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Rudresh Mahanthappa: Gamak
by Mark Corroto
Did saxophonist John Coltrane have any idea of the consequence of dipping his toes into the music of India in the 1960s? Not only did he introduce jazz to new harmonic structures, but he marshaled the forces of jazz, perhaps, to ingurgitate world music. While the repercussions of Coltrane's spiritual journey are still being felt, what ...
Mostly Other People Do the Killing: Slippery Rock
by Eyal Hareuveni
Mostly Other Peopele Do the Killing is back! And with it the rightly slandered genre of smooth jazz. This quintet's fifth studio album was penned by MOPDtK bassist Moppa Elliot after a lengthy immersion in the smooth jazz recordings of the late 1970s and '80s. Elliott extracted certain idiomatic phrases, harmonies and embellishments from this superficial ...
Mostly Other People Do the Killing: Slippery Rock
by John Sharpe
Like the previous four studio albums by self-styled bebop terrorist band Mostly Other People Do the Killing, Slippery Rock begins with a drum solo over a vamp before kicking into the first tune. That's not the only thing that remains constant. Leader/bassist Moppa Elliott's songwriting talents haven't deserted him either; his charts, named after small Pennsylvania ...
Hanna Paulsberg Concept: Waltz for Lilli
by John Kelman
Norway's place on the international jazz map has been assured for decades: first with saxophonist Jan Garbarek, guitarist Terje Rypdal and bassist Arild Andersen; then, a second wave including trumpeters Arve Henriksen and Nils Petter Molvær, and pianists Bugge Wesseltoft and Christian Wallumrød; and, more recently, in another wave featuring In the Country and Splashgirl. Still, ...
Petra's Recession Seven: Live In Chicago
by Jack Huntley
Petra van Nuis' voice is at once alluring and robust. Her tone alternates between delicate playfulness and declarative strength, perfectly suiting the combination of hot jazz and standards on Live In Chicago, an enchanting portrait of her band, Petra's Recession Seven. And oh, what a band it is--capable of captivating backing as well as exciting soloing.
Uptown Vocal Jazz Quartet: Hustlin’ For A Gig
by C. Michael Bailey
The Uptown Vocal Jazz Quartet performs in the same stylistic arena of the Manhattan Transfer and Lambert, Hendricks & Ross. There. It has been said; and now we have that out of the way. The UVJQ has been active for the past two decades under the direction of Ginny Carr. They are based in the Washington ...
Inbar Fridman: Time Quartet Project
by Dan McClenaghan
In a quartet that includes both guitar and piano, a certain symbiosis between the players is necessary for the success of the sound. Israeli guitarist Inbar Fridman has established that relationship of musical symbiosis with pianist Camelia Ben Naceur, part of a trio Fridman calls the French mob" that also includes bassist Laurent Chavoit and drummer ...
The Max Nagl Ensemble: Live at Porgy & Bess Vienna
by Glenn Astarita
There's no telling what Austrian woodwind artist Max Nagle will pull out of his stockpile of tricks. A premier progressive jazz acolyte and prominent improviser, he's an ideas man who has recorded for many prominent European avant-garde record labels. Here, Nagl's nonet sculptures a program formed on traditional concepts with a nouveau 'tude. But his concentrated ...
Trichotomy: Fact Finding Mission
by Bruce Lindsay
So what is a Fact Finding Mission"? It might be a pretty dull trip to gather data; it may be a euphemism for something a little more sordid. If it's being undertaken by Australian piano trio Trichotomy, then it's a whole heap of musical fun, for this particular Fact Finding Mission is the band's fifth album: ...
The Jasper Blom Quartet: Gravity
by John Kelman
With Gravity, Dutch saxophonist Jasper Blom concludes his Mainland Records trilogy--its cover perhaps suggesting something more danceable than the heads and hands that graced the respective covers of 2008's Statue of Liberty and 2011's Dexterity. Each recording has its own charms, but Gravity is, hands-down, the most upbeat and joyous of the three, and another superb ...

