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resAUnance: Migration
by Budd Kopman
Highly emotional and ravishingly beautiful, Migration is a feast for the ears and heart. Performed by resAUnance, a cooperative quartet, which began as a trio comprised of vibraphonist/percussionist John Bacon, vocalist Esin Gündüz, pianist Michael McNeill with electric cellist Jonathan Golove added later, this combination of unique instrumentation and innovative musicians has created an astonishing multipart ...
Miroslav Vitous: Music of Weather Report
by Mark Sullivan
Bassist Miroslav Vitous was a founding member of Weather Report, making him one of the architects of the highly improvisational approach taken by the original band. On his earlier album Remembering Weather Report (ECM, 2009) he evoked the spirit of the old band and its collective improvisational style (characterized by keyboardist Joe Zawinul as No one ...
Beresford Hammond Hume: The Lightning Bell
by John Eyles
The Lightning Bell is the second release on the label co-founded by Charlie Beresford and Canadian photographer Gaëna Da Sylva, The 52nd. Those familiar with Beresford's previous work will find that this album builds on it and explores new territory. The label's inaugural release, The Science of Snow, featured the duo Beresford Hammond which paired Beresford's ...
Paul Van Kemenade Quartet: Checking Out
by Budd Kopman
Saxophonist Paul van Kemenade might just be the least publicly known (at least outside of Europe) jazz musician who has a discography going back to 1979. His latest effort Checking Out, featuring Han Bennink on drums, bassist Ernst Glerum and trombonist Ray Anderson, will hopefully bring him and his music much more notoriety. The ...
Josh White: Josh At Midnight
by James Nadal
The pioneering music of singer/guitarist Josh White is a reflection of American history throughout the 20th century; his songs depicting racial, social, and political situations during his turbulent lifetime. With a career spanning five decades, White hit the road at age eight as a guide for blind blues musicians. In 1928, age fourteen, he signed with ...
Fred Hersch Trio: Sunday Night At The Vanguard
by Mark Corroto
The thing about a Fred Hersch Trio recording, is that it's like a family meal at your favorite restaurant. While the kids want to start with dessert first, you may want them to enjoy the appetizers and settle in for a delicious meal before the sweets. With Hersch's trio, the last course is almost always a ...
The Fred Hersch Trio: Sunday Night At The Vanguard
by Dan McClenaghan
Reach up to the CD shelf and pull a handful of Fred Hersch CDS down. You'll find that the pianist has a good thing going with the Village Vanguard. Alive At The Vanguard (Palmetto Records, 2012) a stellar two CD set, and terrific solo set, Alone At the Vanguard (Palmetto Records, 2011), are Hersch's most recent ...
Peter Erskine Trio: John Taylor/Palle Danielsson: As it Was
by Karl Ackermann
Over the course of five years in the 1990s, drummer Peter Erskine, pianist John Taylor and bassist Palle Danielsson came very close to perfecting the contemporary piano trio presentation. Across four ECM releases, You Never Know (1993), Time Being (1994), As It Is (1996) and Juni (1999), the international group, all with prior ECM history, came ...
Robert Glasper, Miles Davis: Everything's Beautiful
by Asher Wolf
Miles Davis birthed cool in 1949 and nearly took it to the grave with him 52 years later. His first venture into hip-hop and last studio album, Doo-Bop, represented the least cool moment for America's icon of coolness itself. By the '90s, Miles' prowess as a trumpeter had only waned from legendary to excellent, but younger ...
Vijay Iyer, Wadada Leo Smith: A Cosmic Rhythm With Each Stroke
by Luca Canini
Ci sono dischi che succedono ancora prima di succedere. Musica che sta nelle cose, destinata ad accadere, dentro la logica di un'astratta ma vincolante necessità. Basta solo aspettare che l'inevitabile si compia, che il disegno intuito da tempo prenda forma e sostanza. Questione di chimica, di affinità elettive, di soverchianti meccaniche celesti. Non ...

