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New album from saxophonist Lenny Sendersky glimmers with personality
"Don't play the saxophone. Let it play you," jazz legend Charlie Parker once said. It's a pint of wisdom that saxophonist Lenny Sendersky echoes on his latest album, Lenny Sendersky Quintet (Denmark 2005). There's a strong sense of liberation that fuels Sendersky's alto/soprano sax playing on the record; it glimmers with life and personality, free from ...
Matthias Winckelmann: Happy Birthday ENJA!
by Bob Hatteau
ECM, ACT, Winter & Winter, FMP, MPS, ENJA... Germany sounds like a generous land for creative jazz record labels. ENJA Records, the Münich-based jazz label, was founded in 1971 by Matthias Winckelmann and Horst Weber. For the last forty years ENJA has built an impressive catalog, with more than seven hundred releases that ...
Katya Sourikova: Ivan's Dream
by Eyal Hareuveni
The third release of Berlin-based pianist and composer Katya Sourikova looks and sounds like something fitting the ECM catalog--the beautiful cover, the pristine and rich sound of the recording, and, obviously, the genre-binding beautiful, lyrical and nuanced music that moves freely and organically along the spectrum of jazz, both American and European, as well as folk ...
Tad Hershorn: Norman Granz - The Man Who Used Jazz for Justice
by Lewis J Whittington
Norman Granz: The Man Who Used Jazz for Justice Tad Hershorn Hardcover, 488 pages University of California Press ISBN: 9780520267824 2011 Impresario Norman Granz changed the course of jazz in so many ways, as creator of the Jazz At The Philharmonic (JATP) tour package and as founder of Verve ...
Jonas Knutsson: Blaslatar
by Raul d'Gama Rose
To the English-speaking world, the titles of Blaslatar's songs may be daunting to pronounce, but it's strongly advised to get over it because that is when the true majesty and breathtaking beauty of Jonas Knutsson's playing can be truly appreciated. The saxophonist was raised in Umea, Sweden by parents who hosted the annual jazz festival there. ...
Keystone Korner: Portrait of a Jazz Club
by Sascha Feinstein
This article appears in the preface of Keystone Korner: Portrait of a Jazz Club by Kathy Sloane (Indiana Univ. Press, 2011). The Keystone Legacy I enjoy imagining jazz clubs as I listen to live recordings, and if those sessions took place at venues I've known, I find it downright difficult not to ...
Diane Monroe: Bridging Diverse Musical Worlds
by Victor L. Schermer
Listening to Diane Monroe play jazz violin--whether solo, duo, or in a group--what's immediately evident is how great an improviser she is, fitting seamlessly with the music and the group, breathing and moving with the music. Only then does it become clear that she possesses the precision, complexity, and technique of a classical concert violinist. Indeed, ...
James Carter Organ Trio: At The Crossroads
by C. Michael Bailey
James Carter Organ Trio At the Crossroads Emarcy Records 2011 Jazz has many faces. Some are searching and expansive, like those of alto saxophonists Ornette Coleman and John Coltrane, seeking the outer edges of the music. Some are reverent and deferential, like the Modern Jazz Quartet and ...
Achille Succi: Nuances and Articulations
by Glenn Astarita
Saxophonist and bass clarinetist Achille Succi has recently been singled out as one of the European musicians to keep an eye on in the next ten years" by (Bill Schoemaker in Giornale Della Musica (January 2010), while journalist Mario Gamba defines him as a genius of Italian Jazz" in Alias (March 20th, 2010). Born ...
It's Our Generations
by Bruce Lindsay
It's been a strange summer here in the UK. To be fair, that description can be applied with no trace of irony to almost any British summer--and the summer of 2011 seems to have been a strange one for much of the world. But this is a JazzLife UK article, and parochial concerns are paramount, thus ...


