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Ivo Perelman: One
by Glenn Astarita
Brazilian saxophonist Ivo Perelman's inaugural recording for this progressive UK-based record label includes frequent companion, bassist Joe Morris and Hungarian drummer Balazs Pandi (Merzbow, ZU). As for Pandi, he's contributed to several albums for this label and brings a hardcore progressive metal and avant-rock realm of experience to the forefront. Otherwise, the trio launches a largely ...
Rob Mazurek Exploding Star Electro Acoustic Ensemble: The Space Between
by AAJ Italy Staff
Nella propria vita, a mano a mano che un artista “vero" cresce (in ogni senso), porta con sé la complessità del proprio essere, comprese le essenze creative che muovono la sua attività. Se poi, come Rob Mazurek, ha la fortuna di poter riuscire a vivere mondi e culture artistiche diverse (nel suo caso Chicago, la tradizione, ...
Elliott: Girls with Radical Haircuts
by Eyal Hareuveni
The three young Danish musicians who comprise Elliott-- guitarist Alex Jønsson and double bassist Jens Mikkel Madsen, two-thirds of the indie-pop-jazz Foyn Trio! with Norwegian vocalist Live Foyn Friis, and trumpeter Jakob Sørensen, are aware of all music that was created in the last one hundred years. As the trio declares: “we already have everything from ...
Skip Heller: Songs With Memories: Skip Heller and Friends Play Floyd Tillman
by C. Michael Bailey
It would be oh so tempting to say the music impresario Skip Heller has found his niche with Songs With Memories: Skip Heller and Friends Play Floyd Tillman but with his next recording, more likely than not, he would prove that statement ludicrous. Heller's 2012 Fakebook II: That's Entertainment (Weatherbird) was a sequel to his 2004 ...
Mintz Quartet: Mintz Quartet
by Dan McClenaghan
The jazz world is packed with dynamic drummers, and players who raise the job of timekeeping--and beyond--to a fine art. And then there are the supreme poets of the drum kit: The late Paul Motian, with his gentle orchestra of textures, colors, and diaphanous accents; Jack De Johnette, with his bustling undercurrents and rock steady grooves; ...
Brian Landrus Kaleidoscope: Mirage
by Hrayr Attarian
Multi-instrumentalist and composer Brian Landrus' Mirage is his most accomplished, and thematically unified recording to date. The music shimmers like the phenomenon of the title as pastel colored harmonies of a string quartet bleed into the deep, earthy tones of low reeds and the fusion-like sounds of the band, Kaleidoscope.On “Don't Close Your Eyes" ...
University of Toronto Jazz Ensemble: Reflections
by Jack Bowers
Wherever Gordon Foote goes, you may rest assured that pleasurable music is sure to follow. After twenty-six years at McGill University in Montreal, Canada, where he led the school's superlative Jazz Ensemble, Foote moved eastward to Toronto a year or so ago to oversee the splendid University of Toronto Jazz Orchestra, which recorded its most recent ...
Johanna Graham: Don’t Let Me Be Lonely
by Nicholas F. Mondello
Years back, there was a fascinating self-help book entitled The Road Less Traveled (Simon and Schuster, 1978) by psychiatrist, M. Scott Peck. The premise of that long-time #1 best-selling effort was simple: in Life sometimes making a riskier choice--where the unknown awaits--can be the most rewarding. Perhaps taking Peck's suggested advice, Don't Let Me Be Lonely ...
Gustavo Cortiñas: Snapshot
by Jack Bowers
Drummer Gustavo Cortinas, who leads a group of admirable musicians on his engaging debut album, Snapshot, was born in Mexico, received his higher education in the States (Loyola University, New Orleans; Northwestern University) and currently resides in Chicago. Besides playing drums, Cortinas wrote and arranged every number on Snapshot, showing impressive proficiency in those areas as ...
Sunna Gunnlaugs: Distilled
by Jakob Baekgaard
It is tempting to connect a musical aesthetic with a particular place. In fact, the whole idea of national music relies on the concept of an intrinsic national spirit, which creates an original musical expression. The only problem with a concept like national music is that it tends to pigeonhole musicians and create prejudice rather than ...
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