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Gary Giddins on Ignored Black Jazz Writers
by Greg Thomas
In the first essay for the Race and Jazz column, I gave a first-person account of how my love and appreciation of certain “white" saxophonists served to safeguard me from the temptation of racism back in college during the early-to-mid-'80s. My second essay privileged culture over race, and told the story of how attorney and constitutional ...
The Jazz Conservatory
by Nick Catalano
Each semester I bring my jazz students from Pace university down to Dizzy's Club Coca-Cola to see a performance by the Manhattan School of Music Jazz orchestra, under the direction of Justin DiCioccio. The concerts are spectacular with themes intelligently constructed featuring areas of jazz (musicians, composers, arrangers, styles) appealing to serious listeners. I've written about ...
Take Five With Vinson Valega
by AAJ Staff
Meet Vinson Valega: Vinson grew up in a musical family near Washington, D.C., studying classical piano from age seven until switching to the drums when he was 12. He played drums for three years in the All-County Jazz Ensemble during high school and subsequently held the drum chair in the University of Pennsylvania Big ...
Bobby Sanabria: Kenya Revisited LIVE!!! (feat. Candido)
by Graham L. Flanagan
Led by percussionist Bobby Sanabria, the Manhattan School of Music Afro-Cuban Jazz Orchestra delivers a worthy tribute to one of the greatest AfroCuban jazz recordings ever made: Machito's Kenya. Recorded in 1957, Kenya exists for many as one of the essential albums of its kind. It's absolutely appropriate that, more than half a ...
Johnny Conga: Breaking Skin
by Raul d'Gama Rose
Johnny Conga comes from a long line of illustrious tumbadora (conga) players. From the musical evidence on Breaking Skin, this genealogy may begin with the likes of Chano Pozo, Mongo Santamaria, Tata Guines, Candido, Armando Peraza and Francisco Aguabella. Lest there be a scream of “blasphemy," it bears mention that Conga stylistically connects the ancient with ...
Bobby Sanabria / Manhattan School of Music Afro-Cuban Jazz Orchestra: Kenya Revisited Live!!!
by Edward Blanco
In 1957, Cuban band leader, singer and composer Francisco Raul Gutierrez Grillo de Ayala, AKA “Machito," his Afro-Cuban big band, along with co-founder Mario Bauza, Cannonball Adderley and Basie trumpeter Joe Newman, released an album titled Kenya (Roulette), which, at the time, became instrumental in launching the Afro-Cuban or Latin jazz genre. Multiple Grammy nominee Bobby ...
Candido: Fountain of Youth
by AAJ Staff
By Bobby Sanabria At the youthful age of 87, NEA Jazz Master Candido Camero has indeed led a full life with no signs of slowing down. While still maintaining a busy schedule of performing and traveling, “The Man of a Thousand Fingers" is still wowing audiences the world over as a shining example of ...
Candido: Thousand Finger Man
by Jim Santella
The late 1960s and early 1970s introduced changes to jazz as well as to all of music. Pop organ and whacka-whacka electric guitar sounds invaded the studio when Candido recorded these sessions in September 1969. This reissue with Dr. Billy Taylor’s original liner notes only measures 38 minutes in length, but its value lies in the ...
