Home » Search Center » Results: Charles Mingus
Results for "Charles Mingus"
Janel Leppin: Her Own Space
by Don Ball
The first thing you learn about musician/composer Janel Leppin is that labels don't fit her music very easily. From structured compositions to free-wheeling improvisations, Leppin does it all. She has made chamber jazz recordings, worked with punk groups, and created lush solo vocal works, all in an effort to tell her own stories and create her ...
Gaia Wilmer, Ra Kalam Bob Moses: Dancing with Elephants
by Angelo Leonardi
Questa collaborazione tra la sassofonista e compositrice Gaia Wilmer e il batterista/bandleader Bob Moses, è stata progettata dieci anni fa, quando i due si sono incontrati al New England Conservatory, nei ruoli di allieva e docente. Il giudizio che Moses esprime in copertina sulle doti di scrittura di Gaia può apparire eccessivo (la paragona ...
Joanie Pallato & Bradley Parker Sparrow, Peter Johnstone, Fareed Haque
by Cheryl K.
During this week's two-hour program of Jazz and improvised music, we start off with pianist Sonny Clark (July 21, 1931--January 13, 1963). Then onto selections from new releases by the trio Transcendence, vocalist/composer Joanie Pallatto and pianist/composer Bradley Parker-Sparrow, reed player Dave Liebman, percussionist Adam Rudolph, and drummer Billy Hart, keyboardist Peter Johnstone, guitarist Fareed Hague, ...
Gonzalo Rubalcaba, Chris Potter, Larry Grenadier & Eric Harland: First Meeting: Live at Dizzy’s Club
by Mike Jurkovic
Let us not beat around the bush or obfuscate the obvious: First Meeting: Live at Dizzy's Club is as sweet a listen anyone can wish for or expect as simpatico luminaries--pianist Gonzalo Rubalcaba, saxophonist Chris Potter, bassist Larry Grenadier and drummer Eric Harland--take to Dizzy's stage. And command it, but not with a heavy hand or ...
46th Annual Tri-C JazzFest
by C. Andrew Hovan
46th Annual Tri-C JazzFest Playhouse Square Cleveland, OH June 26-28, 2025 Jazz festivals occupy a precarious space these days. Pressured by financial constraints, too many have drifted toward booking artists with only a passing connection to the jazz tradition. Cuts to both public and private funding have only compounded ...
Nick Biello: New America
by Paul Rauch
Upon listening to alto saxophone virtuoso Nick Biello, a quote attributed to Charles Mingus may come to mind: “If Charlie Parker was a gunslinger, there'd be a whole lot of dead copycats." “Slow down," you might say, “Biello is not Bird, not even close--nobody is." But the quote relates to Biello in that he is far ...
Introducing Pianist Ben Collins-Siegel
by Sanford Josephson
I first saw Ben Collins-Siegel play piano in July 2019 at the Roselle Park Jazz Festival. Then a 12-year-old seventh grader at Maplewood Middle School, he led off a performance by the JTole Jazz Orchestra of Thad Jones' “Counter Block," written for the Count Basie Orchestra. It was stunning. JTole stands for Julius Tolentino, ...
Piano Four-té: Keyboard Masters Delight On A Quartet of ECM Luminessence Vinyl Reissues
by Joshua Weiner
Blue Note. Verve. Impulse! Prestige. Just saying the name of such storied jazz record labels immediately conjures up each one's distinct aesthetic, from the music to the cover art. Over the past half century, the German ECM label has earned its place in this pantheon by steadfastly following its own vision, perhaps best summed up by ...
Michael Dease, NYO Jazz with Sean Jones and Alicia Olatuja, Meltem Ege, Alon Farber & More
by Mary Foster Conklin
This broadcast celebrates Fathers Day with new releases from Michael Dease, NYO Jazz with Sean Jones and Alicia Olatuja, Meltem Ege and Alon Farber, with birthday shoutouts to Hazel Scott, Geri Allen, Irene Higginbotham, Roseanna Vitro, Brianna Thomas, Jocelyn Gould, Daryl Sherman, Cy Coleman, Cole Porter, Nancy King, Monika Herzig and Janiece Jaffe, among others. Happy ...
Alon Farber: Dreams I Dream
by Jack Bowers
Israeli-born, Berklee-educated saxophonist Alon Farber leads his able-bodied quartet, Hagiga, through its paces on Dreams I Dream, the ensemble's third recording for Origin Records and fifth overall since its inception in 2001. Even though Farber's name is on the marquee and his imprint is on every number, this is a group enterprise in ...
