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A Chat With Eric Alexander
by C. Andrew Hovan
One of the few “young lions" who is more influenced by Dexter Gordon and George Coleman than by John Coltrane and Sonny Rollins, tenor saxophonist Eric Alexander has come very far with his career in a short period of time. Following his first year of studying classical music at Indiana University as an alto player, Alexander ...
Charles Earland: Slammin' & Jammin'
by Douglas Payne
In a year notable by the too-high incidence of jazz losses, Charles Earland quietly left this planet on Saturday, December 11, 1999. Known as the Mighty Burner for the intense way he commanded the Hammond B-3, the always working, too-heavy 58-year-old Earland made his departure via heart failure following one last performance in Kansas ...
Intensity
Label: Prestige Records
Released: 1972
Track listing: Happy 'Cause I'm Goin' Home; Will You Still Love Me Tomorrow; Cause I Love Her; Lowdown*; Speedball*.
* Bonus track on CD reissue
Charles Earland: Cookin' With The Mighty Burner
by Douglas Payne
Charles Earland - organ jazz's Mighty Burner -- hit hard in 1969 applying his own B-3 groove to soulful pop hits like “More Today Than Yesterday." After a fairly adventuresome set of records for the Prestige label in the early 1970s, Earland drifted to disco for Mercury in the mid-1970s and fusion for Columbia later in ...
Charles Earland: Intensity
by AAJ Staff
You hear it at once: a different sound, not always for the better. The music was changing, and Charles Earland joined his easy groove to the lush CTI sound so popular at the time. Results vary: the Burner is hot but too many horns spoil the brew. Take “Goin' Home": a rock guitar crashes through the ...
Charles Earland: Intensity
by Douglas Payne
For 1972's Intensity, Charles Earland's fifth of ten Prestige discs, the Mighty Burner seemed to be aiming toward something a little different than his usual collection of soulful tenor-organ jams. The presence of two songs from the rock group Chicago and a small trumpet-dominated horn section indicate that jazz-rock was the goal. The result, the LP's ...
Charles Earland: Organomically Correct
by Douglas Payne
Organist Charles Earland recorded nine albums for the Muse label between 1977 and 1995. None stand out particularly, but each had its share of solid, organ-combo swing and programs of mostly blues and ballads. Organomically Correct compiles some of the early highlights in Earland's Muse output: four of the six tracks from Mama Roots (1977), three ...
