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Various Artists: Hungarian Noir
by James Nadal
When Billie Holiday released “Gloomy Sunday," in 1941, accompanied by the Teddy Wilson Orchestra, no one could possibly imagine the back story and consequent repercussions associated with this song. Originally composed by Hungarian Reszo Seress in 1933 as “Szomorú Vasárnap," it was quickly rewritten with lyrics by poet Laslo Javor, and recorded by Pál Kalmár in ...
Sonar: Black Light
by Claudio Bonomi
Si chiamano Sonar, vengono dalla Svizzera e questo è il loro terzo lavoro. Sveliamo subito di che si tratta, prendendo spunto dalle note di copertina redatte nientemeno che dal mirabile John Kelman. L'ispirazione di Black Light è l'album dei King Crimson del 1973 Lark's Tongues in Aspic e in particolare il lavoro di ricerca ...
Craig Taborn: Flaga: Book of Angels, Volume 27
by Dan McClenaghan
There was always a sense that pianist Craig Taborn was more successful as a “super sideman" than as a leader of his own recordings. His contributions to CD offerings by saxophonist Tim Berne, reedman Roscoe Mitchell, saxophonists David Binney and James Carter, and many more, have been critical in crafting dozens of excellent music sets. Then ...
Jim Riggs & Stefan Karlsson: Texas Times
by Jack Bowers
Recording a duo album is something that old friends Jim Riggs and Stefan Karlsson have wanted to do for some time, and they make the most of the long-delayed opportunity on Texas Times, an eloquent and engaging recital that never wears thin in spite of its more or less familiar playlist and the fact that Riggs ...
Jemeel Moondoc/Hilliard Greene: Cosmic Nickelodeon
by Mark Corroto
Saxophonist Jemeel Moondoc and bassist Hilliard Greene have quite a bit to talk about in their encounter Cosmic Nickelodeon. Their shared forays into free jazz, Moondoc first with Cecil Taylor, then as a leader collaborating with William Parker and Roy Campbell, and Greene with Charles Gayle give context to this session. Moreover, the pair come together ...
Lorin Cohen: Home
by Angelo Leonardi
Vari aspetti distinguono quest'album rispetto alla produzione del mainstream contemporaneo. Per il suo esordio da leader il contrabbassista e compositore Lorin Cohen ha riunito un settetto dall'originale e accattivante tavolozza timbrica, ottenuta accostando i suoni del vibrafono (Joe Locke), dell'armonica (Yvonnick Prene) e dello steel pan (Victor Provost). Autore di tutte le composizioni, Cohen ...
U.S. Army Blues: Live At Blues Alley
by Dan Bilawsky
When thinking of military bands, many tend to focus on their sterling technique and punctilious performances above all else. Creative concerns are rarely part of the conversation, but this album makes you wonder why. The U.S. Army Blues, a blue-chip big band of brothers that serves as the flagship jazz ensemble in the titular military branch, ...
Jason Rebello: Held
by Roger Farbey
As a teenage prodigy in 1988, Jason Rebello received the Most Promising Newcomer of the Year award in The Wire magazine. By the time he reached the tender age of 21, his debut album A Clearer View was produced by none other than Wayne Shorter; not a bad start to a burgeoning career. A graduate of ...
Roy Nathanson: Nearness And You, Duets and Improvisations
by Mark Corroto
On saxophonist Roy Nathanson's 2009 disc Subway Moon (Yellowbird), he covers the R&B song “Love Train" a huge hit for The O'Jays in 1973. Nathanson's version was a relaxed take on the age old wish for world peace. By decelerating the music he accelerated the intimacy. He utilizes the same device on Nearness Of You, an ...
Andy Jaffe Nonet +4: Arc
by Mark Corroto
It is difficult to get past the opening, and title track, to Andy Jaffe's Nonet recording Arc. The reason being, it is a flawless piece of music as it is written, arranged and performed. There is just something about this little waltz that is cinematic, in both the sense that it feels like the soundtrack to ...
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