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Tony Tixier: Life Of Sensitive Creatures
by Roger Farbey
Following two semi-pastoral Tony Tixier originals, I Remember The Time Of Plenty" and Denial Of Love," the listener is treated to a commendably loose interpretation of Louis Armstrong's timeless Tight Like This," which apparently Tixier's grandmother enjoyed singing. Whilst it retains some of the hooks of the 1920's tune, it is transformed into something completely different. ...
Elliott Sharp: Err Guitar
by Don Phipps
Is this music from another world? Dense, complex, innovative, and chock full of improvisation, Elliott Sharp's Err Guitar seeks to establish a whole new vocabulary for the instrument. Joined by the significant guitarist Mary Halvorson and the always willing to experiment Marc Ribot, Sharp elevates the guitar trio using Stockhausen-like effects that blur rhythm and sound--offering ...
Django Bates: The Study of Touch
by Vincenzo Roggero
Folletto imprevedibile e difficilmente etichettabile della scena creativa britannica -salta con disinvoltura da lavori orchestrali al piano solo, da composizioni per il teatro e per il cinema a commissioni di musica sinfonica, da collaborazioni con Tim Berne e Bill Bruford a quelle con George Russell e George Gruntz -Django Bates è stato elemento propulsivo fondamentale nella ...
Steve Lacy: Free For a Minute (1965/72)
by Enrico Bettinello
Non erano mai stati ufficialmente ristampati su CD né Disposabilty né Sortie, due momenti a loro modo significativi nell'evoluzione del linguaggio del sassofonista Steve Lacy durante gli anni Sessanta. Li ripropone oggi la Emanem, in un doppio CD completato da alcuni interessanti inediti. Pubblicati originariamente in Italia (Lacy si era stabilito ...
David Ian: Vintage Christmas Trio
by Dan Bilawsky
You can see the snow gently drifting down through the sky, taste the eggnog, and feel the yuletide spirit gently wrapping its arms around you as Vintage Christmas Trio pleasantly glides on by. Building on a branding-savvy holiday portfolio that includes Vintage Christmas (Prescott Records, 2011) and Vintage Christmas Wonderland (Prescott Records, 2014), pianist David Ian ...
Kim Wilson: Blues and Boogie Vol. 1
by Doug Collette
Spearheaded by this long-time linchpin of the Fabulous Thunderbirds, on Blues and Boogie Vol. 1, a group of musicians as versatile as they are empathetic tackles classics from Little Walter, Elmore James and others. Kim Wilson and the ensemble not only display innate knowledge of its roots, but that elusive joy derived from actively honoring same. ...
Rolling Stones: On Air
by Doug Collette
The Rolling Stones have a well-established history of archive releases, collectively titled 'From the Vault,' with which the band has done yeoman's work to document the later years of their history. On Air is not one of those titles, but in its Deluxe Edition, nevertheless constitutes an extensive examination of the original quintet's meticulous and spirited ...
Brian McCarthy: Codex
by Doug Collette
Whether saxophonist Brian McCarthy's third full-length studio album, Codex, was specifically intended as such, this comparatively simple, bracing quartet project is a refreshing change of pace from its more involved predecessor, The Better Angels of Our Nature (Truth Revolution, 2017). On the surface at least seemingly far less ambitious, the album begins in a ...
Nik Turner: Life In Space
by Glenn Astarita
The British reedman, vocalist, and former member of the legendary space rock band Hawkwind navigates the cosmos once again. For some, Life in Space may equate to solitude and awe, but Nik Turner's festive approach may be more conducive to joyriding on Comets. Indeed, the artist's vocals take on an air of innocence, often mixed evenly ...
Peter Horsfall: Nighthawks
by Bruce Lindsay
The title of Peter Horsfall's Nighthawks may call to mind the iconic Edward Hopper painting, or maybe Tom Waits' Hopper-inspired Nighthawks At The Diner (Asylum, 1975). A few bars into Nighthawks" it becomes obvious that Horsfall and Waits both take inspiration from the painting ("Nighthawks lead a lonely life...")--but Horsfall's melancholy vocal stands in sharp contrast ...





