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Jakob Bro: Gefion
by Jakob Baekgaard
Throughout his career, Danish guitarist Jakob Bro has continued to refine and improve his musical expression. It has been a constant search that has taken him in many different directions, from the refined chamber-playing and melodic purity on the Balladeering-trilogy to remix experiments with electronic musician Thomas Knak. Another way he has challenged ...
Phil Robson: The Cut Off Point
by Roger Farbey
With four albums already to his name and another four by the band Partisans which he co-leads with saxophonist Julian Siegel, British guitar phenomenon Phil Robson hardly needs any introduction, save that his new musical departure is realised by an organ trio offering a smörgåsbord of exciting and imaginative compositions. Thief" hits the ground ...
Jeff LaRochelle: Moonstone
by Hrayr Attarian
Canadian saxophonist and clarinetist Jeff LaRochelle fuses the orchestral complexity of the western classical tradition and the spontaneity of jazz on his debut Moonstone. With his band, Origins, LaRochelle interprets ten intimate pieces that he himself has penned. The music reflects his diverse influences but remains thematically cohesive primarily due to the exquisite balance of modernity ...
Polar Bear: Same As You
by Bruce Lindsay
Polar Bear's seventh album, Same As You appears barely 12 months after album number six, In Each And Every One (Leaf Label, 2014). It's far from being a more of the same" follow-up though--this is a softer, more-at-peace Polar Bear sound than its predecessor, a mellower vibe. There are just six tracks on the ...
Skuggorna Och Ljuset: Would Fall from the Sky, Would Wither and Die
by John Eyles
If the Swedish group name Skuggorna Och Ljuset does not ring any bells, then the names of some of its members may help jog the memory--Magnus Granberg on clarinet, Anna Lindal on violin, Leo Svensson Sander on cello, Erik Carlsson on percussion. Yes? Well, all four of them have previously figured on Another Timbre releases as ...
Merzbow/Mats Gustafsson/Balázs Pándi: Live In Tabačka 13/04/12
by Mark Corroto
Let's bring back the maxim; If it's too loud--you're too old." Certainly, when you listen to noise-music (is that an oxymoron? Absolutely not.) loudness is to a composition, what rhythm is to George Gershwin. That said, Live In Tabačka 13/04/12 is fascinating noise. This recording, released as a limited (400 copies) LP and digital ...
Mattia Cigalini, Enrico Zanisi: Right Now
by Angelo Leonardi
Mattia Cigalini ed Enrico Zanisi -young lions del jazz italiano, premiati nei referendum della critica e scritturati nel quartetto di Giovanni Tommaso -si presentano in duo, una formula strumentale di per sé impegnativa, scegliendo un percorso per niente scontato. Invece di confermare l'estetica straight ahead che condividono nel gruppo del bassista di Lucca (Conversation with My ...
JÜ: JÜ meets Møster
by Claudio Bonomi
Alla RareNoise Records non si fanno mancare nulla, nemmeno la presenza di un combo ungherese con tanto di sassofonista scandinavo al seguito, norvegese per la precisione. Stiamo parlando degli JÜ, trio guidato dal chitarrista hendrixiano Ádám Mészáros, accompagnati per l'occasione dal sassofono di Kjetil Møster, noto per aver collezionato già una serie di importanti collaborazioni con ...
Henry Threadgill Zooid: In For A Penny, In For A Pound
by Karl Ackermann
Fresh off his significant contribution to Jack DeJohnette's Made In Chicago (ECM, 2015), composer/saxophonist/flautist Henry Threadgill and his most long-established group, Zooid, return for the ensemble's most creative and ambitious collection. Almost thirty years ago, Threadgill told Chicago's Pulitzer winning writer, Studs Terkel, of the influence of marching bands that he saw in that city's frequent ...
Bobby Bradford & John Carter Quintet: No U Turn: Live In Pasadena, 1975
by Mark Corroto
History, it is said, is written by the victors. With jazz history, the story is too often written by New Yorkers, or at least those east of the Mississippi. Listeners with inquisitive minds are required to dig deeper, into record bins and into interviews with musicians to learn about players that did not make New York ...

