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Bandit 65: Bandit 65
by Geno Thackara
It's not unheard of for groups to include drums without a bass as rhythmic partner, though the rest of the players may sometimes be surprised how much they miss that anchor (which is easy to take for granted after all). A small combo has a couple basic options for working around that absence. They can have ...
Zeno De Rossi: Zenophilia
by Neri Pollastri
Dopo Sleep Talking, in duo con Giorgio Pacorig, Zeno De Rossi torna al trio, formazione con la quale ha più volte operato con ensemble strumentali assai diversi tra loro -l'ultimo, con il fender di Pacorig e Francesco Bigoni al sax tenore e al clarinetto, era stato interprete dell'eccellente Kepos. E anche qui gli strumenti messi assieme ...
Eivind Opsvik: Overseas V
by Nicola Negri
Quinto capitolo per il progetto Overseas di Eivind Opsvik, gruppo ad assetto variabile che il bassista, norvegese di nascita ma da anni residente a New York, ha utilizzato a partire dal 2002 per documentare il proprio percorso artistico. Dal 2005 Overseas si è attestato attorno al nucleo formato da Opsvik e Jacob Sacks (piano e tastiere) ...
Desert Foxx: Kill Together
by Geno Thackara
There's music intended to be pleasant or listenable--probably most of it out there, all told--and then there's the kind that's more about provoking or challenging the person who's listening. The more abstract something is, the harder it can be to discern just what the purpose or message is, and a brief fifteen-minute recording can only give ...
Tim Armacost: Time Being
by Roger Farbey
Tim Armacost may not be the most well-known jazz musician on the planet but he's certainly one of the best. His early life was spent in Tokyo, and Washington, then moving to Los Angeles at the age of 18. He travelled to Amsterdam and India where, in the spirit of The Beatles and John McLaughlin he ...
The Mark Masters Ensemble: Blue Skylight
by Jack Bowers
California-based composer / arranger Mark Masters, who has already recorded salutes to Clifford Brown, Jimmy Knepper, Dewey Redman, Steely Dan, the Gershwin brothers and even the Duke Ellington saxophone section, directs his attention and considerable talents this time around to the music of a pair of legendary jazz trend-setters who were in many respects polar opposites: ...
Lucerne Jazz Orchestra: Oaktree
by Budd Kopman
Although the Lucerne Jazz Orchestra was formed in 2007 and has had five releases to its credit, it is virtually unknown on this side of the pond, being overshadowed by the NDR Big Band and the WDR Big Band. This state of affairs ought to be corrected with Oaktree, a marvelous release in every aspect.
Phronesis; Julian Argüelles; Frankfurt Radio Big Band: The Behemoth
by Roger Farbey
Julian Argüelles needs no lessons on how to arrange for a big band since cutting his teeth with the 1980s jazz phenomenon Loose Tubes, later joining Chris McGregor's legendary Brotherhood Of Breath. He also has recorded over a dozen albums under his name and subsequently leading several line-ups including his latest quartet Tetra. This is the ...
Xavi Reija: Reflections
by Matthew Aquiline
Deviating from his reputation within the realm of boundary-pushing progressive rock/jazz fusion, Catalan drummer and composer Xavi Reija removed the presence of electrified instruments that dominated previous works for an acoustic album that explores the jazz piano trio format. Reflections, his eighth recording as a leader, synthesizes Reija's dynamic authority behind the kit with the lyrical ...
Cameron Graves: Planetary Prince
by Christopher Hoard
Cameron Graves' debut recording, Planetary Prince (Mack Avenue) is an original and refreshing “piano jazz" outing. It's horn sextet dynamics provide familiar entry points and references into the musical sphere Graves inhabits as composer, arranger, and performer, but the extreme energy levels and sophisticated ensemble dynamics confidently echo the great bands of the jazz-rock era; perhaps ...
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