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310

Article: Album Review

Milt Jackson: Sunflower

Read "Sunflower" reviewed by John Kelman

by John Kelman

With a series of mainstream dates to his credit dating back to the early 1950s—not to mention charter membership in the now-legendary Modern Jazz Quartet (MJQ) and one-offs with everyone from bop saxophonist Charlie Parker to “new thing" saxophonist John Coltrane—vibraphonist Milt Jackson was the clear link between his instrument's swing era beginnings with Lionel Hampton ...

213

Article: Album Review

Debbie Winter Quartet: Red Song

Read "Red Song" reviewed by Bruce Lindsay

by Bruce Lindsay

Classically-trained British vocalist Debbie Winter, formerly a member of Shifting Sands, makes her solo debut with Red Song. The recording may be brief, just 20 minutes, but in that time, Winter's quartet creates a rich and intriguing musical atmosphere with moments of breathtaking beauty. Winter co-wrote the songs with pianist and arranger Aidan ...

369

Article: Album Review

North Mississippi Allstars: The North Mississippi Allstars: Keys to the Kingdom

Read "The North Mississippi Allstars: Keys to the Kingdom" reviewed by Doug Collette

by Doug Collette

Following a hiatus of sorts for The North Mississippi Allstars, during which time guitarist Luther Dickinson worked with The Black Crowes while drummer sibling Cody fronted his own band, Hill Country Revue, the group's reformation has fueled a fire within the music of Keys to the Kingdom. The music begins to flow in a ...

176

Article: Album Review

Gregg Allman: Low Country Blues

Read "Low Country Blues" reviewed by C. Michael Bailey

by C. Michael Bailey

Low Country Blues is Gregg Allman's eighth (not counting anthologies) solo recording. His previous solo effort was 1997's Searching for Simplicity (Sony), and for those counting, that was 14 years ago. His present recording reflects a trend established with Johnny Cash's American> releases (American Recordings, 1994-2010) and Joe Cocker's Organic (550 Music, 1996), and most recently ...

154

Article: Album Review

Wayne Wallace: To Hear From There

Read "To Hear From There" reviewed by Wilbert Sostre

by Wilbert Sostre

Wayne Wallace continues to explore the infectious Afro-Cuban rhythms on To Here From There, the follow-up to his 2010 Grammy-nominated album, Bien Bien! (Patois Record, 2009).Wallace is a trombonist with vast experience that includes collaborations with artists such as Count Basie, Joe Henderson, Lionel Hampton, Sonny Rollins and Tito Puente. Wallace Latin Jazz Quintet ...

291

Article: Album Review

Django Bates Beloved: Beloved Bird

Read "Beloved Bird" reviewed by Bruce Lindsay

by Bruce Lindsay

Django Bates claims that he heard Charlie Parker records on the day he was born. Fifty years later, Bates has formed Belovèd, giving life to his longstanding love for Parker's music on his trio's debut, Belovèd Bird. It's an album that ably demonstrates how love means never having to play in the same old way, for ...

284

Article: Album Review

Bob Gluck: Something Quiet

Read "Something Quiet" reviewed by Glenn Astarita

by Glenn Astarita

Julliard-trained pianist Bob Gluck's heart lies within the adventurous free jazz uprising of the 1960s and electronic music. This harmonically appealing acoustic date subliminally intimates his penchant for both genres, an album framed in a cunning fusion of ambient, jazz improvisation and concrete song forms. Gluck and bassist Christopher Dean Sullivan engage for ...

329

Article: Album Review

George Benson: White Rabbit

Read "White Rabbit" reviewed by John Kelman

by John Kelman

After three late-1960s A&M albums with mastermind Creed Taylor prior to the creation of CTI Records, guitarist George Benson hit 1971 running with two CTI debuts, issued a few months apart. Beyond the Blue Horizon was closer, in complexion, to his A&M recordings--harkening back, even, to his impressive 1966 Columbia Records two-punch, It's Uptown and The ...

148

Article: Album Review

Jerry Bergonzi: Three Point Shot

Read "Three Point Shot" reviewed by Greg Simmons

by Greg Simmons

Musicians often benefit from the stimulus provided by a interacting with a new group of cohorts. If nothing else, personnel changes can remake the creative process and offer dramatically altered results. In an art form like jazz, that leans heavily on improvisation, this can only be a good thing. It is, therefore, a pleasant surprise to ...

334

Article: Album Review

Arturo O'Farrill: 40 Acres And A Burro

Read "40 Acres And A Burro" reviewed by Dan Bilawsky

by Dan Bilawsky

Bandleader Chico O'Farrill created a template of sorts, fusing big band bravura with Latin sounds in his Afro Cuban Jazz Orchestra. While his son followed in his footsteps, Arturo O'Farrill has demonstrated a broader vision, looking past the island of his origins and developing a pan-Latin approach to jazz repertoire for his appropriately named Afro Latin ...


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