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Steve Davis: Correlations
by Peter J. Hoetjes
Exploration and innovation may be the aspiration of modern jazz, but trombonist Steve Davis' Correlations exemplifies the fact that nothing proves more compelling than the timeless art of gathering a group of musicians who work remarkably well together. A veteran of The Jazz Messengers, One For All, and The Jazztet, Davis has a wealth of experience ...
CTI on BGO
by Jakob Baekgaard
"It was the best of times, it was the worst of times." The echo of Charles Dickens' famous novel A Tale of Two Cities is suitable to describe the climate of jazz when Creed Taylor launched CTI. It was 1970 and acoustic jazz was in crisis. Following the invasion of rock, it had survived by becoming ...
Freddie Hubbard: At Onkel Pӧ's Carnegie Hall
by Stefano Merighi
Se si dovesse per gioco indicare un trombettista della storia del jazz che sintetizzasse tecnica strumentale, flessibilità espressiva, capacità mimetiche in relazione al contesto e ricchezza di curriculum forse la scelta cadrebbe su Freddie Hubbard. Il suo aplomb di giocatore era mirabile, valgano per tutte le sue apparizioni a fianco di John Coltrane, in Out to ...
The Three Sounds: Groovin' Hard: Live At The Penthouse 1964-1968
by Stefano Merighi
Nell'alveo turbolento della musica afroamericana, scorre sottotraccia da più di mezzo secolo la corrente rapida e ridente del soul-jazz--che chiamiamo così solo per comodità -, di cui The Three Sounds sono stati alfieri indefessi per almeno tre lustri, vantando successi popolari da far invidia a colleghi ben più dotati nella sostanza musicale. Esce per ...
George Cables: The Pianist’s Dedication to the Group
by Victor L. Schermer
Anyone who is serious about jazz will tell you that George Cables belongs in the pantheon of the greatest jazz pianists. Everyone, that is, except George Cables. Exceptional in every way, he is yet a team player. He sees himself as part of the rhythm section, and has always emphasized the group over the soloist. He ...
Clifford Lamb: One
by Larry Taylor
It's a pleasure to discover a jazz performer. whose style is unique. Pianist Clifford Lamb is in this category as he displays in One. Hailing from Oakland, California, he has put together San Francisco Bay area musicians, Darrell Green on drums and Ron Belcher, bass, who help considerably to bring out his individualistic touch. ...
Art Pepper: Unreleased Art Vol. 5: Stuttgart May 25, 1981
by Chris M. Slawecki
Recorded during a European tour by Pepper's “comeback quartet" with drummer Carl Burnett, bassist Bob Magnusson and pianist Milcho Leviev, Unreleased Art Vol. 5: Stuttgart May 25, 1981 is a genuine labor of love: Not only the performers' love of music but also the devotion of this alto saxophonist's fans, who sent their own recordings of ...
40 Year Old Bitches, New MilesTones & Others, Too
by Chris M. Slawecki
AntibalasWho is This America? Ropeadope Records2010 Few American bands have been more influential in the global Afrobeat movement than the Brooklyn collective Antibalas. Keeper of the African protest flame ignited by Nigerian musician/activist Fela Kuti in the 1970s, Antibalas' reach is expansive and impressive: it contributed to the ...
Art Pepper: Unreleased Art, Vol V: Stuttgart May 25, 1981
by C. Michael Bailey
Art Pepper Unreleased Art, Vol V: Stuttgart May 25, 1981 Widow's Taste 2010Since 2006, alto saxophonist Art Pepper's discography has grown by a CD of previously unreleased or limited released performances per year. This bounty is due to the diligence of Pepper's widow, Laurie, who has been accumulating ...
Salute to Stan Kenton: Artistry in Contrast
by Jack Bowers
Artistry in Rhythm, the Ken Poston / Los Angeles Jazz Institute's 2009 homage to the renowned bandleader Stan Kenton, was held October 8-11 at the Sheraton LAX Four Points Hotel. As always, there was much to see, hear and admire: films, panel discussions, special presentations and, last but not least, no fewer than nineteen concerts by ...
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