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I Think You’re Awesome: Løft mig op, så jeg kan nå
by Jakob Baekgaard
For a long time, the jazz scene in Denmark has been centred around Copenhagen and the city is still the jazz capital of the country with its many jazz venues and labels like ILK and Stunt, but there is also a fertile jazz environment in the city of Aarhus where exciting things are happening and new ...
Building Instrument: Building Instrument
by Eyal Hareuveni
The Norwegian trio Building Instrument has taken its time to record its debut album. The Bergen-based trio--featuring vocalist and multi-instrumentalist Mari Kvien Brunvoll, known for her duo with guitarist Stein Urheim, who previously produced two acclaimed albums, Daydream Community and Daydream Twin (both on Jazzland, 2011 and 2013) and her self-titled solo album (also on Jazzland, ...
Rempis - Johnston - Ochs: Spectral
by Glenn Astarita
For this nascent record label's sixth offering, Chicago-based saxophonist Dave Rempis unites with West Coast modernists, saxophonist Larry Ochs (The Rova Saxophone Quartet) and trumpeter Darren Johnston who has been all over the jazz map these days. Here, the trio hunkers down and prepares for battle via cyclonic three-way flurries, dappled with polytonal hues and expansive ...
Jaimeo Brown: Transcendence
by Angelo Leonardi
Al suo debutto discografico come leader Jaimeo Brown ha relizzato una delle opere più intense, originali e appassionanti del 2013. Un concept album che abbraccia il passato e il presente della cultura afro-americana, inglobando suggestioni geograficamente distanti (come quella indiana) in un percorso capace di coniugare feeling e controllo della forma. Il trentaquattrenne batterista non ...
Acme Jazz Company: Acme Jazz Company
by Jack Bowers
There are moments on its debut recording when the Twin Cities-based Acme Jazz Company rises well above its generic name to present an exciting brand of big-band jazz, others when its run-of-the-mill label seems to suit the ensemble like a proverbial glove. Lance Strickland's genial “One Eyed Jacks," for example, hustles merrily along behind cogent statements ...
Ensemble 5: The Summary Of 4
by Mark Corroto
It is refreshing to hear a free jazz improvising group that doesn't abandon meter and melody for the goal of spontaneous music making. For percussionist Heinz Geisser, performing improvised music doesn't require he throw the figurative baby out with the bath water. The dude abides.Like the Collective 4tet he established in the 1990s with ...
Gustavo Musso / Francisco Lo Vuolo: Back in Town
by Jakob Baekgaard
Playing in a duo exposes the communication between two musicians. Like a good conversation, there's a chance to get a special level of depth and intimacy. A good conversation with a stranger can make us feel like we have known the person for years, but if the conversation grows stale then the reaction might become estrangement. ...
Håkon Storm: Fosfor
by Eyal Hareuveni
Norwegian guitarist Håkon Storm's sixth album Fosfor features his artistic mastery of the solo guitar. Storm is a gifted storyteller. His evocative, melodious lines intensify the expressive, poetic playing style that is often exploratory, suggesting exotic soundscapes. Storm uses a variety of guitars that allow him to stress distinctive originality as a composer and improviser. The ...
Ben Flocks: Battle Mountain
by Glenn Astarita
California native, saxophonist Ben Flocks' compositions parallel an imaginary cross-country trek via the diverse climates he conjures with these alluring compositions. Spanning intermittent similarities to guitarist Bill Frisell's sojourns into Americana along with frothy New Orleans second line fare, spacey jazz rock, and a few quirky little ditties intermingled along the way, his debut is an ...
Brad Mehldau / Mark Guiliana: Mehliana - Taming the Dragon
by Ian Patterson
Whilst synthesizer-driven ambient groove music seems like a left-field move, nothing pianist/composer Brad Mehldau does should surprise anymore. The piano trio releases of Mehldau's first recording decade established his reputation as the most influential jazz pianist since Keith Jarrett. The brilliant, emotionally intense Elegiac Cycle (Warner Bros. Records, 1999) marked a significant departure from his previous ...
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