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Eliane Elias: Bossa Nova Stories
by Dr. Judith Schlesinger
This terrific recording by Eliane Elias salutes the 50th anniversary of bossa nova in a number of explicit ways. For one thing, it contains the three most famous tunes by its most famous composer, Antonio Carlos Jobim ("Girl from Ipanema," Desafinado," and Chega de Saudade,"), where Elias paraphrases his familiar piano solos; for another, the generous ...
Wayne Shorter: The Soothsayer
by Joel Roberts
Wayne Shorter was setting the jazz world on fire at the time of this 1965 Blue Note session, now available as part of the Rudy van Gelder remaster series. The tenor saxophonist had just joined Miles Davis' quintet, with whom he'd go on to make six classic albums, and he'd recently released a milestone album of ...
Stanley Turrentine: Dearly Beloved
by David Rickert
If ever there was a horn that was a perfect pairing with the Hammond B-3, it was Stanley Turrentine's. His best work was always done in combination with an organ (usually that of his wife Shirley Scott) where he coaxed out purring, laid back melodies over simmering chords. The Prestige label would take the organ combo ...
Eliane Elias: Bossa Nova Stories
by Chris May
For most people, bossa nova began in 1962, the year tenor saxophonist Stan Getz's album Jazz Samba (Verve, 1962) and 45rpm pull Desafinado" stormed up the pop albums and singles charts. That fall, Desafinado" sold approaching 500,000 copies and by the year's end America had gone bossa nova crazy. But in its birthplace, Brazil, bossa nova ...
Curtis Fuller: The Opener
by Chris May
Detroit-born trombonist Curtis Fuller stepped into the hard bop big league during the summer of 1957 with a flurry of high profile sideman dates and two albums as leader, New Trombone (Prestige, 1957) and The Opener, made within a few weeks of each other. The Opener, a lithe and soulful but largely forgotten disc, has been ...
Jimmy Smith: Plays Fats Waller
by David Rickert
It makes sense that Jimmy Smith recorded an album's worth of Fats Waller tunes, since Waller himself was a pioneer on the organ in a jazz context. But it makes even more sense when you consider that Smith applied the single note runs of a pianist to his instrument, and Waller, no slouch on the piano ...
Aaron Parks: Invisible Cinema
by Chris May
Best known for his five-year tenure with trumpeter Terence Blanchard, pianist Aaron Parks is the second Blanchard graduate to debut under his own name on Blue Note in 2008. His disc follows percussionist Lionel Loueke's Karibu (Blue Note, 2008), a fitfully engaging album flawed by trying too hard. Invisible Cinema by contrast is a corker, a ...
Milton Nascimento with the Jobim Trio: Novas Bossas
by David Rickert
The Bossa Nova craze has been over for several years, but every so often an album comes out that proves there is still much to explore within the genre. Novas Bossas, a collaboration between Milton Nascimento and the Jobim Trio, certainly has the pedigree to turn out a classic; Nascimento was one of the late stars ...
Aa.Vv.: Blue Note Perfect Takes [CD/DVD]
by AAJ Italy Staff
La serie di ristampe RVG è una delle operazioni discografiche più riuscite degli ultimi tempi. Rudy Van Gelder è l’uomo che ha definito il sound ottimale di un disco jazz, partendo dai combo che la Blue Note catturava alla fine degli anni Quaranta per arrivare alle grandi orchestre prodotte da Creed Taylor nei primi anni Settanta. ...
Gil Fuller with Dizzy Gillespie & James Moody: Gil Fuller & The Monterey Jazz Festival Orchestra featuring Dizzy Gillespie/Night Flight
by Graham L. Flanagan
Make a shortlist of your favorite, classic Dizzy Gillespie songs and the odds are that more than a few of them will share a connection to arranger Gil Fuller. Gillespie worked closely with Fuller during the height of his big band period in the mid to late ‘40s, resulting in numerous essential recordings. Their ...


