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Steve Barta: Another Life Brazil
by C. Michael Bailey
Pianist Steve Barta continues his musical travels through Brazil that started with Blue River (Source Music, 2001), a collaboration with flautist Herbie Mann. Mann joined Barta on Another Life Brazil, performing his valedictory on the title tune shortly before his death at 73, in 2003. None other than Hubert Laws rounds out the wind parts on ...
Sandra Marlowe: True Blue
by Edward Blanco
With the plethora of female jazz vocalist turning out new albums almost weekly, it is refreshing to hear an exceptional voice--a diamond in the rough--from a singer whose time has finally come to share her enormous talents with the rest of the world. San Francisco Bay Area native Sandra Marlowe proves she is no ordinary singer, ...
Elephant9: Walk the Nile
by John Kelman
After a debut making it to more than one critic's “best of" list for 2008, Elephant9 returns with Walk the Nile. If Dodovoodoo demonstrated this keyboard power trio's affiliation for Tony Williams' late-1960s Lifetime and early Weather Report, mixed with a bit of progressive rock-era Keith Emerson, then Walk the Nile steps a tad further away ...
Lajos Dudas Quartet: Jazz And The City
by Dan Bilawsky
Most musicians firmly plant themselves in one particular territory in the music world, but clarinetist Lajos Dudas prefers to set up camp at the border crossings, allowing for swift travel between stylistic realms. Dudas doesn't discriminate when it comes to direction, and he's made that evident through his own endeavors over the past fifty years. He ...
Samuel Hallkvist: Variety of Loud
by Eyal Hareuveni
Copenhagen-based Sweish guitarist Samuel Hällkvist, winner of the prestigious 2010 Jazz In Sweden award, demonstrated his eclectic tastes on his 2010 debut as a leader, Samuel Hällkvist Center (Caprice), albeit still rooted in the jazz legacy. On Variety of Loud he even goes further, blurring genre boundaries between improvised jazz and his primary love for the ...
Carol Robbins: Moraga
by Edward Blanco
The harp is probably one of the least recognized and utilized instruments in jazz yet, the jazz harp is as much a part of the genre as the saxophone, with only a handful of musicians making it their instrument of choice. The late Dorothy Ashby and Alice Coltrane, along with Lori Andrews, Columbian Edmar Castaneda and ...
Humcrush with Sidsel Endresen: Ha!
by John Kelman
That so many artists can place themselves in a position of ultimate risk on a concert stage, attempting to create something from nothing, speaks of a certain intrepid spirit. That some of those same artists not only succeed at pulling form from the ether, but actually do so night after night, with a distinct and recognizable ...
Bob Mintzer Big Band: For The Moment
by Dan Bilawsky
Musicians can consider themselves lucky if they find success in one particular area, but there are a select few that seem to flourish in every music-related environment that they encounter. Bob Mintzer is part of this elite list; his versatility is his greatest virtue but, while he's a world class saxophonist and educator, his legacy will ...
David Linx, Maria Joao and the Brussels Jazz Orchestra: A Different Porgy and Another Bess
by C. Michael Bailey
The French classical label Naive has made a successful foray into jazz with recordings like Mina Agossi's Red Eyes (2012); and Tania Maria's Tempo (2012). A Different Porgy and Another Bess is the first thematic big-band offering from the label. Drawing from the George Gershwin/DuBose Heyward opera, Porgy and Bess (1935), A Different Porgy highlights eleven ...
Fly: Year of the Snake
by Mark F. Turner
While there are numerous jazz trios, few leave a lasting impression. This is not the case for Fly, consisting of younger but fully established jazz artists-- saxophonist extraordinaire Mark Turner and his equally talented cohorts, bassist Larry Grenadier and drummer Jeff Ballard. At just over ten minutes, the episodic “Kingston," from the trio's ...
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