Smythe has replaced sections of Abel Meeropol's troubling lyrics with improvisations rendered through a dense mix of piano reverberation, bowed guitar and whistles. Circulate Susanna is a theme as much as a title. "Oh! Susanna" like other folksy American classics of the mid-1800s such as "Camptown Races" and "My Old Kentucky Home" were widely popular (and are still sung by school children) but blatantly racist. It is an issue that Smythe tackles in a kaleidoscope of avant-garde influences, pointillist, and dense textures and controlled chaos. For those who crave intelligent experimenting, it is an album worth repeated listening.

Track Listing

Susanna soil flutter; Circulate to mole; Ladies load the telegraph; Weave the ring; Circulate Susanna; (Bullgine / lectric fluid magnified); Heads gather the stars; Ladies horserun; Twirl the bell, bullgine; Heads circulate to mole; (Double star thru magnified); Reverse soil flutter; To gather the wind.

Personnel

Sofia Jernberg: voice; Daniel Lippel: detuned acoustic guitar, electronics; Cory Smythe: piano, autoharp, electronics.

Album information

Title: Circulate Susanna | Year Released: 2018 | Record Label: Pyroclastic Records

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Tramonto
John Taylor
Ki
Natsuki Tamura / Satoko Fujii
Duality Pt: 02
Dom Franks' Strayhorn
The Sound of Raspberry
Tatsuya Yoshida / Martín Escalante

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.