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420

Article: Album Review

Chad Taylor: Circle Down

Read "Circle Down" reviewed by Troy Collins


In-demand indie rock session player (Sam Prekop, Iron and Wine) and co-founder of the Chicago Underground with Rob Mazurek, drummer Chad Taylor has quickly become an indispensable part of the New York scene since his relocation from Chicago in 2000. His recurrent collaborations with Cooper-Moore, Jemeel Moondoc, and Marc Ribot feature his talents in a wide ...

426

Article: Album Review

Chad Taylor: Circle Down

Read "Circle Down" reviewed by Mark F. Turner


With an insatiable appetite for music on the fringe, drummer Chad Taylor has been an active participant in the creative music environments of both Chicago and New York. In Chicago, he's been a member of Fred Anderson's trio, Sticks and Stones with Matana Roberts, and the Chicago Underground ensembles with Rob Mazurek. In New York, he's ...

441

Article: Record Label Profile

New Artists Records

Read "New Artists Records" reviewed by Marc Medwin


"We prize individuality," states pianist Connie Crothers emphatically of New Artists Records. “It's an integral part of our label identity and we have always safeguarded the individuality of each musician." New Artists being a cooperative, such a statement may contain an element of contradiction, but it stands at the heart of a label that ...

244

Article: Multiple Reviews

Four on Clean Feed: Darren Johnston, Luis Lopes, Daniel Levin, Avram Fefer

Read "Four on Clean Feed: Darren Johnston, Luis Lopes, Daniel Levin, Avram Fefer" reviewed by Clifford Allen


Darren Johnston The Edge of the Forest Clean Feed 2009 Luis Lopes/Adam Lane/Igal Foni What Is When Clean Feed 2009 Daniel Levin Quartet Live at Roulette Clean Feed ...

278

Article: Album Review

Tom Abbs and Frequency Response: Lost + Found

Read "Lost + Found" reviewed by Lyn Horton


Rarely does a recording's clarity of purpose come through in one listening, but bassist Tom Abbs and Frequency Response's Lost + Found fits the bill. The significance of this record originates in the brevity of each of bassist Abbs' eighteen pieces--lasting, on average, only slightly over three minutes, with the longest being six and the shortest ...


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