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Papanosh: A Chicken in a Bottle
by Anthony Shaw
Papanosh originate in the northern French city of Rouen and have been together over 10 years. This second CD of somewhat discordant, deconstructed hard bop is another example of their concept of an imagined folklore, a new musical tradition created together by musicians and listeners in their shared synergy. It involves widely varied music that, with its sudden ...
Miles Okazaki: Trickster
by Nicola Negri
Semplicità e immediatezza sono spesso gli elementi principali di un progetto ben riuscito. Altre volte, la complessità della ricerca teorica più rigorosa serve a illustrare una precisa visione musicale. I dischi che riescono a coniugare in maniera convincente questi aspetti sono rari, e Trickster è uno di questi. Il chitarrista Miles Okazaki, membro stabile ...
Reverend Chris: @etude
by Geno Thackara
Christopher Marsceill may be based in northwest Philadelphia, but a casual listener could just as easily believe it was Nashville or New Orleans--not just because he goes by Reverend Chris in polite company and otherwise, but because he and his amiable High Rollers band share a love for earthy horns and Dixie swing. This lineup's first ...
KMJO: Common Ground
by Jack Bowers
KMJO is shorthand for the Kirk MacDonald Jazz Orchestra, and Common Ground is the third recording by the splendid Toronto-based group, following the well-received Deep Shadows (2011) and Family Suite for Large Ensemble (2012). This time around, the orchestra performs compositions by MacDonald arranged by one of Canada's premier co-pilots, Joe Sullivan. The ...
Fay Claassen: Luck Child
by C. Michael Bailey
Dutch singer Fay Claassen has taken her sweet time releasing a follow-up to her 2010 big band release, Sing (Challenge). Her most recent recordings before sing include Red, Hot & Blue: The Music of Cole Porter (Challenge, 2009), and the uniformly excellent Two Portraits Of Chet Baker (Munich, 2006), all uniquely their own works of art. ...
Rick Braun: Around The Horn
by Jeff Winbush
There's only so many ways you can go in jazz with the trumpet. Straight ahead and then a sharp left turn into more experimental improvisation paging (Miles Davis), a technically proficient if somewhat rigid traditionalist (Wynton Marsalis) or become a tasty, if unmemorable ingredient in the smooth jazz gumbo (Chuck Mangione). These are the ...
Rein Godefroy: It Will Come
by Dan McClenaghan
Dutch pianist Rein Godefroy enters the crowded and talent-filled arena of the jazz piano trio with It Will Come. The music--on a first listen--seems to fit in the the European aesthetic of this form of musical expression with the opener, the disc's title tune, a gently laid down sound. The piano touch is supple, the bass/drums ...
Tarek Yamani: Peninsular
by Hrayr Attarian
On his third release Peninsular, pianist and composer Tarek Yamani continues to explore the amalgamation of Arabic music and American jazz. His work is more than a simple juxtaposition of disparate styles as it is built upon shared elements in both genres. On the current album, commissioned for the Abou Dhabi festival, Yamani's focus is folk ...
Peter Campbell: Loving You: Celebrating Shirley Horn
by Dan Bilawsky
Put aside notes, chords, rhythm, and the rest of the composite parts that add up to a song, for none of it means a thing if there's no real story to tell and no true artist to mold and honor the truth in the tale. The late Shirley Horn had an instinctual understanding about that fact, ...
Keiko Higuchi and Shin-ichiro Kanda: Passing and Longing and There Is Only a Trace Left
by Geno Thackara
With a resume in music that tilts heavily toward the avant-garde end of the listenability scale, Keiko Higuchi is nothing if not challenging. Small groups dedicated to free (in every sense) improv are alternated with solo abstract sound paintings using her voice and occasionally processed piano. She sticks to vocalizing and leaves the keys to Shin-Ichiro ...
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