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Results for "Building a Jazz Library"
Clarinet
by Bob Bernotas
When you hear the phrase, “New Orleans jazz," what three instruments immediately come to mid? That's right: cornet, trombone, and clarinet. In those early jazz combos, the clarinet provided a soaring, high register obbligato that enhanced, and, in the hands of the amazing Sidney Bechet, challenged, the cornet's lead line. A decade or so later, the ...
Tenor Saxophone
by Bob Bernotas
Invented in the early 1840s, the saxophone was a relative latecomer to music--and to jazz. But starting in the mid-1920s, with the rise of the big bands, the instrument slowly but steadily evolved from a vaudeville novelty into a staple in the mainstream of jazz. Of the different varieties of saxophone, the tenor and the alto ...
Trombone
by Bob Bernotas
The trombone was an essential component of the brass parade bands that were a staple of black social and cultural life in many southern cities around the turn of the twentieth century. As these bands evolved into collectively improvising jazz ensembles, the trombone became an equal partner of the clarinet and cornet, filling in the root ...
John McLaughlin
by Walter Kolosky
Few tasks are more daunting than picking just ten of a great jazz artist's albums for a library collection. Each record adds in its own way to the appreciation of any artist. But in the case of guitarist John McLaughlin (b. 1942), choosing representative albums is made an even more difficult chore because so many of ...
Jazz For A Romantic Evening
by AAJ Staff
This collection of tunes spans a range of moods and colors, but the common thread running through it is that it's music to share. Perhaps a candlelight dinner, or conversation on the couch, or dancing, or whatever-happens-after-that: these records cover the spectrum. You won't find Jazz for Lovers or any such mass market trash ...
Mellow Moods
by AAJ Staff
Jazz in all its rich variety encompasses all the colors from deepest blue to piercing red. For this particular section of Building a Jazz Library, we've selected a handful of recordings which you might color green: green for go, green for growth. If you're a jazz neophyte, you'll find an opportunity here in these ...
Funk Jazz: '60s-'70s
by Douglas Payne
Somewhere between the soul-jazz of the early sixties (often called “funk" in its day) and the disco of the mid-seventies, funk jazz was born. Rock was already crossing over into jazz. And it just made sense that rock would inject soul jazz with a greater sense of urgency and a stronger feel for the groove.
Film Scores
by Nathan Holaway
Ah, the cinema. We know so many cliches, certain scenes, and can even quote entire passages of movies. Music in film works the same way. As people who are conditioned through a dominantly visual culture, we tend to remember certain themes alongside certain movie scenes. This subject deserves much more attention! Film composers are often underrated ...
Tag Team Jazz, Part 1-2
by Nathan Holaway
Part 1 | Part 2 Jazz has always celebrated rugged individuality, praising those who appreciate others but stay on their own path. So what happens when two (or more) intelligent and original musicians come together? Most of the time, pure magic. Stellar tag teams have made some of the finest records in jazz history. ...
Tag Team Jazz, Part 2-2
by Nathan Holaway
Part 1 | Part 2 Jazz has always celebrated rugged individuality, praising those who appreciate others but stay on their own path. So what happens when two (or more intelligent and original musicians come together? Most of the time, pure magic. Stellar tag teams have made some of the finest records in jazz history. ...
