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MMM Quartet: Live at the Metz' Arsenal
by Glenn Astarita
World-renowned improvisers align for a meeting of the minds on this live date, spawning a multidimensional stance, where on-the-fly invention rules the roost. The breadth of each artists' scope and stylization yields a scrappy game plan, containing a succession of abstracts which move forward at a brisk pace. Electronics pioneer Alvin Curran supplies bizarre background treatments, ...
Oriole: Every New Day
by Bruce Lindsay
There's a stark beauty to Every New Day, the third album from Oriole, that speaks of the majesty of vast open spaces. For the most part, the warmth and splendor of these spaces gives the music a positivity and optimism, but there are also times when it takes on a more downbeat and reflective quality. The ...
Eyal Vilner Big Band: Introducing The Eyal Vilner Big Band
by Edward Blanco
Tel Aviv, Israel-born saxophonist, composer and bandleader Eyal Vilner moved to New York City in 2007 to continue his studies at the New School for Jazz and Contemporary Music. After touring Israel in the summer of 2008, he decided to establish a New York version of his all-star Israeli big band. Enlisting fourteen of the city's ...
Wes Montgomery: Echoes of Indiana Avenue
by C. Michael Bailey
In welcome fits of serendipity, the manuscripts of previously unknown European classical compositions are found in attics, old churches or forgotten libraries and brought to light with no little fanfare. In the United States, there is an equivalent situation with hitherto previously unissued jazz recordings being revealed in the most unlikely places. In a recent example, ...
Allman Brothers Band: At Fillmore East
by C. Michael Bailey
The Blues is atomic music in the respect that as a part of American Popular Music it is an indivisible element, one that cannot be deconstructed. The Blues is a part of every genre of popular music: Rock, R&B, Jazz, Country, Bluegrass, and Rap. How did the blues insinuate itself into every popular form of American ...
Mark Soskin: Nino Rota
by Dan McClenaghan
Mark Soskin is probably best known for his work with saxophone legend Sonny Rollins. As Rollins' pianist from 1978 to 1991, he contributed to a string of several marvelous CD releases on the Milestone label. These included Dancing in the Dark (1987), which opened with a masterfully straightforward cover of the pop song, “Just Once," that ...
Albert Beger / Gerry Hemingway: There’s Nothing Better To Do
by Eyal Hareuveni
This live album documents the first musical meeting between Israeli sax hero Albert Beger and master drummer Gerry Hemingway. The two met in November, 2011 in Tel Aviv's Levontin 7 club. They did not exchange any notes before their gig, or even sketch a loose road map for the improvisations to follow. Instead, both trusted their ...
Joe McPhee / Ingebrigt Haker Flaten: Brooklyn DNA
by Glenn Astarita
Veteran multi-reedman, trumpeter and consummate improviser Joe McPhee--along with Norwegian bassist Ingebrigt Håker Flaten--serenades Brooklyn, NY, with allusions to tenor sax titan Sonny Rollins' historic practice sessions under the Brooklyn Bridge and other inferences from the days of yore, on Brooklyn DNA. In recent years, the borough has enjoyed a bit of momentum with its chic ...
Bria Skonberg: So is the Day
by Nicholas F. Mondello
It's a rare talent that can straddle--and dare request membership in--the trumpet artist continuum emanating from Louis Armstrong and progressing down through his “Neo Orleans" progeny: Byron Stripling, Wynton Marsalis and Nicholas Payton (whose big band trumpet section Skonberg graces). However, with her bravura performance on So is the Day, Bria Skonberg confirms that she is ...
Jazz Bigband Graz: Urban Folktales
by Bruce Lindsay
Despite the inherent problems of managing large numbers of musicians, funding their activities, and finding venues large enough to host ensembles of 15-plus players, the jazz big band is undergoing something of a revival. Jazz Bigband Graz, from Austria, is yet another fine ensemble from Europe, and Urban Folktales shows that imaginative new directions in big ...
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