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Ron Miles: Jazz Gentleman, Part 2
by Florence Wetzel
Part 1 | Part 2 | Part 3 [Editor's Note: The second part of Florence Wetzel's extensive interview with Ron Miles covers the Colorado-based trumpeter's early performance years, and begins a chronological look at all of his solo releases, beginning with Distance for Safety (Prolific Records, 1987) and concluding with Heaven (Sterling Circle, 2002), ...
England Swings Like A Pendulum Do
by Skip Heller
Several years ago, when the Skip Heller Trio was touring all the time, I came across a disc called London Is The Place For Me: Trinidadian Calypso In London, 1950-1956 (Honest Jons, 2002), a collection of calyspo music recorded in London. The music and accompanying thick booklet were full of revelations: the history of postwar migration ...
Bria Skonberg: So is the Day
by Nicholas F. Mondello
It's a rare talent that can straddle--and dare request membership in--the trumpet artist continuum emanating from Louis Armstrong and progressing down through his “Neo Orleans" progeny: Byron Stripling, Wynton Marsalis and Nicholas Payton (whose big band trumpet section Skonberg graces). However, with her bravura performance on So is the Day, Bria Skonberg confirms that she is ...
Terell Stafford: Trial and Inspiration
by Andrew J. Sammut
Terell Stafford is as likely to credit his influences as he is to impress his listeners. Coming to jazz comparatively later than many players, and even with his busy schedule as a sideman, leader and educator, he remains devoted to exploring the music's roots, while expressing a relentless desire to learn more. Stafford first ...
Jeff Lofton: Jazz to the People
by Josep Pedro
Born in Germany and raised in South Carolina, Jeff Lofton's trumpet sound has become a striking force in Austin's music scene since moved there about four years ago. Friendly and bright in his reasoning, Lofton has proved to be a versatile, mature musician overtly combining straight-ahead jazz with fusion. His appealing, laidback character and soulful playing ...
Storyville Records: A Treasure Trove of Swinging Jazz
by Chris May
Since its foundation during the European revivalist movement of the early 1950s, Copenhagen-based Storyville Records has grown into a major repository of New Orleans, big band and mainstream recordings. With something approaching 600 releases in its back catalogue, the label is a treasure trove of jazz that swings. Founded in 1952 by Danish jazz ...
Take Five With Erik Jekabson
by AAJ Staff
Meet Erik Jekabson: Erik Jekabson is a freelance trumpet player, composer and educator who has recorded or performed with Illinois Jacquet, the Woody Herman Big Band, John Mayer, Galactic, Mark Turner, Brian Blade, and Nicholas Payton, among others. He has a Bachelor's of Music from Oberlin Conservatory of Music and a Master's of Music from the ...
The Seattle Repertory Jazz Orchestra: Jimmy Heath: The Endless Search
by Dan McClenaghan
Tenor saxophonist Jimmy Heath is highly respected by his peers and by serious listeners, but he isn't well known outside the jazz world in the way that Dizzy Gillespie, Miles Davis, John Coltrane are. He played with those legends and many more. He formed The Heath Brothers in 1975 with his siblings, drummer Albert “Tootie Heath ...
Duke Ellington Tames The Savage Beasts: Lions and Tigers and Bears (and Gazelles!)
by Dan Bilawsky
I begin this edition of Old, New, Borrowed and Blue with a confession. I have an unabashed love for the music of Duke Ellington. From his brilliantly scored compositions, to the singular instrumental personalities in his band(s)--with Ellington, Jimmy Hamilton and Johnny Hodges ranking at the top of my list--Ellington seems to transcend the “big band" ...
Judy Carmichael: Come and Get It
by Ken Dryden
Judy Carmichael has been on the jazz scene for a long time. She has produced the radio series Jazz Inspired for a number of years and played piano for over a quarter-century with a number of CDs under her belt, most of them issued on her own label. Her specialties are stride and swing (one of ...
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