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Pear: Extemp'ore
by David Rickert
Most jazz albums involve at least a little bit of preparation: song selection, rehearsals, selection of sidemen and so on. Pear, on the other hand, is after something much more spontaneous and pure on its debut, Extemp'ore. The group is comprised of percussionist Rick Milne and keyboardist Nick Pierone. They enter the studio and play whatever ...
Pandelis Karayorgis Quintet: System Of 5
by Troy Collins
A longstanding adherent of intimate duo and trio settings, Boston-based pianist Pandelis Karayorgis' discography has been dominated by small combo recordings since the early 1990s, with many founded on the venerable configuration of piano, bass and drums. A radical traditionalist with a penchant for the acute angles and strident tonalities of advanced post-bop, Karayorgis' recent exploits ...
Gutbucket: Cascades and Collisions
by Gordon Marshall
Over its 12-year career, Gutbucket has resituated its various musical parts like the pieces of a Rubik's cube. The elements of that cube, the sonic strains, have remained similar--an amalgam of fuzz rock, jumpy jazz, post-serial classicism--but its panoply of shifting color has been redeployed in unique ways on each of the Brooklyn-based quartet's five CDs, ...
Konstrukt & Their Mighty Fine Guests
by Mark Corroto
Freedom is sweeping the globe. Maybe not in terms of political discourse, business or education, but maybe more importantly, musically. In places like Beirut and Istanbul, the free jazz scene is very much alive. The band konstruKt, made up of guitarist Umut Çağlar, saxophonist Korhan Futaci, drummer Korhan Argüden and percussionist Özün Usta has been garnering ...
Farmers By Nature: Out Of This World’s Distortions
by John Sharpe
As the controlling mind of Farmers By Nature, drummer Gerald Cleaver appropriately pens the liners, explaining the democratic nature of the unit: fully improvising and a complete musical collective. It's a point further emphasized by the order of the musicians' names on the sleeve: Cleaver first, then bassist William Parker and finally pianist Craig Taborn. This ...
Flow Trio: Set Theory, Live At The Stone
by John Sharpe
Recorded live at NYC's The Stone, Set Theory constitutes the third release by Flow Trio, following its excellent studio set, Rejuvenation (ESP, 2009) and an earlier live disc, like this one, on Ayler Records. An appropriate home for this band, as it happens, for the legendary Albert Ayler looms large in Flow Trio mainstay, saxophonist Louie ...
Lineage and Vision Festival 16: June 5-11
So much of our experience is increasingly place-less as franchise smiles crafted by human resources consultants greet us daily no matter what the biome or weight of memory. The fast food smile and store floor uniform must ever be the same. Crowd counts displace quality practices with childlike aspirations toward some eternal Superbowl as the only ...
Louis Moholo-Moholo / Dudu Pukwana / Johnny Dyani / Frank Wright: Spiritual Knowledge And Grace
by Sid Smith
Accidents are part and parcel of any kind of improvised music. Such occurrences can be fickle things with a capacity to make or break a situation. So, when Chris McGregor was prevented from joining the first night of a Dutch tour by The Blue Notes in 1979, Louis Moholo-Moholo, Dudu Pukwana and Johnny Dyani embraced the ...
Buell Neidlinger Quartet LIve at Ravenna Jazz '87 With Special Guest Steve Lacy
K2B2 Records (k2b2.com) has just released a new CD—Buell Neidlinger Quartet Live at Ravenna Jazz '87 With Special Guest Steve Lacy (K2B2 3969). This live concert was the first time since 1959 that Neidlinger and Steve Lacy would play music together. They last played together at the NYC Cecil Taylor sessions for Candid Records. Supported by ...
Fred Van Hove: Piano Solo
by Mark Corroto
Belgian pianist Fred Van Hove has always been identified with the European free music movement, but he also stands outside the cadre of players that formed the FMP label. This rerelease (first time on CD) of two solo LPs, Prosper (1981) and Die Letzte (1986), reaffirm his personality and uniqueness as an improvising player.
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