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Charles Gayle
Born:
Charles Gayle blew down with hurricane force - the pun is too obvious - out of Buffalo. He drifted in and out of the first great free jazz scenes of the Sixties, playing with Pharoah, Archie Shepp, and other trailblazers. But he says now that his sound then was even more fiery and forceful than it is now, and he couldn't get a recording date. He drifted. He became homeless. He lived as a squatter in an abandoned Lower East Side tenement. He found Jesus.
He kept playing. His music retained its hard industrial edge. It sent listeners through the wall. It busted them out of the day-to-day grind into a divine ecstasy. It lifted and uplifted. He developed a tremendous facility with the upper- upper register of the tenor saxophone, so that he could take his spiritual flights to their farthest reaches. He played wherever he could; his steadiest gig was in the New York subways.
Larry Stabbins & Mark Sanders: Cup & Ring
by John Sharpe
Inspired by the 5000 year old Neolithic rock carvings pictured on the sleeve, Cup & Ring opens and closes with brooding, ritualistic pieces in which Larry Stabbins' breathy flute drifts like mist over Mark Sanders' deliberate, processional percussion. These atmospheric bookends, along with similarly spare interludes throughout, frame a set grounded more deeply in the language ...
The 1,400th Edition Of One Man’s Jazz
by Maurice Hogue
When you're older than dirt like I am, each show completed is a milestone, and happily, I'm still around to arrive at 1,400 in the life of this show. For some of these milestones, I try to do something a little different. I always say this show is about the music and the people who make ...
John Sharpe's Best Releases of 2024
by John Sharpe
From the 200 or so discs that I heard in 2024, here are the ten new issues and three gems saved from obscurity, which gave me the most pleasure. As always these selections are entirely subjective, and take no account of the many other albums which I would no doubt have loved if I had heard ...
Albert Ayler: Live Greenwich Village to Love Cry Revisited
by Giuseppe Segala
Nel 1996, quando fu pubblicata la prima edizione della sua biografia dedicata ad Albert Ayler, Spirits Rejoice!, il contrabbassista e musicologo tedesco Peter Niklas Wilson scriveva nella prefazione: “La sua musica resta controversa: per alcuni fu un profeta, per altri un ciarlatano. (...) Ayler resta oggi tanto controverso quanto esile è la base per una discussione ...
Schick, Håker Flaten, Steidle: The Cliffhanger Session
by Mark Corroto
For listeners who enjoy when an artist or group zig when we expect them to zag, I give you The Cliffhanger Session. The abrupt change of direction for Ignaz Schick, Ingebrigt Håker Flaten and Oliver Steidle is the switch from electro-acoustic energy noise to an all-acoustic performance. The German-born musicians, Schick and Steidle, created ILOG, an ...
Hirsh / Swell / Clouse / Parker: Out On A Limb
by Mark Corroto
Can déjà vu be contagious? Or at least a particular quality or disposition that is communicable? This might be the question to ask after sitting down with Out On A Limb by the improvising quartet of Steve Hirsh, Steve Swell, Jim Clouse, and William Parker. The music this unit created spontaneously in April 2024 does not ...
Carlos Bica, Sulida, Gayle / Parker / Graves & Giovanni Guidi
by Maurice Hogue
This episode that tilts heavily to the “freer" side was enjoyable to put together. Highlights are provided by new albums from the new Norwegian trio, Sulida, England's Paul Dunmall & Laura Jurd (saxophone and trumpet), Italy's fine pianist Giovanni Guidi's trio with guest James Brandon Lewis, an excerpt of a live recording by Yoni Kretzmer & ...
Paul R. Harding / Michael Bisio / Juma Sultan: They Tried to Kill Me Yesterday
by Mark Corroto
When we speak of poetry and music, should we ask the chicken and the egg question? As in, which came first? Certainly there was music before spoken word, for imitations of bird calls and other nature sounds will have predated language. So, it's settled, right? Maybe, but not so fast. They Tried to Kill Me Yesterday ...
Kenneth Jimenez, Jure Pukl, Pyramid Trio & Taiko Saito
by Maurice Hogue
A pair of excellent quartet releases jump off the page in this edition of One Man's Jazz. Bassist Kenneth Jimenez, with Angelica Sanchez, Hery Paz and Gerald Cleaver, and saxophonist Jure Pukl with Joe Sanders, Peter Evans and Nasheet Waits, create some wonderful contemporary improvisation on their latest projects. NoBusiness Records has a winner in Visitation ...
