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Phil Grenadier / Bruno Raberg: Plunge
by Karl Ackermann
There are conspicuously few trumpet and bass duo recordings in the archives of jazz, though the rationale is not obvious. The sonic characteristics of the two instruments work surprisingly well in the hands of disciplined artists who emphasize the creative process over fireworks. Trumpeter Phil Grenadier, brother of bassist Larry Grenadier, is teamed with bassist Bruno ...
Phish: Chicago '94
by Doug Collette
With the exception of the deservedly lavish package of The Clifford Ball (Rhino/Jemp, 2009), Phish has allowed its music to speak for itself on virtually all the group's archive releases. Chicago '94 follows suit, as this six-CD set--like the similarly conceived Hampton/Winston-Salem '97 (Jemp, 2011)--makes its statement through the largely brilliant musicianship contained therein, with virtually ...
The South Florida Jazz Orchestra: Trumpet Summit
by Edward Blanco
Following its self-titled South Florida Jazz Orchestra (MAMA Records, 2008) debut, this Miami-based big band now presents a power-infused second effort. The highly anticipated Trumpet Summit showcases several wonderful jazz trumpeters. Renowned bassist, and founder and director of the band, Chuck Bergeron was inspired to feature sounds of the trumpet after remembering all of the great ...
Anat Cohen: Claroscuro
by Ernest Barteldes
Reed multi-instrumentalist Anat Cohen seems equally comfortable performing Brazilian jazz with Duduka Da Fonseca's quintet, contemporary jazz with her two brothers in the Three Cohens, or Afro-Cuban and more straight-ahead material with the countless ensembles with which she has worked over the years. Claroscuro reflects Cohen's unique ability to tackle multiple genres with the same dexterity. ...
Ferner/ Juliusson: Undertowed
by Ian Patterson
The striking artwork on Undertowed serves as metaphor for guitarist Per-Arne Ferner and pianist Per Gunnar Juliusson's musical relationship. A brooding, cloud-heavy sky and a still sea seem like reflections of each other, or a seamless whole. The lone figure juxtaposed against this imposing landscape is at once a part of it, and yet apart. The ...
Jurgen Friedrich: Monosuite
by Dan Bilawsky
Pianist Jurgen Friedrich doesn't play a single note of music on Monosuite, but his personality and cognitive bearing are omnipresent. While Friedrich's piano was at the heart of the sound on the trio-based Pollock, he removes his hands from the ivories on this follow-up date, allowing a cadre of string players and a highly flexible foursome ...
Noël Akchoté, Jean-Marc Foussat and Roger Turner: Acid Rain
by Eyal Hareuveni
This free improvised meeting between prolific French guitarist Noël Akchoté and analog synthesizer wizard Jean-Marc Foussat, and British drummer Roger Turner is unique, and not just because of these experienced improvisers' breadth of the musical language. The trio's collective sound is a multilayered, reflecting on progressive rock in its early experimental days, muscular fusion showoffs and ...
Miguel Zenon / Laurent Coq: Rayuela
by Mark F. Turner
Inspired by Julio Cortáza's sweeping and influential novel, Rayuela (Pantheon, 1963), pianist Laurent Coq and saxophonist Miguel Zenón transform parts of the Argentinean writer's famous work into a memorable jazz release. Written in Spanish, and published in 1963, the title literally means “Hopscotch." The text has been described as an “introspective stream-of-consciousness" and a “masterpiece of ...
ATZBE: Zone De Memoire
by Bruce Lindsay
ATZBE is the working title for a duo of master improvisers: German pianist, Hubert Bergmann, and UK-based reeds player, Gilad Atzmon. Zone De Memoire is the duo's first album, a set of seven improvisations recorded in a single afternoon, and Bergmann and Atzmon's first musical collaboration.Bergmann seems to relish the thrill of this first ...
Garth Knox: Saltarello
by Hrayr Attarian
Violist Garth Knox is certainly not a jazzman in the traditional sense of the word. Nevertheless, he is well adept at musical improvisation. He has worked with the revolutionary Ensemble Intercontemporain with its cross-genre experimentation, as well as pioneers of free jazz such as Joelle Léandre, George Lewis and Steve Lacy. Knox's “Fuga ...
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