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Duke Ellington And His Orchestra: Duke Ellington's Treasury Shows - Vol. 21
by Chris Mosey
This volume of the Duke Ellington Treasury Shows commemorates the death on July 20 1946 of Joe “Tricky Sam" Nanton, one of the founding fathers of the band's early “jungle" sound that helped make its name at the Cotton Club. Nanton was the first musician to die with Ellington and the leader--a highly superstitious man--took it ...
Dominique Pifarély Quartet: Tracé Provisoire
by Mark Sullivan
French violinist Dominique Pifarély--last heard solo on Time Before And Time After (ECM, 2015)--leads a quartet into that uncharted territory between improvisation and composition. The quartet was founded in the spring of 2014, but the players had many associations before that. Pifarély and double bassist Bruno Chevillon have recorded together with clarinetist Louis Sclavis on Chine ...
Colosseum: Colosseum Live
by Roger Farbey
A remarkable feature of Colosseum Live was the inclusion of one of the more unusual numbers in the band's repertoire, namely Michael Gibbs's outstanding composition “Tanglewood '63." This was a brave piece for a six piece jazz rock band to tackle since the original version (aside from a version recorded by Gary Burton's quartet in 1982) ...
Yuhan Su: A Room of One's Own
by Ian Patterson
Continuity and progress are the watchwords for A Room of One's Own (Inner Circle Music, 2015), Yuhan Su's follow-up to Flying Alone (Inner Circle Music, 2013), her impressive debut for Greg Osby's label. New York-based Taiwanese vibraphonist Su's debut announced a melodic composer of nuance and sensitivity and a soloist of some style. A Room of ...
Andreas Willers / Urs Leimgruber: Pale White Shout
by Glenn Astarita
Guitarist Andreas Willers (Germany) and saxophonist Urs Leimgruber (Switzerland) are among Europe's most prominent improvisers and free-thinkers. On this outing their experimental metrics are quite rangy and focused, offering the antithesis to a madcap free-form blowing session. The duo alternates between controlled thematic buildups and subdued encounters with polytonal dialogues along with certain parts that elicit ...
Régis Huby 4tet: Equal Crossing
by Eyal Hareuveni
French violinist Régis Huby's solo projects are quite rare. His previous solo album, Simple Sound was released nine years ago (Le Chant Du Monde, 2007), nine years after his debut album, Le Sentiment Des Brutes (Transes Européennes, 1998). Still, Huby is one of the busiest and most original musicians on the French scene, one who refuses ...
Attuttogas: Attuttogas
by Neri Pollastri
Divertissement esplicito fin dagli ironici titoli e dalle foto del libretto, Attuttogas è una sorta di fusion nostrana, con composizioni di Stefano Cantini e Romano Zuffi, accompagnati da una ritmica “amica" come quella composta da Ares Tavolazzi (impegnato esclusivamente al basso elettrico) e Alfredo Golino (talora sostituito da Piero Borri) e -a seconda dei brani -ora ...
Larry Dickson Jazz Quartet: Summergold Promises
by Jack Bowers
Cincinnati-based baritone saxophonist Larry Dickson's new album, Summergold Promises, is almost a companion piece to his previous enterprise, Second Springtime, which was appraised favorably here less than a year ago. The word “almost" is necessary because Dickson's front-line partner on Springtime, tenor saxophonist Brent Gallaher, has been replaced by trombonist Bill Gemmer, lending the quartet a ...
Manu Katche: Unstatic
by Dan McClenaghan
French drummer Manu Katche always seemed something of an odd man at ECM Records on his four solo discs--warm, groove-centric, gregarious sets competing with the Nordic cool of Tord Gustavsen, or the thoughtful melancholy of trumpeter Tomas Stanko and pianist Marcin Wasilewski. And--like few artists in the ECM stable--he crossed successfully into the rock world via ...
Lajos Dudas: Brückenshlag
by C. Michael Bailey
Clarinetist Lajos Dudas is a vector talent, having both a fixed direction and potent momentum associated with it. His music is descendant of Jimmy Giuffre's early '60s recordings with bassist Steve Swallow and pianist Paul Bley. Dudas' music is an evolution into a freer, yet more structured performance form. Both his vertical and horizontal improvisations possess ...
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