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Festival International de Jazz de Montréal 2018: Part 1

by John Kelman
Part 1 | Part 22018 Festival International de Jazz de Montréal, Various Venues, Montréal, Canada June 29-July 3, 2018 Every return to Montréal for the city's annual Festival International de Jazz de Montréal is much-anticipated. Closing off six square blocks in the downtown core is rare enough; but, over ...
Brilliant Corners 2018

by Ian Patterson
Brilliant Corners 2018 Black Box Belfast, N. Ireland March 3-10, 2018 Compared to Dublin or cities in the UK, Belfast is usually overlooked when jazz groups tour. When the likes of Wayne Shorter, Charles Lloyd, Ahmad Jamal, Keith Jarrett or Brad Mehldau come to Ireland it's usually a one-stop visit ...
Cecile McLorin Salvant: Dreams and Daggers

by Angelo Leonardi
È un disco importante questo di Cécile McLorin Salvant. Il disco della piena maturità, quello che segna la consacrazione della giovane vocalist nell'olimpo del canto jazz. Dopo tre lavori in studio (l'ultimo dei quali vincitore di un Grammy) Cécile dimostra con questo doppio live di non essere solo la voce afro-americana più avvincente del presente ma ...
Culture Clubs: Part IV: When Jazz Met Europe

by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
Alicia Hall Moran: Here Today

by Angelo Leonardi
Le sintesi tra canto operistico e universo musicale afroamericano sono state sporadiche. In generale la relazione tra i due mondi è apparsa difficilmente compatibile per la forte diversità tra le due estetiche: mi sembra che l'esempio più riuscito di conciliazione resti l'opera Porgy and Bess . Di recente un significativo passo avanti lo sta compiendo il ...
Harriet Tubman: Araminta

by Mark F. Turner
Named after the iconic American heroine: escaped slave, abolitionist and humanitarian Harriet Tubman (born Araminta Ross circa 1822); the extraordinary New York based trio of guitarist Brandon Ross, bassist Melvin Gibbs and drummer JT Lewis have performed together for over 20 years yet have only released three prior recordings: I am a Man (Knitting Factory, 1998), ...
Dara Tucker: Seeds of the Divine

by Suzanne Lorge
Rising jazz star Dara Tucker has added three new trophies to a rapidly growing lineup of awards. At this year's Nashville Industry Music Awards (NIMAs) she won Best Jazz Vocalist, Best Jazz Album, and Song of the Year for her April release, Oklahoma Rain (Watchman Music). These three awards follow closely on the heels of her ...
Jon Cowherd Quartet: featuring Steve Cardenas, Tony Scherr and Brian Blade: Gateway

by Karl Ackermann
Pianist/keyboardist Jon Cowherd has been a regular member of the Brian Blade Fellowship through its four releases dating back to the group's self-titled debut in 1998 (Blue Note Records). He has recorded with Cassandra Wilson, Lizz Wright and Myron Walden (also of Fellowship) as well, but the Kentucky native has a background that extends to country ...
Sonny Landreth: Recorded Live in Lafayette

by C. Michael Bailey
Slide guitarist Sonny Landreth releases his third live recording after 2005's Grant Street (Sugar Hill Records) and 2007's Sonny Landreth -Live at 2007 New Orleans Jazz & Heritage Festival (Munckmusic). Far from just another live release from a jam band, Recorded Live in Lafayette reveals some clever programming by Landreth. Disc one of this two-disc set ...
Harriet Tubman: Araminta

by Vic Albani
Se il buon giorno si vede dal mattino, il 2017 già dai suoi primi passi potrebbe evidenziarsi come la classica annata da ricordare. La musica in giro in questo periodo (specialmente laddove non si grida alla crisi ad ogni piè sospinto) sembra davvero valere più che la semplice menzione cronachistica. Dopo l'ultimo lavoro dei Kneebody (Anti-Hero), ...