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Seamus Blake / Chris Cheek: Let's Call the Whole Thing Off
by Edward Blanco
Friends and musical collaborators for more than two decades, New York tenor saxophonists Seamus Blake and Chris Cheek have been leaders, sidemen and big band soloist throughout their distinguished careers and seem to cherish their roles as co-leaders on joint projects such as their critically-acclaimed Reeds Ramble (Criss Cross Jazz, 2014). Let's Call the Whole Thing ...
Freihofer's Saratoga Jazz Festival 2016
by R.J. DeLuke
Freihofer's Saratoga Jazz Festival Saratoga Performing Arts Center Saratoga Springs, NY June 25-26, 2016 Plenty of fine music was presented at the 2016 version of Freihofer's Saratoga Jazz Festival by musicians young, old and in between. On piano, for instance, it ranged from Joey Alexander, who turned 13 ...
Black Market
by Jeff Winbush
As Weather Report returned to the studio to cut their next album the band was yet again in flux. Gone from 1975's Tale Spinnin' line up were percussionist Alyrio Lima and drummer Ndugu Leon Chancler. Zawinul explained the latest comings-and-goings in a 1976 interview, “We're always happy with the group, because if we're not ...
The Peter Edwards Trio: A Matter Of Instinct
by Roger Farbey
This is the second album by Trinity Laban graduate and 2014 MOBO Awards nominee Peter Edwards, his first being 2014's Safe And Sound. Edwards was a member of a group led by the late trumpeter Abram Wilson and is currently a member of vocalist Zara McFarlane's band. Opening with an infectious Latin beat, “Samba City" recalls ...
Cannonball Adderley: Somethin' Else – 1958
by Marc Davis
Is there anything new to say about a jazz classic that features one of the greatest two-horn tandems ever to lay down a blue note? How about this: You must own this record. Period. I suspect that everyone with even a passing interest in jazz owns Miles Davis' Kind of Blue, the best-selling jazz ...
Miles Davis: Miles Davis
by Maurizio Zerbo
Poco più di trenta minuti di musica compongono questo CD antologico della DeAgostini, dedicato alla non certo corposa produzione davisiana per la Blue Note. Quasi tutte le tracce sono tratte da Miles Davis vol. 1, registrato tra il 1952 e il 1954. I rimanenti due brani si ritrovavano originariamente in Miles Davis vol. 2 e Something ...
Intervista a Gaetano Partipilo
by Angelo Leonardi
S'è formato nella fervida scena del jazz pugliese e nei corsi di Siena Jazz ma poco più che ventenne ha svolto le prime, significative, esperienze internazionali accanto a Dave Liebman, Greg Osby, Jason Moran, Nasheet Waits e altri protagonisti dell'innovazione, a New York sul finire degli anni Novanta. Oggi Gaetano Partipilo è uno dei ...
Roberto Magris: Need to Bring Out Love
by Jack Bowers
Perhaps the best word with which to describe Italian-born pianist Roberto Magris is busy. Since launching his career in the late '70s, the fifty-six-year-old keyboardist has performed with a veritable who's who of jazz luminaries in forty-one countries, and Need to Bring Out Love is his twenty-seventh album as leader of his own groups (in this ...
Donny McCaslin “Fast Future” al Teatro Franco Parenti
by Paolo Peviani
Donny McCaslin Fast Future Jazz Al Parenti Milano Teatro Franco Parenti 21.03.2016 Strana la vita del jazzista. Passi anni, come ha fatto Donny McCaslin, a suonare musica rigorosa, con collaborazioni importanti (una per tutte, quella con Dave Douglas) ed il tuo nome circola, senza nemmeno troppo clamore, esclusivamente tra ...
Nicola Fazzini e il Questionario di Proust
by AAJ Staff
All About Jazz: Il tratto principale della mia musica. Nicola Fazzini: Ricercare ed essere originale, almeno così spero. AAJ: La qualità che desidero nei musicisti che suonano con me. N.F.: Un insieme di creatività e rigore. Saper ricercare ed essere liberi con profondità, passione e studio. AAJ: Come musicista, il ...
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