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George Wein: A Life and Legend in Jazz
by Doug Hall
Last summer, in June of 2017, I had the privilege and opportunity to interview George Wein, founder and producer of the seminal Newport Jazz Festival. At 91, he was just in the process of supporting and transitioning the new artistic director Christian McBride into this demanding and critical role for the future of the Newport Jazz ...
Geoffrey Keezer at South Jazz Parlor
by Victor L. Schermer
Geoffrey Keezer Trio South Kitchen and Jazz Parlor Philadelphia, PA July 8, 2018 Pianist Geoffrey Keezer is a jazz master who has worked with many of the greats since 1989 when he briefly joined the end game of Art Blakey's Jazz Messengers. He has recorded and played ...
The Jazz Bubble: Neoclassical Jazz in Neoliberal Culture
by Ian Patterson
The Jazz Bubble: Neoclassical Jazz in Neoliberal Culture Dale Chapman282 PagesISBN: 9780520279384 University of California Press 2018 What explains vibraphonist Stefon Harris giving a TED talk at a conference devoted to behavioral finance? Why would one of the world's largest investment banks sink $10 million into the New Orleans ...
Kuumbwa And The Magic of Monday Night
by Arthur R George
Monday nights, otherwise a down time for many music venues, have been magic for the Kuumbwa Jazz Center in Santa Cruz, CA. Kuumbwa's most prominent shows occur, oddly, on off-calendar Monday nights or midweek, featuring headliners before or after their engagements nearby in San Francisco and Oakland and who are touring up or down the West ...
Mural: Shishi's Wish
by Angelo Leonardi
Prende il nome dal suo disco d'esordio, questo trio nippo-tedesco-cileno nato a New York nel 2015. Giunto al secondo album, Mural conferma la prospettiva trasversale, spaziando da momenti di marcata concitazione elettrica --una sorta di fusion rivisitata evidente in «Giacomo!» e in «Geronimo» --ad altri acusticamente riflessivi, venati di atmosfere folk. I tratti costanti ...
Jazz Musician of the Day: Christian McBride
All About Jazz is celebrating Christian McBride's birthday today! The finest musicians to spring from the world of jazz have clearly had an advantage when it comes to branching into other genres of music. Their mastery of composition, arranging and sight reading coupled with their flair for improvisation and spontaneous creation make them possibly the most ...
Mike Clark & Delbert Bump: Retro Report
by Kevin Press
Go ahead. Judge this album by its cover. That 1970-something Ford grill tells you everything you need to know. It's big, funky and stamped Made In USA. These 11 cuts are Hammond-organ groovy. Which is to say Delbert Bump groovy. And the only thing better than a Bump groove is one paired with former ...
Walter Smith III: Twio
by Phil Barnes
The awareness of an audience or home listener is a key rite of passage in the creative development of an artist. Its something that usually becomes an issue as a performer moves beyond that initial creative surge of their early work, that build-up of compositions that led to initial success and attention has been exhausted and ...
Jazz House Kids: The House that Jazz Built
by Bob Kenselaar
When we think of jazz education, we might first think about what's developed at the college level and at music conservatories over the last fifty years or so, and then maybe consider how jazz instruction and jazz bands have flourished at the high school and middle school levels a little more recently. But beyond these settings, ...
Eva Cortés: Crossing Borders
by Paul Rauch
Honduras born vocalist/composer Eva Cortes is, in some ways, a cultural anomaly. Her sound has roots in her Latin American heritage, but bears the aesthetic traits of her upbringing in Sevilla, Spain. On Crossing Borders, Cortés solicits the assistance of master producer/trombonist /arranger Doug Beavers to produce a vibrant recording that reflects her rich ...
