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Anders Svanoe: State Of The Baritone Volume 2
by Mark Corroto
Some people see a baritone saxophone and think it an obtuse and blunt instrument. Not Anders Svanoe; he sees his baritone saxophone as a sharpened, yet subtle tool. Evidenced by State Of The Baritone Volume 2, he communicates everything from shuffling boogaloos to energized free-jazz, post-bop, and folk music with an uncanny naturalness. All ...
Jon Hassell: Listening To Pictures (Pentimento Volume one)
by Chris May
By the time even the most revolutionary musicians reach their ninth decade, few are any longer making profoundly adventurous work. Typically, conservatism has kicked in or, if not that, a younger generation has come along and moved the goal posts. But on Listening To Pictures (Pentimento Volume One), Jon Hassell, the creator of fourth-world music in ...
The Jason Klobnak Quartet/Quintet: Friends & Family
by C. Michael Bailey
Trumpeter/composer Jason Klobnak is one of those artists who creeps up on you. His debut recording, Mountain, Move (Self Produced, 2013), inauspiciously crossed my desk on its way beneath the laser, where it impressed me as just progressive enough to be interesting, but not so much to be a turn off. Klobnak takes the classic Miles ...
Yacine Boulares: Abu Sadiya
by Neri Pollastri
Il sassofonista e clarinettista di origini tunisine Yacine Boulares presenta qui un'interessantissima suite di musica originale, ispirata però ad Abu Sadiya, mitica figura dell'XI secolo appartenente alla tradizione tunisina che Boulares ha conosciuto attraverso i racconti del padre. Originario dell'Africa sub sahariana, probabilmente del Mali, giunto in Tunisia alla ricerca della figlia rapita e ridotta in ...
Nels Cline: Currents, Constellations
by Maurizio Comandini
Il primo brano di questo ottimo Currents, Constellation del quartetto di Nels Cline, parte con un accordo straniante e inaspettato che funge da establishing shot. Come succede in tanti film e telefilm, la prima inquadratura è studiata proprio per darci subito le coordinate di un preciso punto di vista che ci trascina dentro alla storia che ...
Francesco Turrisi: Northern Migrations
by Ian Patterson
For his fifth album as leader Dublin-based Italian pianist Francesco Turrisi strikes out on his own with his first solo piano recording--a format he's well used to in a live setting. These thirteen compositions/improvisations were inspired by his family's migration north from Sicily to Turin, and subsequently by his own northern migrations--first to The Netherlands where ...
Dominic Lash & Seth Cooke: Egregore
by John Eyles
Making their Intonema debut here, the occasional duo of Dominic Lash and Seth Cooke dates back to 2013. Egregore is their third album release, following PACT (1000 füssler, 2014) and Canary (Hideous Replica, 2015). However, anyone familiar with those releases and/or Lash's other work may be surprised by this new album as he does not play ...
Jeff Williams: Lifelike
by Mike Jurkovic
Sounding as real as real gets, Lifelike's forward thinking drummer/composer Jeff Williams' heady sextet sure sound like they're all sitting in on a late night, cramped back room cutting session, with each player challenging, coaxing the other to new heights and horizons. Williams, an alumni of such name drops as Stan Getz, Dave Liebman, ...
Michael Feinberg: Whatever Possessed Me
by Don Phipps
Tribute bands are glowingly appreciated by fans of great rock acts; perhaps it's time jazz fans got with it! Michael Feinberg's Whatever Possessed Me is a dedication to the works and sound of John Coltrane and his classic quartet with McCoy Tyner, Jimmy Garrison, and Elvin Jones. The performances on this album are so good, one ...
Terence Blanchard: Live
by Mike Jurkovic
As trumpeter Terence Blanchard is wont to do, he blends spoken word, rock, funk, the electrified, the experimental, the second line, the bop, blues, and hip hop on the swaggering, often staggering, Live, his latest Blue Note release. Bidding us to ..."find our voices..." Marcus Miller's Hannibal" evolves from a floating piano intro (courtesy ...





