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Peter Evans
His primary groups as a leader are the Peter Evans Ensemble and Being & Becoming (with Joel Ross, Nick Jozwiak and Savannah Harris). Evans has been exploring solo trumpet music since 2002 and is widely recognized as a leading voice in the field, having released several recordings over the past decade. He is a member of the cooperative groups Pulverize the Sound (with Mike Pride and Tim Dahl) and Rocket Science (with Evan Parker, Craig Taborn and Sam Pluta) and is constantly experimenting and forming new configurations with like-minded players.
As a composer, he has been commissioned by the International Contemporary Ensemble (ICE), Wet Ink, Yarn/Wire, the Donaueschingen Musiktage Festival, the Jerome Foundation's Emerging Artist Program, and the Doris Duke Foundation. Evans has presented and/or performed his works at major festivals worldwide and tours his own groups extensively.
He has worked with some of the leading figures in contemporary music: John Zorn, Peter Broetzmann, Pauline Oliveros, Brian Ferneyhough, Kanye West, George Lewis, Anthony Braxton, Mary Halvorson, Ambrose Akinmusere, Weasel Walter, Ingrid Laubrock, Jeff "Tain" Watts, Tyshawn Sorey, Jim Black, Ikue Mori, Steve Schick, and performs with both the ICE and Wet Ink. As an interpreter of notated concert music Evans' has performed works by Varese, Xenakis, Bach, Stravinsky, Elliott Carter, Marcos Balter, Agusta Read Thomas, Roscoe Mitchell, and many more.
Peter Evans has been releasing recordings on his own label, More is More, since 2011. 2020 will see the debut recording from Being & Becoming, a new release from the Peter Evans Ensemble, and an album of Christmas music with three pianos.
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Dan Weiss Quartet: Unclassified Affections
by Vincenzo Roggero
Quartetto di grande pregio quello assemblato dal batterista e compositore Dan Weiss, con alcuni dei musicisti più in vista della scena newyorchese quali il trombettista Peter Evans, la vibrafonista Patricia Brennan e il chitarrista Miles Okazaki, già frequentati per anni in diversi contesti. Le otto composizioni, tutte a firma del leader, sono state scritte con questa formazione in mente e il risultato dimostra ampiamente la bontà della scelta, quasi sessanta minuti di musica di grande fascino, semplice e complessa nello ...
Continue ReadingDan Weiss Quartet: Unclassified Affections
by Troy Dostert
When he is not keeping company as a sideman with some of the most innovative musicians of 21st century creative jazz--a list which includes folks like pianist Matt Mitchell, saxophonist Jon Irabagon, guitarist Miles Okazaki and bassist Trevor Dunn--drummer Dan Weiss has steadily been building his own impressive set of recordings as a leader. Recently, he has tended to prefer trio configurations, such as those on his own Cygnus label: 2022's Dedication (with bassist Thomas Morgan and pianist Jacob Sacks) ...
Continue ReadingJon Irabagon: Server Farm
by Vincenzo Roggero
Quando un agitatore musicale come Jon Irabagon, mente tra le più aperte, corrosive, imprevedibili e significative della scena jazzistica statunitense mette insieme un tentetto da paura per esplorare fatti e misfatti dell'intelligenza artificiale, curiosità e aspettative sono ai massimi livelli. E questo Server Farm le soddisfa pienamente, ennesima prova della grandezza di un musicista onnivoro in grado di esaltare ed esaltarsi in tutta la gamma di formazioni messe in campo negli ultimi quindici anni. Dal sax solo di ...
Continue ReadingJon Irabagon: Server Farm
by John Sharpe
Artificial Intelligence would have a hard job pinning down saxophonist Jon Irabagon's defining characteristics. When a player is as talented as Irabagon, who can turn his hand to almost any style, sometimes the challenge is to find a focus that stimulates. On Server Farm, Irabagon has taken the notion of AI and the ever increasing prevalence of the digital world as his casus belli. Not that he uses AI himself in composing the album, rather as the PR reveals, he ...
Continue ReadingJon Irabagon: Server Farm
by Dan McClenaghan
"The times they are a-changin.'" Bob Dylan said that in 1964. He was right. In 2025, they are still changing, perhaps most notably with the emergence of artificial intelligence. That previously slow creep--outlined so accurately in Arthur C. Clarke's novel 2001: A Space Odyssey in 1968, paired with Stanely Kubrick's movie of the same name--will build to a tipping point leading to an implosion. The takeover is inevitable. The only way to address it is through the arts. This is ...
Continue ReadingElias Stemeseder / Christian Lillinger: Umbra II
by John Sharpe
Austrian pianist Elias Stemeseder and German drummer Christian Lillinger capture the Zeitgeist in a nervy, occasionally anxiety inducing, pairing under the moniker Umbra. Although extant as a duet, they often supplement the numbers with like-minded collaborators, and on Umbra II trumpeter Peter Evans and bassist Russell Hall take to the full on interaction like ducks to water. Unlike their debut recording, this time out they swear off the electronics for an all acoustic outing, although, truth be told, such is ...
Continue ReadingJon Irabagon: Server Farm
by Mike Jurkovic
Warning! Warning! Heads up! Spoiler alert! Server Farm has the potential to take your head to some random places. Some alarming (as all artists should be these days), Some cacophonous. Some claustrophobic. Others freeing, fleeting, fervent. Server Farm, saxophonist/composer Jon Irabagon's heatedly precise and prescient head-on clash with the threat of AI blisters the binary codes and algorithms of the connected world (which makes us all individual heads of the Hydra) both surgically and haphazardly, letting it all ...
Continue ReadingJazz this week: Grégoire Maret & Alicia Olatuja, Peter Evans Septet, Steve Tyrell, Liberation Music Collective, and more
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St. Louis Jazz Notes by Dean Minderman
It's a busy week for jazz and creative music in St. Louis, with an eclectic selection of visiting performers offering something for listeners with tastes ranging from vintage jazz to mainstream to experimental. Let's go to the highlights... Wednesday, April 12 Harmonica player Grégoire Maret, with singer and St. Louis native Alicia Olatuja as his featured guest, opens a four-night engagement continuing through Saturday at Jazz at the Bistro. One of a scant handful of headlining jazz performers on his ...
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Jazz this week: Jazz at Lincoln Center Orchestra, Evan Parker & Peter Evans, Ronnie Burrage's RoBu Big Band, and more
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St. Louis Jazz Notes by Dean Minderman
This week's schedule of jazz and creative music in St. Louis is jam-packed, with three notable big band performances, two shows benefiting an ailing elder statesman of the local jazz scene, an evening of free-form music from two intriguing improvisors, and much, much more. Let's go to the highlights... Wednesday, September 30 The eclectic acoustic ensemble The 442s perform for the first of two nights at Jazz at the Bistro, and pianist Greg Mills plays free improv and contemporary compositions ...
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StLJN Saturday Video Showcase: Evan Parker and Peter Evans
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St. Louis Jazz Notes by Dean Minderman
Today, let's spend a few minutes with saxophonist Evan Parker and trumpeter Peter Evans, who will give a duo performance to kick off New Music Circle's 2015-16 season next Friday, October 2 at Joe's Cafe. (Both men also will take part in a free workshop/Q&A at 11 a.m. the next day (Saturday, October 3) at Foam.) Parker is a 71-year-old Englishman who began his career in the 1960s, at first briefly emulating the cool stylings of Paul Desmond and Lee ...
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Enter the "Mary Halvorson / Weasel Walter / Peter Evans - Mechanical Malfunction" Giveaway at All About Jazz!
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All About Jazz
All About Jazz members are invited to enter the Thirsty Ear Recordings “Mary Halvorson / Weasel Walter / Peter Evans - Mechanical Malfunction“ giveaway contest starting today. We'll select FIVE winners at the conclusion of the contest on January 1st. Click here to enter the contest (Becoming a fan of Mary Halvorson at AAJ automatically enters you in the contest.) Good luck! Your Friends at Thirsty Ear Recordings About Mechanical Malfunction Following their critically acclaimed debut trio album, Electric Fruit, ...
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Peter Evans and Nate Wooley - High Society (Carrier Records, 2011) *****
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Free Jazz by Stef Gijssels
By Joe Higham Being a musician and playing a wide variety of music means that my family (kids and wife) are used to hearing wild sounds emanating from the hi-fi from time to time. But in certain cases I realise that maybe some music is not for wholesale consumption, and this .... is one of them! It's almost like a dream come true for a horn player (in this case trumpets) to be able to sound like Jimi Hendrix playing ...
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Peter Evans Quintet - Ghosts (More is More, 2011) *****
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Free Jazz by Stef Gijssels
By Joe Higham The quintet : Evans (trumpet), Carlos Homs (piano), Tom Blancarte (bass), Jim Black (drums), Sam Pluta doing live processing. What they do with the music is like going on a roller-coaster as you're tossed up in the air, whizzed around corners, spinning down and around. The quintet mixes bop and electronics in an compelling way, reminding me of the direction John Zorn took with his zapping music. Track 1 is a post bop type melody, but with ...
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Peter Evans Quintet, "Ghosts": Further Adventures in Chop-Bop Land
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Gapplegate Music Review by Grego Edwards
Peter Evans is headed somewhere. Have trumpet, will travel to a new netherland. It's been unfolding bit by bit for those who are following. His work in Mostly Others Do the Killing (more on that in a few days), his last Cleanfeed album as a leader (all this see below for reviews), and now this new one, Ghosts (More Is More III). It's a quintet with Evans, Carlos Homs, piano, Tom Blancarte, bass, Jim Black, drums (one of my new ...
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Weasel Walter, Mary Halvorson and Peter Evans - Electric Fruit (Thirsty Ear, 2011)
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Music and More by Tim Niland
Three of the most adventurous musicians on the contemporary improvisation scene, drummer and percussionist Weasel Walter, guitarist Mary Halvorson and trumpeter Peter Evans combine for a fascinating album of collective improvisation that is entirely impossible to categorize (in a good way.) The song titles and the wonderful album artwork give a science fiction/steampunk air to the proceedings, opening with “Mangosteen 3000 A.D." that features splintered, fragmented trio improvisation and sputtering trumpet over strong guitar. Evans' strong brass takes command and ...
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Yes in My Backyard: Download Peter Evans' "Micro"
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Michael Ricci
Yes In My Backyard is a semiweekly column showcasing MP3s from new and emerging local talent. Queens trumpeter Peter Evans blats on the bleeding edge of out-jazz while also circling the fringes of noise-punk, sound design, and Rothko-like colors of pure tone. Although his music leans towards the dissonant and disorienting, Evans has a tender, forgiving touch with his instrument--a gentle love cry that towers over both the herky-jerky bluster of his quintet and the punkjazz splattercore of side-project Mostly ...
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New CDs by Peter Evans and Tyshawn Sorey on Firehouse 12 Records
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Improvised Communications
Firehouse 12 Records is proud to announce the November 20th release of The Peter Evans Quartet's self-titled debut and Tyshawn Sorey's two-disc set, That/Not. These releases, recorded and produced by the label in its state-of-the-art recording studio in New Haven, Connecticut, are the first to document these acclaimed young artists at the helm of their own bands.
The Peter Evans Quartet The Peter Evans Quartet Firehouse 12 FH12-04-01-004
New York-based trumpeter/composer Peter Evans' first recording as ...
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Jonathan Saraga
trumpet
João Gato
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Music
Colocation
From: Server FarmBy Peter Evans
Combustion 1
From: Smoke Gets In Your EyesBy Peter Evans
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Peter Evans
Location: New York City
Instrument: Trumpet
