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Ben Goldberg
Clarinetist / Composer Ben Goldberg grew up in Denver, Colorado. He received his undergraduate music degree from the University of California, Santa Cruz and a Master of Arts in Composition from Mills College. He was a pupil of the eminent clarinetist Rosario Mazzeo, and studied with Steve Lacy and Joe Lovano. In addition to composing for and playing in the Ben Goldberg Quintet, he currently performs in the following groups: Tin Hat; plays monk, a trio with Scott Amendola and Devin Hoff; Myra Melford’s Be Bread; Nels Cline’s New Monastery; and Go Home, a new quartet with Charlie Hunter, Ron Miles, and Scott Amendola. The 11- piece Ben Goldberg's Brainchild performs Ben's on-the-spot compositions
Results for pages tagged "Clarinet"...
Jimmy Giuffre
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Reedman and composer Jimmy Giuffre was born in Dallas, TX. He started his musical education at age 9 learning the clarinet and within few years he was proficient enough to give solo clarinet recitals at local functions. After high school he attended North Texas State University receiving a B. A. in music. During his college years he played in local bands. Soon after graduation he enlisted in the Army and was a member of the official Army band. After discharge he became a professional arranger for several big bands including Boyd Raeburn's, Buddy Rich's, Jimmy Dorsey’s and most famously in Woody Herman’s where he also played tenor sax
Results for pages tagged "Clarinet"...
Charlie Gabriel
Charlie Gabriel, known to friends and relatives as Charlie "G" was born in New Orleans, LA and hails from a musical family. His great grandfather, Narcesse Gabriel, who resided in New Orleans in 1856 was a bass player. Charlie's grandfather Martin Joseph, an accordion and cornet player had the "National Jazz Band" in New Orleans and hosted many jazz musicians. Martin Manuel Gabriel, father of Charles, was a clarinetist and drummer and worked with all of the jazz greats from New Orleans. Martin and his brothers Percy on bass and Clarence on jazz piano formed "The Gabriel Brothers Dixie- Land Band". Charles has played traditional style music with some of the top New Orleans musicians such as "Kid Howard", "Kid Sheik", "Jim Robinson", "George Lewis" etc
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Pete Fountain
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Peter Dewey Fountain, Jr. was born July 3, 1930 in New Orleans, the cradle of American music, Jazz. He was a skinny kid who spent too much time hanging around the front stoop of the Top Hat Dance Hall near his home. The Top Hat was a stronghold of Dixieland Jazz and Jazz already had a strong hold on Pete Fountain. But, oh the sounds! This was music straight from the soul. Sounds that would never be written in stone, that would always be brand new because they were purely personal. Pete heard all the greats in New Orleans and he knew he wanted to play Jazz. After endless hours of practicing and listening to the recordings of Benny Goodman and Irving Fazola, the personal sound of Pete Fountain began to emerge and it was "Fat." By the time Pete was 16, he had already gained a reputation on Bourbon Street
Results for pages tagged "Clarinet"...
Paquito D'Rivera
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Paquito D’Rivera - alto and soprano saxophone, clarinet, bandleader, recording artist, composer. Paquito D’Rivera is a stellar example of the marriage of Latin American music and jazz. A Grammy winning, best selling artist with more than thirty solo albums to his credit, he is equally luminous on the soprano or alto saxophones, and clarinet. He is a genuine musical sophisticate with a broad span of endeavors and achievements. Born on the island of Cuba June 4, 1948, Paquito D’Rivera began his career as a child prodigy. A restless musical genius during his teen years, Mr. D’Rivera created various original and ground-breaking musical ensembles
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Johnny Dodds
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From the early days of the brass bands in New Orleans, to the hot jazz of the Roaring Twenties in Chicago, a key figure in the musical progression was the fluid toned, amazingly versatile clarinetist, Johnny Dodds. . Born on April 12, 1892, in New Orleans, by his early teens his father bought him his first clarinet. He was self taught but did take lessons from Lorenzo Tio Sr, a well respected musician in the city. He took a more serious interest in the instrument at around age seventeen, playing with local ensembles as the Eagle Band, and the legendary Tuxedo Band, led by “Papa Celestin during the early formative years of jazz
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Buddy DeFranco
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Buddy DeFranco has the unprecedented distinction of winning twenty Downbeat Magazine Awards, nine Metronome Magazine Awards, and sixteen Playboy All-Stars Awards as the number one jazz clarinetist in the world.
Buddy is generally credited with leading the way for jazz clarinetists from the exciting era of swing to the exhilarating age of bop. Along the way he has set the example for all jazz musicians for technical brilliance. Improvisational virtuosity and creative warmth. He is one of the most imaginative clarinetists playing today.
Born in Camden, New Jersey, Buddy was raised in South Philadelphia and began playing the clarinet at age nine. By age fourteen he had won a national Tommy Dorsey Swing contest, and appeared on the Saturday Night Swing Club, sharing the spotlight with Gene Krupa. He was soon discovered by Johnny "Scat" Davis and began his road career with him in 1939. He joined Gene Krupa in 1941, Ted FioRito and Charlie Barnet 1942-43, Tommy Dorsey 1944-45, Boyd Raeburn 1946, Tommy Dorsey again in 1947-48. In 1950 he joined the famous Count Basie Septet.Buddy was appointed leader of the Glenn Miller Orchestra 1966-1974. Since then he has resumed his jazz career and has done countless clinics: Tri-State Festival, Stan Kenton Clinics, North Texas State Teachers College, Clinician and Soloist with the N.O.R.A.D. Band and Air Men of Note. Buddy has brought his clarinet and jazz groups to many famous clubs. His concert appearances include Norman Granz's Jazz at the Philharmonic, Carnegie Hall, Hollywood Bowl, Ravinia Park with Tony Bennett, Sahara Hotel in Las Vegas, Kool Jazz Festival, Aurex Jazz Festival in Japan, Bern Festival in Switzerland, Radio Cologne with Bill Holman and the Radio Cologne Orchestra, Dutch Radio with Rob Pronk & Metropole Orchestra, European Tours, the Far East, Australia, New Zealand, Hawaii, South Africa, and Argentina ... wherever good jazz is played!
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Kenny Davern
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John Kenneth Davern's embryonic days in the music world found him as a big band sideman in various sax sections, and then on to the classic jazz combos of Greenwich Village and New York's uptown clubs as a clarinetist, to his soprano sax adventures in the Soprano Summit, and now back to the clarinet.
Davern is a native of Huntingdon, Long Island. As a young professional at the age of 16, he sat in with many of the legendary groups in New York City and the fast company gave him the background he needed to become a member of Jack Teagarden's band and to record with Jack at age 19. The bands of Phil Napoleon and Pee Wee Erwin found Kenny in the front line alongside these giants from 1955 through 1965.
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Matt Darriau
Matt Darriau, saxophonist, clarinettist, ethnic-woodwind specialist and composer, Darriau has made several innovative contributions to the New York music scene. His background in the fertile and eclectic milieu of the New England Conservatory of Music's Third Stream Program in the 80's, and the continued practice of Balkan, Klezmer and Celtic folk idioms, have helped shape his aesthetic and passion for creating new and unusual music. He has been awarded grants and commissions from the NEA, Chamber Music America (2005/7) and is a Grammy winner (2007) with the Klezmatics. Jazziz magizine selected him as one of the 150 most influential jazz musicians of the last fifteen years, for the impact he has had in bringing Balkan and world rhythms to jazz with his band Paradox Trio
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Eddie Daniels
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Eddie Daniels is that rarest of rare musicians who is not only equally at home in both jazz and classical music, but excels at both with breathtaking virtuosity. Expert testimony from the jazz world comes from the eminent jazz critic Leonard Feather, who said of Eddie, "It is a rare event in jazz where one man can all but reinvent an instrument bringing it to a new stage of revolution." From the classical side, Leonard Bernstein said "Eddie Daniels combines elegance and virtuosity in a way that makes me remember Arthur Rubenstein. He is a thoroughly well-bred demon." Eddie first came to the attention of the jazz audience as a tenor saxophonist with the Thad Jones-Mel Lewis Orchestra





