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Triptet: Figures in the Carpet
by Hrayr Attarian
Triptet's music is hard to categorize within one particular genre. The Seattle based group's second release, Figures in the Carpet, is a unique cross between the hypnotic ambience of synth-pop and avant-garde jazz's complex and dissonant harmonies. Elegiac and mystical motifs and free-flowing spontaneity endow the album with a thematic unity.The deconstructed lullaby “Surfactants," ...
David Weiss & Point Of Departure: Venture Inward
by Dan Bilawsky
Fans of trumpeter David Weiss may be a bit confused when they take a look at this album. At quick glance, it reads like a re-tread of Weiss' Snuck In (Sunnyside, 2010), which has a near-identical line-up playing a near-identical program, but there's a good reason for that: both albums were actually recorded a day apart ...
Billy Martin's Wicked Knee: Heels Over Head
by Mark Corroto
What if drummer Billy Martin of the late-20th, now 21st-century band Medeski Martin and Wood had been born at the end of the 19th century in New Orleans? What kind of music would he play? Certainly, it would have a brass band setting and be inflected with blues feel. Invite Buddy Bolden over tonight, because we ...
Kai Hoffman: Do It While You Can
by Bruce Lindsay
The visual image, the cover design and the positivity of the album title--Do It While You Can--all point in the general direction of a Good Time about to be had. Singer (and French horn player) Kai Hoffman ensures that a good time is exactly what's on offer, crafting a set of songs that makes the most ...
Boz Scaggs: Memphis
by Doug Collette
Boz Scaggs made a household name for himself with the ultra-slick Silk Degrees (Columbia, 1975), but he had already established a solo career for himself in the wake of departing The Steve Miller Band in 1968. Memphis further reaffirms the selective approach the vocalist, guitarist and songwriter has brought to his career in recent years, at ...
Joe Clark Big Band featuring Jeff Hamilton: Lush
by Nicholas F. Mondello
According to a Carl Sandburg poem, Chicago is “the city of big shoulders." There's a unique strength about Chicago that's different than New York or Los Angeles. Might it be suggested, therefore, that players emanating from the Windy City might also carry a bit more muscle, swagger and workmanlike focus? Perhaps.With Lush, his debut ...
Miki Hirose: Scratch
by Karl Ackermann
Trumpeter Miki Hirose is a relatively new talent on the domestic jazz front, but the Japanese native has been kicking around the New York circuit for close to ten years now. Having won a number of prestigious awards in Japan, Hirose went on to play with a number of prominent U.S. musicians including Benny Golson, Lonnie ...
Grand General: Grand General
by John Kelman
Despite many members barely into their thirties, Grand General is a Norwegian super group of sorts. Ola Kvernberg is, perhaps, best-known internationally for a string of recordings that, including Folk (Jazzland, 2009) and the more ambitious Liarbird (Jazzland, 2011), have garnered the violinist/violist plaudits like the DnB NOR Award at the 2012 Kongsberg Jazz Festival. Guitarist ...
Samuel Blaser Quartet: As The Sea
by Eyal Hareuveni
The whole of some musical outfits is greater than its separate parts. The Berlin-based, Swiss trombonist Samuel Blaser's Quartet is one of these outfits, comprised of resourceful musicians with strong personalities, distinct approaches that together complement the strengths of this band but also pushes it into newer terrains. Blaser is conservatory trained and ...
Antonio Sanchez: New Life
by Mark Corroto
You may have attended a concert by vibraphonist Gary Burton or guitarist Pat Metheny and, like many others found yourself unable to keep from focusing your attention on the drummer, Antonio Sanchez. His presence, exudes a sort of rhythmic magnetism that has backed players such as Chick Corea, Miguel Zenon, and Metheny for the past 13 ...
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