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209

Article: Book Review

Brian Morton & Richard Cook: The Penguin Jazz Guide - The History of the Music in the 1001 Best Albums

Read "Brian Morton & Richard Cook: The Penguin Jazz Guide - The History of the Music in the 1001 Best Albums" reviewed by C. Michael Bailey


The Penguin Jazz Guide: The History of the Music in the 1001 Best Albums Brian Morton and Richard Cook Paperback; 768 pages ISBN: 9780141048314 Penguin Books 2010 Attention: The Penguin Jazz Guide: The History of the Music in the 1001 Best Albums does not equal The Penguin Guide ...

236

Article: Reassessing

Ornette Coleman: This is Our Music

Read "Ornette Coleman: This is Our Music" reviewed by C. Michael Bailey


Ornette ColemanThis is Our MusicAtlantic1961 This is Our Music is the militantly expressed jumping-off point for alto saxophonist Ornette Coleman on the way to the epochal Free Jazz: A Collective Improvisation (Atlantic, 1961). Coleman picks up exactly where he left off on Change of the Century and never ...

204

Article: Reassessing

Ornette Coleman: Change Of The Century

Read "Ornette Coleman: Change Of The Century" reviewed by C. Michael Bailey


Ornette ColemanChange Of The CenturyAtlantic1959 Change Of The Century was an audacious album title, to say the least. On his second Atlantic release--and second with his most like-minded ensemble (trumpeter Don Cherry, bassist Charlie Haden and drummer Billy Higgins)--alto saxophonist Ornette Coleman pushed the freedom principal farther. At ...

274

Article: Reassessing

Ornette Coleman: The Shape Of Jazz To Come

Read "Ornette Coleman: The Shape Of Jazz To Come" reviewed by C. Michael Bailey


Ornette ColemanThe Shape Of Jazz To ComeAtlantic1959 Ornette Coleman's Contemporary Records releases Something Else!!!! (1958) and Tomorrow Is The Question! (1959) documented the alto saxophonist's development from the last vestiges of bebop toward a harmonically freer jazz language. Coleman's album titles became more prophetic as they were ...

187

Article: Album Review

Sasha Masakowski and Musical Playground: Wishes

Read "Wishes" reviewed by C. Michael Bailey


The field of female jazz vocals is somewhat bigger than 40 acres...like, a universe bigger. So congested is the musical ether with this flavor of jazz that it is nearly impossible for an artist to carve out a useful niche. Not that a niche is necessary, but it is nice to have some unifying element or ...

418

Article: Album Review

Levon Helm: Ramble at the Ryman

Read "Ramble at the Ryman" reviewed by C. Michael Bailey


The Arkansas delta grit is gone from his voice, replaced by age and disease with the well-sanded twang of an American Southern Isaiah, if Johnny Cash were a stern Elijah. Levon Helm was the first voice among equals in The Band, sharing vocal duties with the equally distinctive vocals of bassist Rick Danko and pianist Richard ...

324

Article: Reassessing

Ornette Coleman: Tomorrow is the Question!

Read "Ornette Coleman: Tomorrow is the Question!" reviewed by C. Michael Bailey


Ornette ColemanTomorrow is the QuestionContemporary1959Shaking out of the contractual obligation forcing him to employ a pianist on his debut, Something Else!!!! (Contemporary, 1958), alto saxophonist Ornette Coleman dispensed with the instrument altogether on 1959's Tomorrow is the Question!, causing a bit of consternation on the part of the ...

402

Article: Reassessing

Ornette Coleman: Something Else!!!!

Read "Ornette Coleman: Something Else!!!!" reviewed by C. Michael Bailey


Ornette ColemanSomething Else!!!!Contemporary2011 (1958) Robert Louis Stevenson noted that, “The mark of a good action is that it appears inevitable in retrospect." The middle-to-late 1950s in jazz were populated with several “good actions," all considered inevitable evolutionary reactions to earlier genre, specifically swing and bebop--the latter the ...

339

Article: Album Review

Tianna Hall: Never Let Me Go

Read "Never Let Me Go" reviewed by C. Michael Bailey


Never Let Me Go is Houston-native vocalist Tianna Hall's third release, and first for Blue Bamboo Music, following her self-produced Lost in the Stars (2007) and Ballads and Bossas (2010). Hall has preferred the intimacy of smaller accompaniment on her first two recordings, a preference she carries to Never Let Me Go. The singer is support ...

224

Article: Album Review

Janya: Janya

Read "Janya" reviewed by C. Michael Bailey


The name “Janya" can loosely be translated “genesis" or “beginning." In Sanskrit, it means “to be born" and in the Korean vernacular, “around dawn." Janya is both the ensemble name and debut recording title of four young Korean and Korean-American musicians attempting to cast Korean shamanic music in more modern terms than it was conceived. Korea ...


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