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Martial Solal: Coming Yesterday: Live At Salle Gaveau 2019
by Chris May
In 2010, a British writer travelled to Paris to interview the pianist Martial Solal. The address he had been given was in the affluent suburb Chatou. On arrival, Solal's house struck the writer as something quite unlike the home of any other jazz musician he had ever visited, an haute bourgeoisie villa surrounded by an ornamental ...
Shabaka Hutchings: Black to the Future
by Chris May
Though he is far too modest to make any such claim himself, most observers agree that saxophonist and clarinetist Shabaka Hutchings is the standard-bearer for the new wave of jazz musicians who have emerged in London since around 2015. Hutchings is a few years older than most of the cohort. He made his debut recording in ...
Clifford Jordan: These Are My Roots: Clifford Jordan Plays Leadbelly
by Chris May
These Are My Roots: Clifford Jordan Plays Leadbelly is an oft overlooked item in the canon of tenor saxophonist Clifford Jordan, whose chef d'oeuvre was undoubtedly Glass Bead Games (Strata-East, 1974), one of the most exalted jazz albums of its era. But These Are My Roots, which was originally released on Atlantic in 1965 and has ...
Sons of Kemet: Black To The Future
by Chris May
Sons Of Kemet is led by tenor saxophonist, clarinetist and composer Shabaka Hutchings who, though he is far too modest to make any such claim himself, is the de facto standard-bearer for the new wave of musicians who have emerged on the London jazz scene since around 2015. The band is one of three Hutchings either ...
Jazz in Britain: The Back Story
by Chris May
Jazz In Britain is a not-for-profit label that curates and releases previously unissued studio, performance and broadcast recordings made in the mid-1960s and '70s by the movers and shakers of the contemporary British jazz scene—proving along the way that the radical new wave jazz emanating from London in 2021 comes from a distinguished lineage.
Tom Ollendorff: A Song For You
by Chris May
They say lightning never strikes in the same place twice. But sometimes it does. When it comes to new jazz guitarists of more than average talent, London has produced two in fairly rapid succession. In spring 2020, Rob Luft released his immaculate and uplifting sophomore album, Life Is The Dancer (Edition). Exactly a year later, Tom ...
Serendip Quartet: Queen Of Fire
by Chris May
This is the second album from Belgian tenor saxophonist Arnaud Guichard's Serendip Quartet. The first, The Tale (Impeka, 2018), received a deserved four-star review on All About Jazz, and Queen Of Fire is just as good, if not better. The first album's singular intersection of Ben Webster and mild hallucinogenics is still there to be savoured, ...
Dan Wilson: Vessels Of Wood And Earth
by Chris May
Dan Wilson's Vessels Of Wood And Earth starts well. Just over a minute into track one, the guitarist launches into a lightning-speed solo which sounds a little like Wes Montgomery channeling Charlie Parker on speed. On track two, Stevie Wonder's well named “Bird Of Beauty," he rings the changes, exchanging Montgomery and Parker for Pat Metheny ...
John Coltrane: An Alternative Top Ten Albums
by Chris May
Miles Davis once said that you could recite the history of jazz in just four words: Louis Armstrong, Charlie Parker. To that you need to add two more: John Coltrane. A giant during his lifetime, Coltrane continues to shape jazz and inspire musicians decades after he passed. No other player has come remotely close to eclipsing ...
Kurt Edelhagen & His Orchestra: The Unreleased WDR Jazz Recordings 1957 - 1974
by Chris May
This 3xCD collection of recordings by Kurt Edelhagen & His Orchestra is culled from over three thousand individual tracks recorded under the auspices of Cologne, Germany radio station WDR over close on twenty years. It is, as the expression goes, a curate's egg. That is to say, parts of it are excellent and parts of it ...
