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Tony Monaco: Taking Jazz Organ to the Summit
by C. Andrew Hovan
Columbus, Ohio native Tony Monaco is primed and ready to place jazz organ in a whole new spotlight. Although he has been a playing musician for most of his life, it has been during the past sixteen years that he has made the biggest strides as an artist. A gifted educator with a unique approach to ...
Rudy Van Gelder
by C. Andrew Hovan
This interview was originally published in June 1999.For many decades now, the name Rudy Van Gelder has been synonymous with recorded jazz music. The number of sessions he's done over the years easily numbers in the tens of thousands. He's been actively involved in the recording work of such quintessential jazz labels as Prestige, ...
Behn Gillece: Dare to Be
by C. Andrew Hovan
When it comes to jazz vibraphone, the names of Stefon Harris and Warren Wolf are most likely to be found on a list of contemporary leaders. Add to that now the name of Behn Gillece, a gentleman who has been honing his skills on the New York scene since 2006. His talents first came to the ...
Mike Melito: New York Connections
by C. Andrew Hovan
Every town has its homegrown talent worthy of wider recognition. This is definitely true when it comes to Rochester native Mike Melito. Since the age of 16, the drummer has held down the drum chair for countless combos and national acts in and around upstate New York. That he has the chops and know-how to make ...
Steve Turre: Colors for the Masters
by C. Andrew Hovan
When it comes to the contemporary trombone artists, there are two schools of exploration. Steve Turre is an advocate of the more melodic school of which elder champions include Curtis Fuller and J.J. Johnson. The more ebullient and bop-inflected side of things has its greatest proponent in Conrad Herwig. No one method should be considered the ...
John Coltrane: The Atlantic Years in Mono
by C. Andrew Hovan
Much has been made lately in audiophile circles about whether mono or stereo versions of vintage back catalog items best represent the truest form of the music. Of course, back before stereo was widely accepted and available to most consumers, monophonic was the only way to go. Stereo allowed for more choices in placement of the ...
Gerry Mulligan: The Emarcy Sextet Recordings
by C. Andrew Hovan
While there are many reasons why the cool jazz movement on the west coast was a somewhat short-lived era, one of the key aspects of its quiet demise was the decidedly harder-edged music coming out of New York at about the same time period. Back around 1955, hard bop was making its ascendency and this might ...
Peter Bernstein: Let Loose
by C. Andrew Hovan
When it comes to guitarists of his generation, Peter Bernstein stands head and shoulders above the crowd. His tone and melodic approach are so recognizable as to be detected in a just a few bars. Since 1989, he has been the go-to guitarist in New York City and has literally graced hundreds of recordings. Bernstein has ...
Frank Kimbrough on Newvelle: Meantime
by C. Andrew Hovan
With the resurgence of the LP being what it is today, it should come as no surprise that some entrepreneur would decide to establish a subscription series solely devoted to music pressed on vinyl. In an era of grassroots projects and self-starters, the time had come for such a project, a point not lost on musician ...
The Bad Plus & Joshua Redman at the Michigan Theater
by C. Andrew Hovan
The Bad Plus & Joshua Redman The Michigan Theater Ann Arbor, Michigan April 23, 2016 Over the course of some twenty years, The Bad Plus has honed its own brand of music making, tapping into a plethora of styles and grooves to develop their own musical hybrid. Pianist Ethan Iverson, bassist ...
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