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652

Article: Building a Jazz Library

Duke Ellington

Read "Duke Ellington" reviewed by John Eyles


This article was first published in 2005. Building a jazz library? Then you'll definitely need some Duke Ellington as a cornerstone of it. The Duke is frequently cited as the greatest jazz man of them all, with his main rivals for the crown being Louis Armstrong, Charlie Parker and Miles Davis. Ask ...

846

Article: Building a Jazz Library

Newport Jazz

Read "Newport Jazz" reviewed by Nathan Holaway


This article was first published in 2005.The summer seeks scintillating sounds from the jazz sectors. Indeed, it is at this minuscule place that massive talents come together. Who could possibly hypothesize that such a small stretch of land could be the breeding ground for new ideas, the ideal place for musical re-unions, or the ...

1,217

Article: Building a Jazz Library

Classic Funk

Read "Classic Funk" reviewed by Chris M. Slawecki


This article was originally published in August 2005. In rendering his decision in a 1964 obscenity trial, Supreme Court Justice Potter Stewart wrote: “I shall not today attempt to further define [pornography]... but I know it when I see it." You really can't define the Funk, either. In a typical four/four stomp, ...

452

Article: Building a Jazz Library

Classic Jazz Guitar

Read "Classic Jazz Guitar" reviewed by Bob Patterson


This article was originally published in August 2005. To pick the top ten of anything is a tough task. When it comes to the subject of jazz guitar, the task is enormously difficult. However, these are the ten most influential guitarists (in my opinion), arranged in somewhat chronological order. Each recording listed is the ...

735

Article: Building a Jazz Library

Clarinet

Read "Clarinet" reviewed by Bob Bernotas


When you hear the phrase, “New Orleans jazz," what three instruments immediately come to mid? That's right: cornet, trombone, and clarinet. In those early jazz combos, the clarinet provided a soaring, high register obbligato that enhanced, and, in the hands of the amazing Sidney Bechet, challenged, the cornet's lead line. A decade or so later, the ...

1,083

Article: Building a Jazz Library

Tenor Saxophone

Read "Tenor Saxophone" reviewed by Bob Bernotas


Invented in the early 1840s, the saxophone was a relative latecomer to music--and to jazz. But starting in the mid-1920s, with the rise of the big bands, the instrument slowly but steadily evolved from a vaudeville novelty into a staple in the mainstream of jazz. Of the different varieties of saxophone, the tenor and the alto ...

868

Article: Building a Jazz Library

Trombone

Read "Trombone" reviewed by Bob Bernotas


The trombone was an essential component of the brass parade bands that were a staple of black social and cultural life in many southern cities around the turn of the twentieth century. As these bands evolved into collectively improvising jazz ensembles, the trombone became an equal partner of the clarinet and cornet, filling in the root ...

306

Article: Building a Jazz Library

John McLaughlin

Read "John McLaughlin" reviewed by Walter Kolosky


Few tasks are more daunting than picking just ten of a great jazz artist's albums for a library collection. Each record adds in its own way to the appreciation of any artist. But in the case of guitarist John McLaughlin (b. 1942), choosing representative albums is made an even more difficult chore because so many of ...

837

Article: Building a Jazz Library

Jazz For A Romantic Evening

Read "Jazz For A Romantic Evening" reviewed by AAJ Staff


This collection of tunes spans a range of moods and colors, but the common thread running through it is that it's music to share. Perhaps a candlelight dinner, or conversation on the couch, or dancing, or whatever-happens-after-that: these records cover the spectrum. You won't find Jazz for Lovers or any such mass market trash ...

231

Article: Building a Jazz Library

Mellow Moods

Read "Mellow Moods" reviewed by AAJ Staff


Jazz in all its rich variety encompasses all the colors from deepest blue to piercing red. For this particular section of Building a Jazz Library, we've selected a handful of recordings which you might color green: green for go, green for growth. If you're a jazz neophyte, you'll find an opportunity here in these ...


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