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Troy Roberts: Tales & Tones
by Geannine Reid
Saxophonist and composer Troy Roberts continues to present music that retains a distinctive strength and originality, still vastly rooted in tradition, while firmly grounded in new perspectives. Hailing from the remote location of Perth, West Australia, Roberts has received numerous awards including 3 consecutive DownBeat Jazz Soloist Awards, a Grammy Nomination medal, and was the only ...
Richie Cole: Have Yourself An Alto Madness Christmas
by Rob Rosenblum
Christmas music is a sort of sub genre of American pop, mostly maudlin and uninspiring in its lyrics, harmony and melody. Yet, it is a perennial magnet for jazz artists. On the other end of the spectrum is Richie Cole, a brash altoist and sort of a merry prankster bebop artist. Fans and critics ...
Veryan Weston: Discoveries on Tracker Action Organs
by John Eyles
This new solo album from keyboardist Veryan Weston was recorded in May 2014 on tracker action organs in seven churches located around England. The recordings here document some of the preparatory research that Weston did ahead of a tour of churches with tracker action organs. That tour involved Weston plus violinist Jon Rose and cellist Hannah ...
Theo Bleckmann: Elegy
by John Kelman
While ECM is a label largely renowned for its subtlety, attention to space and detail, and overall understated, “less is more" aesthetic--an early sampler titled, even, The Most Beautiful Sound Next To Silence--it's hard to imagine a label debut as a leader that could be less about virtuosity and more about creating soft atmospheres and ambiences ...
Tim Daisy: Red Nation "1"
by Mark Corroto
On the outside, Chicagoan Tim Daisy is a 21st century musician. He plays drums in the forward thinking bands Made To Break (with Christof Kurzmann, Jasper Stadouders, and Ken Vandermark), saxophonist Dave Rempis' Percussion Quartet (with Frank Rosaly, Ingebrigt Håker Flaten, and Frank Rosaly), and Trio Red Space (with Jeb Bishop and Mars WIlliams). It's his ...
Alexander Zethson: Pole Of Inaccessibility
by Mark Corroto
You are both awake and asleep. Listening, but at the same time paying no heed to the experience. Am I talking about the ancient Buddhist practice of yoga nidra or the recording Pole Of Inaccessibility by Swedish pianist Alexander Zethson? Actually both. The finest tribute that can be paid to these two discs of ...
Ingrid and Christine Jensen: Infinitude
by John Kelman
While they've often recorded together over the years--from the collective Nordic Connect quintet and trumpeter Ingrid Jensen's early albums including Now as Then (Justin Time, 2003), to many of saxophonist Christine's recordings, from her two much-lauded Jazz Orchestra albums (most recently Habitat (Justin Time, 2014)) to earlier, small group dates including Look Left (Effendi, 2006)--the two ...
Le Tout-Puissant Orchestre Poly-Rythmo: Madjafalao
by Karl Ackermann
Le Tout-Puissant Orchestre Poly-Rythmo is a difficult ensemble to follow. For one thing, they have functioned under the names Poly Rythmo de Cotonou, TP Orchestre Poly-Rythmo and L'International Poly-Rythmo among others. Add to that, a frequently shifting line up, a series of serious misadventures, a long period of dormancy, and their lack of familiarity outside of ...
Mads Tolling and the Mads Men: Playing the 60s
by C. Michael Bailey
From the first arco tones, something sounds very familiar, yet hard to identify. The tone in question is big and full, dry, but not too much so. Were this tone a libation, it would be an Old Fashion. Sleek and commanding, yes, this makes me think of Svend Asmussen. This should be no surprise both wunderkind ...
David James's GPS: Billionaire Blues
by Mark Werlin
A community of independent-minded creative musicians persists in Northern California in spite of skyrocketing rents, the collapse of the Fillmore Jazz District, and the flight of fellow artists to points south (L.A.), and East (New York, Europe). Most of the new jazz music written and performed in the Bay Area is not commercially recorded or marketed ...
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