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8

Article: Album Review

Eyes of a Blue Dog: Rise

Read "Rise" reviewed by John Kelman


As disproportionate as the amount of fine music being made in Norway is to its relatively small population of five million, so, too, is its surprisingly large cadre of outstanding drummers. A quick scan through the list of drummers who have made some kind of name for themselves, both at home and abroad, include--amongst many, many ...

9

Article: Live Review

Vossa Jazz 2013

Read "Vossa Jazz 2013" reviewed by John Kelman


Vossa JazzOslo, NorwayMarch 22-24, 2013Every festival hopes to have a signature, that certain something that differentiates it from all the rest and makes it a desired destination, but few have as many things going for it as the annual Vossa Jazz Festival, now in its 40th year. It certainly may seem ...

6

Article: Extended Analysis

Moskus: Salmesykkel

Read "Moskus: Salmesykkel" reviewed by John Kelman


For a country isolated in the north of Europe, Norway has experienced a surprising number of musical waves. The first came in the early '70s, when producer Manfred Eicher and his fledgling ECM Records label brought the Scandinavian “big five"--Swedish pianist Bobo Stenson and, from Norway, saxophonist Jan Garbarek, guitarist Terje Rypdal, bassist Arild Andersen and ...

11

Article: Album Review

Hanna Paulsberg Concept: Waltz for Lilli

Read "Waltz for Lilli" reviewed by John Kelman


Norway's place on the international jazz map has been assured for decades: first with saxophonist Jan Garbarek, guitarist Terje Rypdal and bassist Arild Andersen; then, a second wave including trumpeters Arve Henriksen and Nils Petter Molvær, and pianists Bugge Wesseltoft and Christian Wallumrød; and, more recently, in another wave featuring In the Country and Splashgirl. Still, ...

8

Article: Live Review

Sidsel Endresen @ 60: Oslo, Norway, November 8-9, 2012

Read "Sidsel Endresen @ 60: Oslo, Norway, November 8-9, 2012" reviewed by John Kelman


Sidsel Endresen @ 60: A Special Birthday CelebrationNasjonal Jazzscene VictoriaOslo, NorwayNovember 8-9, 2012Turning 60 can mean different things to different people: for some, it's a time to think about slowing down, and for others, it's a time to kick into higher gear. In the case of jazz and improvising musicians, age ...

6

Article: Live Review

Ultima Festival: Oslo, Norway, September 10-15, 2012

Read "Ultima Festival: Oslo, Norway, September 10-15, 2012" reviewed by John Kelman


Ultima Festival Oslo, Norway September 15, 2012In a country that has called its “pathology" of over 600 music festivals per year “festival inflation," it's hard for any festival to stand out amongst the others, and yet so many of the events in Norway do. From Kristiansand's Live Remix festival, Punkt, to the superbly ...

285

Article: Album Review

Markku Ounaskari / Samuli Mikkonen / Per Jørgensen: Kuara: Psalms and Folk Songs

Read "Kuara: Psalms and Folk Songs" reviewed by John Kelman


While early reference points for jazz and improvised music may have come from the Afro-American tradition, global musicians of the 21st century have increasingly looked to their own cultural touchstones for music that speaks to them at a mitochondrial level. If music is a reflection of who we are and what we experience, then it only ...

91

Article: Live Review

Jazzahead! 2012

Read "Jazzahead! 2012" reviewed by John Kelman


Jazzahead! 2012Bremen, GermanyApril 19-22, 2012 While folks around the world debate the future of jazz--and, for that matter, what exactly jazz is and even what it should be called--an annual trade show in Bremen, Germany, now in its fifth year, has managed to demonstrate that jazz as a brand may be facing ...

87

Article: Extended Analysis

Giovanni Pessi / Susanna Wallumrod: If Grief Could Wait

Read "Giovanni Pessi / Susanna Wallumrod: If Grief Could Wait" reviewed by C. Michael Bailey


Giovanni Pessi, Susanna Wallumrod, Marco Ambrosini, Jane AchtmanIf Grief Could WaitECM2012 Manfred Eicher's Edition of Contemporary Music label (aka ECM) has three creative foci: “classical" music, jazz and folk music. The last of these is often overlooked in discussions of ECM, but folk music, particularly that of ...

119

Article: Album Review

Giovanna Pessi / Susanna Wallumrod: If Grief Could Wait

Read "If Grief Could Wait" reviewed by John Kelman


There was a time when hard lines existed between genres, but they seem long gone when tenor John Potter and electronic composer Ambrose Field can create a very 21st century take on 15th century musical frameworks with Being Dufay (2009), while Norwegian keyboardist Jon Balke conjoins baroque string ensemble and Fourth World progenitor, trumpeter Jon Hassell ...


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