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Stunt Records: Re/Defining Mainstream
by Jakob Baekgaard
In Denmark, Stunt Records is the jazz label which appeals to the widest audience. The music it releases could be characterised as mainstream jazz, but it doesn't have the negative connotations that sometimes go with the term. It simply means that the label knows how to combine adventurousness and accessibility. When it comes to genre, the ...
Jazz
by Eugene Holley, Jr.
Jazz Gary Giddins, Scott DeVeaux Hardcover; 704 pages ISBN: 978-0-393-06861-0 W.W.Norton 2009 The only thing harder than playing jazz is writing about it. It is a music that is specific, yet hard to define. It is easy to understand, yet at times hard to comprehend, sometimes ...
The Chris Kelsey 4: Not Cool {. . .As In, "The Opposite of Paul Desmond"}
by Jerry D'Souza
Growing up as the son of a jazz saxophonist, saxophonist Chris Kelsey was influenced by his father's tastes in jazz. Charlie Parker, John Coltrane and Sonny Rollins were among those favorite artists, but Paul Desmond was not. Kelsey first heard Desmond on Bridge Over Troubled Water (A&M, 1969), his ode to Simon and Garfunkel, which was ...
Jaco Pastorius: Portrait of Jaco - The Early Years 1968-1978
by John Kelman
Jaco Pastorius Portrait of Jaco: The Early Years 1968-1978 Holiday Park Records 2009 If only every jazz artist had an advocate like label owner/project producer Bob Bobbing. Bass wunderkind Jaco Pastorius seemingly leapt into the jazz scene in 1976 with the quadruple punch of his remarkably mature debut, ...
Joey Baron: Just Say Yes
by Sean Patrick Fitzell
Combining technical acuity with a deep sense of groove, Joey Baron drums with playful exuberance. Throughout his more than 35-year career, he's propelled experimentalists like guitarist Bill Frisell and saxophonist John Zorn, as well as mainstreamers like vocalist Carmen McRae and saxophonist David Sanborn. He's even played with pop stars David Bowie and Marianne Faithfull. But ...
Let's Tribute Ourselves
by Vincent Gardner
Like many other jazz musicians, I am fortunate enough to travel all over the globe and present this wonderful music. While I haven't been playing professionally for an extremely long time--only about 15 years--during those years I have seen quite a bit of change in the world and on the jazz scene. Not that it compares ...
Public Radio Debuts Weekly Live Jazz, Blues and Comedy Jam on 12 O'Clock Jump
By Mark Edelman Public radio has always been home for late night jazz programming. Add to that line-up 12 O'Clock Jump, public radio's brand new jazz, blues and comedy jam. Broadcast live every Saturday night/Sunday morning from midnight to 1AM central time, the weekly variety show is streamed live at wwww.kcur.org for the world to dig. ...
Oscar Feldman: Oscar e Familia
by Raul d'Gama Rose
Oscar Feldman is ready, with Oscar e Familia, to put his own stamp on the alto saxophone. Not since the fire of Jackie McLean, the cool breeze of Lee Konitz, Eric Dolphy's rhythmic advances, Ornette Coleman's Harmolodic theories, and Steve Coleman's mBase concepts, has someone attempted to create a new language for that instrument. True, Charlie ...
Henry Grimes, Paul Dunmall & Andrew Cyrille: The Profound Sound Trio at the Vortex, London
by John Sharpe
The Profound Sound Trio: Henry Grimes, Paul Dunmall & Andrew Cyrille The Vortex London, England November 23, 2009 A buzz of anticipation gripped a full house at the Vortex for the London debut of the Profound Sound Trio--a collective of British reedman Paul Dunmall and a heavyweight rhythm ...
32nd Cape May Jazz Festival: Tribute to the Count
by Tara Nurin
Cape May Jazz Festival: Tribute to the Legendary Count Basie Cape May, New Jersey November 6-9, 2009 There may have been two male performers headlining the 32nd Cape May Jazz Festival, but in truth it was the women and children who stole the show. The big draw, as advertised in ...
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