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Tomas Sauter: Double Life
by Budd Kopman
Tomas Sauter, known heretofore as a fine guitarist, leads a quartet--Ralph Alessi, trumpet and bass; Luzius Schuler, electric keyboards; Dominik Burkhalter, drums--as an electric bassist on the intriguing album, Double Life. For those who are always looking for, and expecting, new sounds, this session will shock in how retro it sounds. The overall vibe ...
Russ Johnson: Meeting Point
by Glenn Astarita
Trumpeter Russ Johnson has been all over the progressive jazz map. He's been an A-list performer for several years. A longtime resident of New York, he recently relocated to Chicago and has become a major contributor to its fertile improvisational scene. On this release, he utilizes the talents of the region's prominent artists who push the ...
Luis Tabuenca: Volavérunt
by Eyal Hareuveni
As a performer and composer, Spanish percussionist Luis Tabuenca focuses on the contemporary and experimental, blurring distinctions between improvised and composed music. He has studied in esteemed modern ensembles such as the Ensemble Intercontemporain and the Ensemble Recherche and he has written music for solo percussion, contemporary dance, documentaries and visual artists. ...
Ali Jackson Jr.: Amalgamations
by Angelo Leonardi
Stretto collaboratore di Wynton Marsalis, il trentottenne Ali Jackson è l'attuale batterista della Lincoln Center Jazz Orchestra. Nato a Detroit, laureato in composizione alla New School for Jazz and Contemporary Music, è stato allievo di Elvin Jones, Max Roach e ha operato in vari contesti assieme a Joshua Redman, Kurt Rosenwinkel, George Benson, James Carter, Marcus ...
Brian Groder Trio: Reflexology
by Alberto Bazzurro
È curioso che fra i tredici nomi che circumnavigano la pianta del piede che campeggia in copertina non compaia quello di Shorty Rogers. Se dovessimo infatti trovare un ipotetico progenitore di questo disco (e questo trio) il primo nome che ci verrebbe in mente sarebbe proprio quello del trombettista californiano (in realtà nativo del Massachusetts), idealmente ...
Alex García’s AfroMantra: This Side of Mestizaje
by Roger Farbey
From the word go, this tight band shows its mettle with upbeat lyricism as evidenced in the opener Believe." A Chick Corea Return to Forever era influence is apparent with 11:11 Spirit," Fender Rhodes to the fore. The title track clearly displays what a drum-led group sounds like, Alex Garcia's intelligent and incisive percussion ...
Per Zanussi 5: Live in Coimbra
by Glenn Astarita
Here, Norwegian master bassist Per Zanussi is the leader and director of operations. Recorded live at a Portuguese jazz festival, the three-man reed section weaves mega contrasts and disparate tonalities into the mix with subtle or pronounced variances, contrapuntal phrasings, and sweltering, rough-hewn ostinatos. They embrace Middle Eastern modalities, free bop, funk and other genres via ...
Jean-Luc Petit: Matière des Souffles
by Eyal Hareuveni
French reed player Jean-Luc Petit mastered his art through extensive, mostly free improvised, solo work with actor and poet Daniel Crumb (including the staging of Charles Bukowski poems) and various duets with double bassist Benjamin Duboc, percussionist Didier Lasserre and sax players Daunik Lazro and Sylvain Guérineau among many other forward-thinking local improvisers.
Marc Ducret: Tower-Bridge
by Vincenzo Roggero
Nell'arco del triennio 2011-2013 il repertorio del progetto di Marc Ducret denominato Tower ha visto come interpreti un quintetto franco-danese (Vol. 1), un quartetto franco-americano (Vol. 2), un sestetto francese (Vol. 3), e un solo di chitarra acustica ( Vol. 4). Il quinto capitolo di questa avventura riunisce in un ensemble di dodici elementi tutti i ...
Marco Sanguinetti: 8
by Karl Ackermann
Argentine pianist and composer Marco Sanguinetti had established a solid and unique style with his solo effort Improvisiones (MDR, 2005). His penchant for emphasizing percussive effects and recurring variations of phrases are elements that he has consistently employed in his recordings. With El otro (Acqua, 2011) he placed a stronger prominence on lyricism while maintaining a ...

