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Ben Monder: Day After Day
by Mark Corroto
On Day After Day, Ben Monder explores memories triggered by songs. Over two discs, one solo and the other with bassist Matt Brewer and drummer Ted Poor, the guitarist rouses impressions formed long ago. Just like a certain fragrance can spark the memory of an old lover, songs deep in your brain's hard drive can be ...
Harriet Tubman: The Terror End of Beauty
by Vic Albani
Continuando l'audace cammino che solo chi conosce a perfezione tutti i meandri della musica moderna in generale può affrontare, Brandon Ross, Melvin Gibbs e JT Lewis, proseguono la strada di unire jazz, rock, blues e improvvisazione in modo esemplare. The Terror End of Beauty segue di non molto lo straordinario Araminta uscito nel ...
Nuove vocalist all’orizzonte
by Angelo Leonardi
Nuove vocalist crescono. Da qualche anno, sia nel jazz che nella black popular music, sono emerse vocalist di talento, prossime a imporsi negli anni a venire. In questa fase storica di globalizzazione spinta anche il canto jazz è entrato in una dimensione globale. Aumentano le possibilità per tutti di apprendere le forme espressive delle musiche afroamericane ...
Blue Note's Tone Poet Series
by Patrick Burnette
With CD-quality streaming a reality for those with butch internet and money to burn, and vanilla streaming the reality for almost everyone else, digital music has never seemed less collectable. Why clutter your Marie Kondo-approved home with jewel boxes when much (though heaven knows not all) of the digital catalogue is available on tap? While compact ...
What We Need Are Hearts On Fire
by Mary Foster Conklin
Sample sweet holiday music from Beegie Adair, plus new releases by pianists Harold Mabern and Sue Palmer, with birthday shout outs to Diane Schuur, Frank Sinatra, Joe Williams (celebrating his centennial this year), Jazz Master Bob Dorough, Cassandra Wilson and lyricist Morgan Ames, among others. Playlist Gordon Goodwin Big Phat Band “The Little Drummer ...
Talk Mode with Eamonn Lenihan—New Podcast Series Offers Three Jazz Interviews A Week
“Duke Ellington reckoned ‘Too much talk stinks up the place’. And of course it must be about the music. But sincere, intelligent conversation can lead to enlightenment. My role, as podcast host, is to steer guests away from bland, chat show patter into areas of genuine interest…” —Eamonn Lenihan Talk Mode, the very first podcast by ...
(Not So) Standards
by Ludovico Granvassu
For decades jazz standards have provided improvisers with both a vehicle and a testing ground for their creativity. In some cases they have taken more liberties than others. This week we focus on not-so-standard renditions of jazz standards, from “Take Five" to “My Favorite Things," from “Mood Indigo" to “'Round Midnight," two hours of jazz played ...
Sco in Baton Rouge, Okazaki vs. Monk, Sax-less Trane covers & more
by Marc Cohn
This week we fired up the locals for the super John Scofield Baton Rouge concert on October 4th; did a Miles Okazaki/Thelonious Monk compare & contrasts with two of Monk's most challenging compositions; played sax-less Trane covers from guitarist Simone Manunza & Jessica Williams solo at the 88s; and spun some 21st century jazz that caught ...
Bailey’s Bundle – Seven Women (Plus Three) 2018 – Part IX
by C. Michael Bailey
Yilian Cañizares and Omar Sosa Aguas Ota Records 2018 Pianist/composer Omar Sosa has established himself as a pioneer at the edge of Cubano-Caribbean music. Sosa teams with violinist/vocalist Yilian Cañizares for a breezy and sensual stroll through 11 original, for lack of a better term, world music compositions that are as ...
Maria Muldaur Readies 41st Album: "Don't You Feel My Leg - The Naughty Bawdy Blues Of Blue Lu Barker" Out September 28th
When a 24-year-old Blue Lu Barker stepped up to the microphone at Decca Records studio in Manhattan in 1938 to record Don’t You Feel My Leg, she had no way of knowing that that initial recording would turn out to be such an enduring piece of blues artistry. An immediate hit, the song instantly established Barker ...
