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Come Sunday: Crosscurrents
by C. Michael Bailey
American roots music can be divided into four broad genres: blues, jazz, country and gospel. A Venn diagram of the relationship of these four would reveal an area of intersection of all these musical elements. It is in this area that the jazz-gospel group Come Sunday achieves its durable yet delicate goal of divining these spirits ...
Miles Davis: Bitches Brew Live
by AAJ Italy Staff
A volte anche un piccolo dettaglio fa la differenza. Il saxofonista Wayne Shorter rimase imbottigliato nel traffico e non raggiunse in tempo Newport per il concerto che il quintetto di Miles Davis doveva tenere il 5 luglio del 1969 nella frizzante località balneare del Rhode Island che ospitava il festival jazz forse più famoso del mondo ...
John Surman: Flashpoint: NDR Jazz Workshop - April '69
by Nic Jones
In the necessarily modestly expansive booklet note which accompanies this CD and DVD set, Brian Morton sets out the development of jazz in Britain, from its point of origin in the early decades of the twentieth century. He also rightly identifies the musical generation that came of age in the 1960s as having no sense of ...
Sonic Liberation Front: Meets Sunny Murray
by Mark Corroto
Sonic Liberation Front--the inheritors of both Sun Ra and the Art Ensemble of Chicago's traditions--teams up with jazz legend, drummer Sunny Murray, to create both a studio and live recording. The music continues SLF's dedicated effort to mine the percussive traditions of Afro-Cuban, Yoruba/West Africa, and American-fostered free jazz. The percussion-heavy band's previous release, ...
Jason Adasiewicz: Sun Rooms
by AAJ Italy Staff
C'era da aspettarselo un disco come Sun Rooms da Jason Adasiewicz. Dopo i lampi di classe balenati in Rolldown e Varmint, non serviva certo un Nostradamus per indovinare che il barbuto vibrafonista di Chicago avrebbe presto dato alle stampe la prova della maturità. Troppi gli indizi accumulati negli ultimi due-tre anni per potersi ingannare: la gloriosa ...
Harriet Tubman: Ascension
by Raul d'Gama Rose
The raison d'être for the band, Harriet Tubman, is an almost aching musical yearning for a complete freedom. It is a freedom from genre and certainly on Ascension, complete freedom from style as well as style. This what the 20th Century Spanish poet and playwright, Federico Garcia-Lorca described as the heart of duende, a holistic alternative ...
Julian Siegel Quartet: Urban Theme Park
by Bruce Lindsay
The Julian Siegel Quartet epitomizes some of the finest elements of jazz: creativity, virtuosity, collaboration, invention and (the often neglected) fun. As a result, Urban Theme Park, the band's second album, is a positive feast of music. Broadly speaking, this is probably best described as post-bop, but no single definition can encapsulate the breadth of vision ...
Joseph Lepore: Journal
by Mark Corroto
Written, arranged, and produced by bassist Joseph Lepore, Journal is one solid and reliable recording with a consistent and upright sound. As a leader, he joins his bass with tenor saxophonist Lance Murphy, vibraphonist Tim Collins, and rock-solid drummer Nasheet Waits. Lepore, born in New York, grew up in Italy, absorbing the jazz scene ...
Carlos Franzetti / Allison Brewster Franzetti: Alborada
by Dan Bilawsky
Pianist Carlos Franzetti's versatility is one of his many virtues. Few artists could pull off a solo piano project like Mambo Tango (Sunnyside, 2009), and then turn right around and create such moving music for orchestra and piano. Fortunately, Franzetti has the talent, drive and discipline to match his ambitions and Alborada is the proof.
Bill Anschell: Figments
by C. Michael Bailey
Bill Anschell is a lot of things. He is house pianist and mainstay at Origin Arts, showing up on a wide range of projects. He also contributes to this publication, writing with grace on craft of jazz. But, late at night, he is a musical James Joyce, spinning musical thread off the top of his head. ...
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