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Mark Christian Miller: Crazy Moon
by C. Michael Bailey
Southern California already has Mark Winkler. Some crazy critical mass is reached when considering vocalist Mark Christian Miller's Crazy Moon. Not because Miller and Winkler are so much alike...there is a bit of that, but more because they are so different. Both have performed on the Left Coast for the past 25 years, each building a ...
Eric Marienthal and Chuck Loeb: Bridges
by Jeff Winbush
What happens when the guy manning the guitar seat in Fourplay meets up with the erstwhile sax guy for the Jeff Lorber Fusion? More than what you might expect. In fact, Eric Marienthal (the sax guy) and Chuck Loeb (the guitar guy) both defy and go beyond expectations on the surprisingly eclectic and entertaining Bridges. Marienthal ...
Mary Halvorson: Meltframe
by Karl Ackermann
In a quietly forceful way, guitarist Mary Halvorson has cemented her place among the company of modern-day counterparts such as Eivind Aarset, Nels Cline and Terje Rypdal. The Brooklyn based composer/musician has performed with the likes of Anthony Braxton (both sharing credentials at Wesleyan University), cornet player Taylor Ho Bynum and the avant-garde group Trevor Dunn's ...
Atomic: Lucidity
by Vincenzo Roggero
"Laterna Interfruit," il brano iniziale, è un'indovinata miscela di accattivanti groove ritmici e atmosfere nordiche, di assoli calibrati e di timbriche inusuali, di esplosioni free e di canonici riff di matrice boppistica. Sono queste le coordinate entro le quali si muove l'intero Lucidity, settima prova discografica dell'ensemble norvegese denominato Atomic. Le oscillazioni ora ...
Attilio Zanchi: Ravel's Waltz
by Neri Pollastri
Il contrabbassista Attilio Zanchi raccoglie in questo CD una selezione di sue composizioni, prodotte ed eseguite da organici diversi, alcuni dei quali sue formazioni storiche. È interessante notare come in molti dei brani sia presente, come ispirazione e talvolta persino nei titoli, una figura di riferimento, perlopiù compositori--da Giuseppe Verdi a Hermeto Pascoal, da Astor Piazzolla ...
Jonah Parzen-Johnson: Remember When Things Were Better Tomorrow
by Dan Bilawsky
Hymn-like melodies, oscillating and quivering sounds, and a mixture of solemnity and adventurousness all inform the solo work of saxophonist Jonah Parzen-Johnson. On Remember When Things Were Better Tomorrow, Parzen-Johnson is all by his lonesome with his baritone saxophone and analog synthesizer, creating what could rightly be described as trance spirituals for the modern epoch or, ...
Barry Altschul's 3dom Factor: Tales of the Unforeseen
by Karl Ackermann
Barry Altschul made his mark on the musical world at a time of both turmoil and guarded acceptance. Charles Lloyd's quartet, with the unknown pianist Keith Jarrett, was bridging a gap with psychedelic rock at the Fillmore West; Miles Davis' Bitches Brew (Columbia, 1970) along with the work of groups like Weather Report, the Mahavishnu Orchestra ...
Kutiman: Space Cassava
by Roger Farbey
Kutiman is an Israeli polymath composer, musician and film producer. Space Cassava is the title of a 2015 mini-album release which is available as a download and also on a limited vinyl version. Despite the paucity of the combined length of the two tracks, weighing in at around 25 minutes, there is some heavy stuff to ...
Francesco Negro, Igor Legari, Ermanno Baron: Aspettando il tempo
by Angelo Leonardi
Non ancora trentenne, il pianista e compositore salentino Francesco Negro manifesta una progettualità artistica d'alto spessore, sicuramente insolita nei musicisti della sua generazione. Questo disco è l'ultimo volume di una trilogia iniziata con Abbagli (Philology, 2008) e proseguita con Silentium (Alfa Music, 2011). Se il primo esprimeva la sua vena di autore attento ai ...
Matt Lavelle, John Pietaro: Harmolodic Monk
by Alberto Bazzurro
Un album il cui titolo evoca simultaneamente due grandi iconoclasti come Ornette Coleman e Thelonious Monk non può che incuriosire. Le composizioni, poi, rimandano tutte al secondo, mentre ornettiano (armolodico, appunto) dovrebbe essere il trattamento. Matt Lavelle, che con Ornette ha studiato (e ha pure suonato con Bern Nix, chitarrista del Prime Time), ...

