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Results for "Building a Jazz Library"
Duke Ellington
by John Eyles
This article was first published in 2005. Building a jazz library? Then you'll definitely need some Duke Ellington as a cornerstone of it. The Duke is frequently cited as the greatest jazz man of them all, with his main rivals for the crown being Louis Armstrong, Charlie Parker and Miles Davis. Ask ...
Newport Jazz
by Nathan Holaway
This article was first published in 2005.The summer seeks scintillating sounds from the jazz sectors. Indeed, it is at this minuscule place that massive talents come together. Who could possibly hypothesize that such a small stretch of land could be the breeding ground for new ideas, the ideal place for musical re-unions, or the ...
Classic Funk
by Chris M. Slawecki
This article was originally published in August 2005. In rendering his decision in a 1964 obscenity trial, Supreme Court Justice Potter Stewart wrote: I shall not today attempt to further define [pornography]... but I know it when I see it." You really can't define the Funk, either. In a typical four/four stomp, ...
Classic Jazz Guitar
by Bob Patterson
This article was originally published in August 2005. To pick the top ten of anything is a tough task. When it comes to the subject of jazz guitar, the task is enormously difficult. However, these are the ten most influential guitarists (in my opinion), arranged in somewhat chronological order. Each recording listed is the ...
Clarinet
by Bob Bernotas
When you hear the phrase, New Orleans jazz," what three instruments immediately come to mid? That's right: cornet, trombone, and clarinet. In those early jazz combos, the clarinet provided a soaring, high register obbligato that enhanced, and, in the hands of the amazing Sidney Bechet, challenged, the cornet's lead line. A decade or so later, the ...
Tenor Saxophone
by Bob Bernotas
Invented in the early 1840s, the saxophone was a relative latecomer to music--and to jazz. But starting in the mid-1920s, with the rise of the big bands, the instrument slowly but steadily evolved from a vaudeville novelty into a staple in the mainstream of jazz. Of the different varieties of saxophone, the tenor and the alto ...
Trombone
by Bob Bernotas
The trombone was an essential component of the brass parade bands that were a staple of black social and cultural life in many southern cities around the turn of the twentieth century. As these bands evolved into collectively improvising jazz ensembles, the trombone became an equal partner of the clarinet and cornet, filling in the root ...
John McLaughlin
by Walter Kolosky
Few tasks are more daunting than picking just ten of a great jazz artist's albums for a library collection. Each record adds in its own way to the appreciation of any artist. But in the case of guitarist John McLaughlin (b. 1942), choosing representative albums is made an even more difficult chore because so many of ...
Jazz For A Romantic Evening
by AAJ Staff
This collection of tunes spans a range of moods and colors, but the common thread running through it is that it's music to share. Perhaps a candlelight dinner, or conversation on the couch, or dancing, or whatever-happens-after-that: these records cover the spectrum. You won't find Jazz for Lovers or any such mass market trash ...
Mellow Moods
by AAJ Staff
Jazz in all its rich variety encompasses all the colors from deepest blue to piercing red. For this particular section of Building a Jazz Library, we've selected a handful of recordings which you might color green: green for go, green for growth. If you're a jazz neophyte, you'll find an opportunity here in these ...


